At the same time, it is also a physical specimen to study the calligraphy of Han and Wei Dynasties, which has inspired and promoted the development of China's calligraphy art. Up to now, there are still a considerable number of stone carvings and calligraphy cliffs in Shimen, Hanzhong, and 1000 has been praised by scholars in past dynasties for more than years. Yang Shoujing and Kang Youwei, great scholars in Qing Dynasty, praised Shimen's calligraphy art. In the fifth year of Guangxu (1880), Shimen stone carvings were introduced to Japan through Yang Shoujing, which was greatly appreciated by Japanese calligraphers. Many Japanese calligraphers buy Shimen Cliff rubbings for research, which are listed as "compulsory classics" for learning calligraphy. Up to now, Japanese calligraphy circles still give high praise to the stone carvings on the cliff in Shimen, Hanzhong. Kang Youwei praised the Shimen cliff. He divided the ancient famous stone carvings into six grades: first, divine, second, exotic, third, fine, fourth, fine, fifth, first and sixth, among which only three stones were listed, and Shimen Ming was one of them. In the 1940s, the photocopy of Ode to Shimen was reprinted many times. Dr. Sun Yat-sen and Mr. Yu Youren, the master of calligraphy, also highly admire Shimen calligraphy. Mr. Yu Youren once wrote a poem, "Facing Shimen Ming at dawn, writing 20 articles at dusk, working hard to unite and crying every night." . Comrade Huang Zhen wrote an inscription praising it as a "national treasure". Luo Xiushu, a famous calligrapher in Qing Dynasty, commented: "Elegant as a phoenix dance, with clear skies and bright feathers."