The sword front comes from sharpening, and the plum blossom fragrance comes from bitter cold. Who said that?

Kaizhi (1954.3 ——), Guo Linren, pen name Kaizhi, Zhai Mo Hao Long Zhai. Qilu nerd, a famous contemporary calligrapher in China. Bao Jianfeng has studied China's calligraphy comprehensively and systematically for more than 40 years since he honed the fragrance of plum blossoms. He hung a famous inscription on the wall of his study. After a meal, he was puzzled and fascinated. For the sages of Jin, Tang, Song, Yuan, Ming and Qing dynasties, they are praised by people of insight for their styles of respecting rhyme, law, meaning, attitude, studying day and night, studying repeatedly, loyalty, seal cutting and cursive style. Over the years, even when he was away on business, Mr. Qi Zhi never forgot to bring his copybooks and calligraphy works for nutrition, and carefully tried to figure out the structure and layout of brushwork. Even Chai Jing straw sticks and toothpick cigarette butts have become available tools for practicing calligraphy everywhere. How many times when the cold comes and the summer goes, the autumn window in Leng Yue is accompanied by only a solitary lamp, half a roll of scraps of paper and a few bald pens. In his mind, calligraphy is the first life. In his calligraphy works, the vast beauty of "lonely sail and blue sky", the clear beauty of "half-river rustling and half-river red", the strange beauty of "harmony with an archer, chest in the sky, shooting through the sky", the heroic beauty of "pulling mountains with great strength" and the surging beauty of "a river that never returns, waves exhausted eternal romantic figures" form a kind of cohesion. Faced with too much poverty and loneliness, Mr. Qizhi, who has studied calligraphy for more than 40 years, has never wavered in his pursuit and love for calligraphy. Sticking to a few feet of books, not seeking fame, not seeking truth and profit. Only in this way can we understand the true meaning of ancient calligraphy sages from the deep heart. I can sublimate my artistic realm and calligraphy skills in the continuous ink fragrance. Bao Jianfeng has never been sharpened, and plum blossom fragrance has come from bitter cold. Today, Mr. Qi Zhi's calligraphy is determined to innovate on the premise of inheriting the tradition, so that each of his calligraphy works carries his own feelings. After decades of hard work and enlightenment, I have gone from ancient times to ancient times and from ancient times to my clutch. In the interweaving of pain and joy, I forged my vigorous, elegant and elegant book style, and reached the realm of "everyone will be old". Many things happen. With persistent spirit, rigorous attitude and hard work, teacher Qizhi finally achieved fruitful results. Since 1977, he has won the first prize in many domestic and foreign painting and calligraphy competitions. 1992, at the invitation of China Calligraphy and Painting Society, he collectively created two 100-meter calligraphy and painting scrolls, Soul of the Nation and Mother of Yanhuang, with the Great Wall and Yellow River as themes. Won the first, second, third and fourth national art exchange meeting of painting and calligraphy talents and the gold medal of artistic creation. He won the gold medal in the first, second and third China-Japan Painting and Calligraphy Elite Invitational Tournament. He also went abroad for many times to exchange paintings and calligraphy. Albums and works have been compiled into many ceremonies. His works have been collected and exhibited by the Great Hall of the People, the State Council General Office, Tiananmen Gate, Chairman Mao Memorial Hall, Capital Museum, Art Gallery and people from all walks of life in Japan, Korea, Singapore, Malaysia, Hong Kong and Macao, and won a good reputation in calligraphy and painting. Mr Pinqizhi's calligraphy works can be divided into seal script, official script, regular script, running script and cursive script, and he is good at seal script and cursive script. The book style is chic, dusty and watertight; The more you break it with a pen, the more you treat it, the more elegant and calm it is, and the more elegant it is. Wild places are not illegal, and rigorous places are smart. Thick, light, wet, heavy, light, ups and downs, swaying posture, pen to pen, between the lines shows a sense of flow, rhythm and strength, but also reveals the charm of the "two kings" book style and distinctive "self" spirituality.