Wang Shizhen in the Ming Dynasty once said, "He is fresh in learning, negative in material spirit, handsome in appearance and bearded like a father. I have seen him often win by strength, but he lacks posture, just like a man, so he claims that he is gradually losing to Zhao Wuxing. 』
Because of his low official position all his life and often staying at home, Xian Yushu was able to give full play to his artistic talent. Besides being good at calligraphy, he is also a writer and has written many poems. He can also compose music, play the piano well and be proficient in cultural relics appraisal. It is because of his extensive artistic accomplishment and his integration with calligraphy that Fang Shu became a calligrapher. Shu began to learn calligraphy in his early years and failed to be like the ancients. Occasionally, he saw two people pulling a car in the mud in the wild and suddenly realized something. When he writes, he often returns to his wrist with the center, and his pen and ink are smooth, magnificent and ups and downs, and his wine is strange. The axis is fresh, regular script, line style and cursive script are long, especially cursive script. His skill is very solid, he hangs his wrist to write, and his brushwork is strong, and he is the author of "The Collection of Sleepy Learning". Xian Yushu and Zhao Mengfu were called "giants" in the Yuan Dynasty, and they were also called "Second Miao" and "Second Jie", but their influence was slightly inferior to that of Zhao Mengfu.
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