Yige calligraphy

The reason why a city is fascinating is often the cultural personality there. Lanzhou forest of steles is located in the west peak of Baita Mountain, surrounded by green forests, listening to the sound of the river and overlooking the whole city. It is famous for collecting and displaying calligraphy treasures such as Chunhua Pavilion stickers, Dunhuang scriptures, Qin and Han bamboo slips and stone carvings. The east-west axis and the north-south axis connect Lanzhou forest of steles into a whole. Staggered three terraces are connected by east-west corridors, forming the central area of the forest of steles. From the air, the whole forest of steles is like an antique, elegant and solemn picture scroll on Baita Mountain. Cao Shengting, the main building of Lanzhou Forest of Steles, has cornices and arches, and the top is glass, standing upright in the air, up to 30 meters high. Cao Shengge was named after Zhang Zhi, a famous calligrapher in the Eastern Han Dynasty. Born in Guazhou County, Jiuquan City, Zhang Zhi is known as "the sage of grass" and "the ancestor of cursive script". He is good at Cao Zhang, and changed the cursive script structure with separate strokes and separate characters into Lian Bi's writing method, also known as "a stroke of grass". This writing method has created a new height of cursive script. He, together with Wang Xizhi and Zhong You, is also known as the "Four Sages in the Book". His "August Post" was included in the "Chunhua Pavilion Post" in the Northern Song Dynasty. The three Chinese characters "Cao Shengge" were inscribed by the famous calligrapher Qi Gong and hung on the north and south sides of the pavilion respectively. The first floor shows the development and evolution of characters, and displays all kinds of calligraphy inscriptions. On the second floor of Cao Sheng Pavilion, there are three treasures of Lanzhou Forest of Steles-Subenchun Huating Stickers, Dunhuang Scriptures and Qin and Han Bamboo Slips. Chunhua Pavilion Post in the Northern Song Dynasty is known as the "ancestor of Fa Tie" and is the first large-scale calligraphy collection in China. Zhao Guangyi and Song Taizong presided over "The Pavilion in Spring", and Mo Bao, a famous person in the past dynasties collected by the imperial court, was engraved on the jujube board. In the third year of Chunhua (AD 992), wood carving was completed, and then it was printed as a book trace. There are more than 420 pieces of ink in the engraving, including 100 emperors, famous officials and calligraphers. Including the calligraphy posts of emperors, famous ministers, ancient calligraphy posts of various families and the calligraphy of Wang Xizhi's father and son. "Chunhua Pavilion Post" is beautifully printed and diligent. Used precious ink and Cheng Xin Hall paper at that time. Moistening ink is called "artifact in ink", which has the characteristics of no halo on paper, no glue on pen, moist and durable, anti-corrosion and moth-proofing. The paper in Chengxin Hall is as light as cicada, as white as snow and as thin as jade, which is very precious. "Chunhua Pavilion Post" was a smash hit as soon as it was published. Song Taizong and Zhao Guangyi selectively awarded a small number of rubbings to the royal family, the Chinese Book Province and the Privy Council dignitaries. During the Qing Dynasty in Song Renzong, there was a fire in the palace, and the rubbings of "Chunhua Pavilion Post" and the famous posts collected in the palace were destroyed by the fire. With the passage of time, the Spring Pavilion posts awarded by Song Taizong to ministers in those years have already disappeared. The "Su Ben Chun Ge Hua Tie" in the forest of steles in Lanzhou is very precious. There is a legend in the spread of this book. In the early Ming Dynasty, Zhu Ying, the fourteenth son of Zhu Maoyuan Zhang, was named "Hanwang". Before arriving in Gansu, Zhu Yuanzhang put a piece of Zhu Ying's Spring Pavilion Post in Song Dynasty. Since then, this post has been circulated among kings of past dynasties. In the forty-three years of Wanli (16 15), Zhu Yuanzhang's ninth grandson often copied the posts of Chunhua Pavilion, and he felt that "there is nowhere in the palace, and there is nowhere on the high seas". At that time, Zhang, a right-wing politician in Shaanxi Province, got another version of Chunhua Pavilion Post from a friend, and he asked Zhu to proofread it. Why not carve a pavilion sticker? Therefore, King Su ordered people to take up the double hook pavilion and carve it into a stone tablet for future generations. Wen Ruyu and Zhang * * *, who are in charge of this matter, are full of food and sleep. After Zhu died, it took his son seven years to finish it. Subenchun Huating Post Stone 144, with initial extension of 253. This pavilion is beautifully carved, angular and vivid. This rubbings allow the post of Chunhua Pavilion, which has experienced vicissitudes, to continue. However, 20 years later, the beacon smoke ignited and the pillars of Chunhua Pavilion were damaged. When Li Zicheng's army attacked Lan, the stone carving of Chunhuating was hidden in the inner well by Wang Su. In the early years of Shunzhi in the Qing Dynasty, people spent a lot of money, and carved a "Su Benchun Pavilion Post" in An. In the 11th year of Shunzhi in Qing Dynasty (1654), Chen Zhuo of Tao Min Road salvaged the pavilion stone carvings from the Neifu well and asked someone to copy more than 40 pieces to form a complete pavilion sticker. During the reign of Kangxi, when Shaanxi Governor Wang attacked Lanzhou, he made a manger with pavilion stone carvings. After many twists and turns, there is a 14 1 carved stone in the Fu Su Benchun Gehua Post, which is now in the Gansu Provincial Museum. The calligraphy works of Zhang Daqian, Zuo, Lin Zexu, Yu Youren and Guo Moruo are displayed on the fourth floor of Cao Sheng Pavilion in Lanzhou Forest of Steles. The fifth floor is the exhibition room for inscriptions by Sun Yat-sen and others. Longyou Painting and Calligraphy Institute, as a temple to study and teach the art of painting and calligraphy, is an important part of Lanzhou Historic Forest. The top of Huancui Mountain at the northern end of the forest of steles, the hexagonal pavilion and the cliff stone carvings on the mountain are like a natural barrier, which makes the forest of steles in Lanzhou more beautiful. The West Gallery of Fashengge is the memorial tablet of calligraphers in Gansu. The kings of Zhang Zhi in the Eastern Han Dynasty, the Western Han Dynasty, the Ming Dynasty and the Qing Dynasty are like cultural clues in Gansu, which makes people sigh. Donglang is a poem about dragons sung by famous contemporary calligraphers, just like a beautiful picture of dragons. Lanzhou forest of steles is the business card of cultural Gansu.