Cui Xuelu 1985 founded Youth Calligraphy Newspaper, serving as president and editor-in-chief; 1986 held the national youth calligraphy and seal cutting grand prix and the national youth calligraphy and seal cutting rating activity; 1987 initiated the national youth calligraphy rating and served as the executive director of the jury; 1988 Established Oriental Higher Calligraphy Art School and Yan Zhenqing Calligraphy Society. 1994, he resigned as the president and editor-in-chief of the newspaper, and lived in the Gulongshan room under Bazhangyan in the suburbs of Beijing. He built a car behind closed doors and devoted himself to calligraphy.
During his seclusion, Cui Xuelu took "reading, posting, explaining the Tao and writing his mind" as his purpose, and was a person who was "not ancient, not modern, not human and not me". He pursued the Qin and Han Dynasties, the Fa and Tang Dynasties, followed the grass to seal the scriptures, and washed his heart to write the scriptures. Later, he only lived a life of "freehand brushwork" and "free thinking", striving to be natural, exquisite, concise, heavy and rhythmic. On the basis of solid traditional skills, he gave full play to his creative space, added some rhythms and interests of traditional art with modern aesthetic consciousness, and formed a strong personal style. Cui Xuelu's word is Xuanyi. His works strongly express the abstract and intentional category of "Xuan", organically combine life and art, and produce artistic special effects that shock and enlighten the soul. It also shows the basic application of the Chinese nation's thought of "Yi, Confucianism, Taoism and Zen" for 5,000 years. Cui Xuelu expressed Oracle Bone Inscriptions in cursive script, which will be a milestone in Cui Xuelu's calligraphy creation.
Appreciating Cui Xuelu's calligraphy works gives people the greatest impression that he is quiet and can run and walk on paper without breaking it. His brushwork runs on paper without breaking, even when he writes cursive script. It is quiet, thick and calm. It is a pleasure to feel his mood between his lines. His works can be big or small, static or moving, and there are five styles, both traditional and avant-garde. In Cui Xuelu's works, we can see very avant-garde modeling, pure display of the beauty of Chinese characters, and horizontal clues. Cui Xuelu's avant-garde vision can be seen.