The main entrance of the scenic spot, Han Culture Square, is about 280 meters long from east to west and 90 meters wide from north to south, covering an area of10.8 million square meters, and adopts a regular and solemn symmetrical pattern of the central axis. Its spatial orientation is east-west, with the entrance square, Sina, Han Dynasty memorabilia, historical and cultural exhibition hall, Biyong Square and other scenic spots arranged in turn, and the bronze statue of Han ancestor Liu Bang stands at the end, forming a complete spatial sequence. The square is paved with imitation Han bricks as the main material, and the patterns are moire and other decorative patterns commonly seen in portraits of the Han Dynasty. A small amount of waterscape is designed around the chronology of major events in Han Dynasty. The use of water can not only form a contrast between rigidity and softness with stones, but also become a means to connect various scenic spots in the cultural square of Han Dynasty. Water plays a unique role in the design of garden square. Visitors can feel the magnificence of "a spoonful of Wan Li" and appreciate the long-standing charm of Chinese culture. The design of the square is like a three-dimensional space of Han Fu. Through the four chapters of "Qi", "Cheng", "Zhuan" and "He", the ancient rhyme of Chinese style is naturally presented.
Sculpture square
Sculpture Square in Cultural Scenic Area is located outside the south gate of Han Cultural Scenic Area, covering an area of 1.9 million square meters. The group sculpture is 50m long, 20m wide and 12m high. The sculpture takes granite as the main body and adopts the expression mode of combining bronze statue with granite image.
Sculpture creation is based on historical data, with some excerpts as the basic elements of sculpture creation, and at the same time, it is positioned in the hierarchical norms of Chu king's travel as a vassal king, echoing the tomb of Chu king. The group sculpture mainly depicts the scene of the Han Dynasty stone relief "A Journey of Horses and Horses", which consists of 8 bronze horses, 3 stone horses, 9 bronze men and 2 stone men. Three knights on horseback cleared the way in front, the king of Chu sat among four horse-drawn carriages, the prime minister sat in the carriage, and two knights on horseback watched behind. The whole group of sculptures is located in the center of the square, from west to east.
As the birthplace of Chinese culture, Xuzhou has created a large-scale sculpture of "chariots and horses walking together", which shows the profound connotation and historical position of Chinese culture, deepens the connotation of Chinese cultural scenic spots and becomes one of the symbols of Xuzhou's urban cultural image.
More than 300 trees, such as Pu Shu and Cinnamomum camphora, and flowering shrubs such as cherry blossoms and red maple, have been planted in the Sculpture Square in the Han cultural scenic spot.
Chuwang tomb
The Tomb of the King of Chu in Lion Mountain is located in the core area of the Han cultural scenic spot, and it is the tomb of Liu Wu, the third generation king of Chu, who was enfeoffed in Xuzhou in the early Western Han Dynasty. Located 300 meters to the west, the Terracotta Warriors of the Han Dynasty symbolize the army guarding the Chu tomb. This tomb of the King of Chu is buried in the mountains, with a peculiar structure and a huge project, and the amount of chiseled stones is as high as 5 100 cubic meters. More than 2,000 precious cultural relics such as gold, silver, copper, iron, jade and pottery were unearthed in the tomb, including a jade garment with the largest number of jade articles and the best quality, a coffin inlaid with jade lacquer, a jade pendant and a gold belt buckle. Exquisite craftsmanship is amazing. The excavation of this tomb was rated as one of the top ten archaeological discoveries in China in 1995 and one of the archaeological discoveries in China in the 20th century. Yang Guishan, located in the south of the tomb of King Chu, should be the tomb of King Chu. Due to the complexity of color protection technology, there is no formal exploration at present. The Queen's Tomb Exhibition Hall was built to show the shape and structure of the princes' tombs in Han Dynasty.
Han Terracotta Warriors Museum
Xuzhou Han Terracotta Warriors and Horses is another great discovery after Xi 'an Qin Terracotta Warriors and Horses. As the funerary objects of the King of Chu, more than 4,000 Han figurines vividly depict the thoughts, expressions and emotions of the soldiers in the Han army with freehand brushwork, which has high artistic appreciation value. At present, the only underwater Terracotta Warriors Museum in China is newly built at the north side of the Han Terracotta Warriors Museum 100 meter (inside the Lion Pool). The museum is two square buildings with four slopes, based on the roof architecture of the Han Dynasty. The restored terracotta warriors and horses are on display. Xuzhou Han Terracotta Warriors Museum was built on the original site, covering an area of 6,000 square meters. It consists of two parts: the main hall of the Han Terracotta Warriors and Horses and the underwater Terracotta Warriors and Horses Museum. Terracotta warriors and horses with different shapes are neatly arranged in six pits, making them a powerful underground force.
