What about the consultant "Three Kings" of China Artists Club in Chinatown? What are your achievements and contributions?

Wang Qi: alias Wen Lin and Ji Zhi, born in Chongqing in 1918. Good at printmaking and art theory. He graduated from Shanghai Fine Arts College in 1937 and studied in Luyi Fine Arts Department in Yan 'an in 1938. In his early years, he worked in the Third Hall of Wuhan Political Department and Chongqing Cultural Work Committee. He once taught in the Fine Arts Group of Chongqing Yucai School, and was elected as the executive director of Chongqing China Woodcut Research Association, Shanghai All-China Woodcut Association and Hong Kong Human Painting Association. Since 1949, he has served as director of the Fine Arts Group of Shanghai Xingzhi Art School, deputy editor-in-chief of Beijing Fine Arts Research and World Fine Arts, editor-in-chief of Printmaking and Fine Arts magazines, editor-in-chief of China New Literature and Art Department's 1976-1982 Fine Arts Collection, editor-in-chief of Contemporary China Fine Arts, editor-in-chief of Aesthetic Education Series, editor-in-chief of Hundred Pictures of Foreign Printmaking. He has published Wang Qi Prints Collection, with works such as Exploration of Art Form, On Foreign Art, A Written Talk on Art, and works such as Long Live the People, A Thousand Miles in a Day, Late Return, Old Vines on Ancient Walls, etc. Led a delegation of China artists to visit Germany, Netherlands,, the United States, Malaysia and Hongkong. Hosted many domestic and international academic seminars. Won the Outstanding Contribution Award of China Emerging Printmaking, the Honorary Award of Fuji Art Museum in Tokyo, and the French Gold Cross Medal. In recent years, he has devoted himself to the creation of ink painting, forming a unique artistic style with novel and unique expression techniques. In 1991, he was awarded the "Outstanding Contribution Award of China Emerging Printmaking" by China Artists Association and China Printmakers Association. Mr. Wang Qi is also one of the outstanding cultural representatives in the 16th National Congress.

Wang Wei: Born in Chongqing in 1942. No.1 Zen Heshan, the eldest son of a famous printmaker, Mr. Wang Qi, is good at printmaking, Chinese painting and oil painting. He graduated from the middle school attached to the Central Academy of Fine Arts in 1961 and from the printmaking department of the Central Academy of Fine Arts in 1966. He studied under Guan Shanyue, Huang Yongyu, Gu Yuan, Yan Han, Wang Qi and others. Lu Xun Printmaking Award winner. He has served as a military cultural cadre in shenyang military area command, Art editor of Hongqi Magazine, art exchange director of China International Cultural Exchange Center, director of European Union Association in China, executive director of Arts Committee of Ministry of Culture, and vice chairman of Beijing Collectors Association. His works include Palm, Meditation-Poet Ai Qing, Three Islands of Penglai in Huangshan Mountain, Sonata of Lotus Pond, etc. He has published Wang Wei's Printmaking World, Selected Works of Wang Wei's Chinese Paintings, and Collected Works of Chan Heshan Man Wang Wei.

Wang zhong: graduated from the middle school attached to the Central Academy of Fine Arts in 1964. The second son of Wang Qi, a famous printmaker, is a member of China Artists Association, China Printmakers Association and director of China Socialist Literature and Art Society. In 1979, the May Printmaking Conference was organized, and in 1986, the Marxist Aesthetic Salon was organized. He has been the editor of People's Fine Arts Publishing House, the editor of Printmaking magazine, the deputy director of the art editing room of China Federation of Literary and Art Circles Publishing House, the editorial board of Literary Theory and Criticism magazine, the editor-in-chief of China Young Artists magazine and the deputy editor-in-chief of Literary Learning magazine. He is currently the director of China Artists Association, the deputy director of the Theoretical Committee of China Artists Association, and the editor-in-chief of Art magazine. The main philosophical masterpieces are "Constantly improving the Marxist philosophical system" and "What is the fundamental law of the world? 》。 The main representative works of art theory include "The painter's bounden duty is to draw a good picture", "Calling for the sunshine and health of art" and "Reviving the great aesthetic ideal of human art pursuing the unity of truth, goodness and beauty".

At the beginning of the establishment of China Artists Club in Chinatown, Mr. Wang Qi, Mr. Wang Wei and Mr. Wang Zhong were invited to participate in its initial preparation and many specific works. In particular, Mr. Wang Qi, although nearly 1 years old, still paid attention to, cared for and enthusiastically participated in many specific affairs of cultural and artistic exchanges and academic discussions. Because these three fathers and sons are famous artists at home and abroad, they have unparalleled attainments and academic status in China's modern and contemporary art theory, art education and art practice, so they are often called "three kings" in the industry (some are called "two contemporary kings" because of specific circumstances, such as the affairs that two of these three fathers and sons participate in together). Because the father and son all accepted the employment of China Artists Club in Chinatown, served as corresponding consultants in the club, and also participated in the actual work or activities of the club, many people in the industry followed the convention and called them "the three kings of China Artists Club in Chinatown".