Pictures of calligraphy works with brush and regular script 1.
Appreciation of regular script works with brush Picture 2
Appreciation of regular script works with brush Picture 3
Appreciation of regular script works with brush Picture 4
Appreciation of regular script works with brush Figure 5
Matters needing attention in using ink for lowercase letters
Vivid charm is based on brushwork, but it is based on ink. The lightness of the pen can not only change the rhythm, but also change the use of ink. But this change is very little for regular script, especially small script, which is not as strong and shocking as cursive script.
Generally speaking, the ink used for lowercase letters should be thicker, but not too light, which will damage the impression. Let's see that the ancients used small letters and thick ink, especially in the Tang Dynasty, when they wrote scriptures, the ink was as bright as paint. Although it has been hundreds of years, it is still like getting rid of it.
The method of thick ink is not suitable for ink. When taking fine oil fume and ink, lightly press it on the inkstone and grind it clockwise. It is also inappropriate to pour too much water into the inkstone at once and grind it while injecting. The shade of ink does not prolong the pen, so grinding ink is greedy, so the inkstone should be deep enough to store ink and the ink color should be fine, so the inkstone surface should be fine. The natural essence is knotted, the ink is overflowing and the ink color is brilliant. Although Zhan is like a child's eyes, the color of ink has not changed for hundreds of years. This method of using ink is difficult to appreciate unless you look at the original works of the ancients. After writing, the inkstone should be cleaned for use tomorrow, and it is best not to use Su Mo.
Basic information
Regular script is also called regular script, real script and official script. Li Shu, founded by Cheng Miao, has gradually evolved and become more simplified and level. Ci Hai is interpreted as "square and straight, which can be used as a model." Hence the name regular script. It began at the end of the Han dynasty and has been popular until modern times.
The appearance of regular script follows closely Han Li's composition and pursues the further development of formal beauty. During the Three Kingdoms period at the end of Han Dynasty, the writing of Chinese characters gradually changed from wave to wave, and became "left" (dot), "sweep" (long left), "peck" (short left) and "lift" (straight hook). Such as Wuwei medical bamboo slips and Juyan Han bamboo slips. Regular script is characterized by neat rules and is a model in fonts, so it is called regular script and has been used until modern times.
Regular script has the meaning of model, which was first mentioned in Zhang Huaiguan's Shu Duan. People in the Six Dynasties still used it habitually, such as Yang Xin's Cai, and On the Biography of Wei Shou, saying, "Shou is a general, and Jingzhao people are good at regular script." That's the abbreviation of "eight-block method", which didn't replace the name of the official book until the Northern Song Dynasty, and its content was obviously different from the ancient name. There is probably an example of the above.
Regular script is the most popular script in China feudal society from the Southern and Northern Dynasties to the Jin and Tang Dynasties. Before the appearance of regular script, China calligraphy had produced three styles: Da Zhuan, Xiao Zhuan and Li Shu. Generally speaking, the ancient characters before Xiao Zhuan are collectively referred to as Da Zhuan, including Oracle Bone Inscriptions, bronze inscriptions and six languages except Qin in the Warring States Period. Xiao Zhuan is a popular script after Qin unified China. On the basis of Qin script, refer to other vassal scripts. In order to facilitate writing, it is standardized and unified. This is the first standardized regular script in the history of calligraphy in China.
Official script is another representative character after Xiao seal, which is based on Xiao seal. The appearance of official script is a great revolution of Chinese characters. Its significance lies not only in the symbolization of Chinese characters, but also in changing the writing style and aesthetic trend of Chinese characters, thus laying a foundation for the emergence of regular script calligraphy art and further opening up a broad world for the development and prosperity of China calligraphy art. Li Zhimin, a pioneer and professor of Peking University, believed that the unification of six languages by Qin Shihuang was of positive significance to the social progress at that time, but it was not necessarily conducive to the development of calligraphy art.
Therefore, in various calligraphy gardens in the Qin and Han Dynasties, the art of regular script (called official script at that time, that is, assisting seal script to write faster) was directly bred. According to its law, the development history of regular script in China can be divided into four periods: the germination period of regular script-Qin and Han dynasties, the development period of regular script-Wei, Jin, Southern and Northern Dynasties, the prosperity period of regular script-Sui, Tang and Five Dynasties, and the maturity period of regular script-Song, Yuan, Ming and Qing Dynasties.
Song Xuanhe's Book Score: "In the early Han Dynasty, Wang Cizhong began to use official script as regular script." The regular script here actually refers to the eight-part essay created by Wang Cizhong, not the so-called regular script in modern times. He added: "On the tomb of Confucius, a regular script tree planted by Zi Gongzhi has straight and unyielding branches." The strokes of regular script are concise and refreshing, and must be like the branches of regular script trees.