Portrait Stone Museum of Han Dynasty
The Han Dynasty Stone Relief Museum is located on the east side of the water surface of Lion Beach, with a total length of about 300 meters. It is the first museum in China with the theme of "Cultural Experience of Han Stone Relief".
The exhibition hall is divided into three areas: the animation leisure area, the interactive area for simulating the rubbings of Han Dynasty stone reliefs, and the excellent exhibition area of Han Dynasty stone reliefs. Among them, it can be called the first animated film in China based on the stone relief patterns in the Han Dynasty, which created a new artistic expression of the stone relief culture in the Han Dynasty. With the help of modern high-tech sound, light and electricity technology, the real life scene of the Han Dynasty is vividly reproduced, so that tourists can be immersed in it. And in the form of on-site interaction, the Han Dynasty stone relief carving, rubbings making, seal cutting and calligraphy inscription are displayed. Interactive participation in the project not only adds cultural characteristics, but also allows tourists to fully integrate into the culture itself. In addition, there are four groups of Han Dynasty stone reliefs outside the exhibition hall, such as "Horse and Horse Travel Group", "War Competition Group", "Production and Life Group" and "Myth World Group", which truly reproduce the political, economic, cultural and religious aspects of the Han Dynasty and fully reflect the spiritual temperament and aesthetic pursuit of the Han people.
underwater terracotta army museum
Underwater Terracotta Warriors Museum is the first underwater museum in China. The museum was built on the original site of Terracotta Warriors Pits No.5 and No.6 in the shape of two square buildings. Cavalry figurine pits and horse figurine pits were unearthed in the building. Later, due to the construction of the brick and tile factory at that time, the pit was destroyed and all the pottery figurines in the pit were taken out. The underwater Terracotta Warriors Museum exhibited the restored pit and the carefully restored Terracotta Warriors.
Han cultural exchange center
The Chinese Cultural Exchange Center, built on the surface of Lion Beach, draws lessons from the charm of Chinese architecture and mainly displays the more prosperous Han stone relief art in the Eastern Han Dynasty. The whole exchange center is a dry-column building built on a pond, with an open hall and observation deck on the upper floor. The whole building draws lessons from the charm of Han dynasty architecture, expresses the traditional spirit with modern materials, and becomes a place for cultural and artistic exchanges between China and foreign countries.
Han culture acting center
Han Culture Performing Arts Center is an important cultural facility and tourist facility to enrich and improve the landscape of Xuzhou Han Culture Scenic Area, which will greatly enrich the content of tourists and citizens participating in cultural activities and sightseeing. On the east side of the venue is Jiale Supermarket, on the south side is Han Culture Square, and on the southwest side is the Queen's Tomb.
Julins
Chikulin Temple is the first Bhikuni Dojo in China. The first monk in China, Jing Laboratory Master, was born in Xuzhou at the end of the Western Jin Dynasty (AD 29 1 year). He became a monk at the age of 24 and died at the age of 70. In order to commemorate its achievements, the people of Xuzhou built Chikurinji on Lion Mountain in the eastern suburb of Yonghe in the Eastern Jin Dynasty, with a history of 1600 years. According to documents, Chikulin Temple in Ming and Qing Dynasties was built on the mountain, which is one of the eight major temples in Xuzhou. After the war, it was in disrepair all the year round. Until the Japanese invaded China in the middle of last century, Chikulin Temple was looted and the Millennium temple was destroyed. The Chi Kulin Collection in Xuzhou has an important historical position, especially the anecdote of Wei Tuo's mysterious appearance during the Anti-Japanese War and his return from Japan after the war, which highlights its special cultural value and legend. The newly-built Chikulin Temple is located on Camel Mountain in the north of Xuzhou Han Culture Scenic Area, which is a typical "mountain temple". The tourist areas of Han Buddhism include the Guanyin Pavilion in Chikulin, the First Bhikuni Memorial Hall, the South and North Gates, and the Bell and Drum Tower, which show the historical elegance of Han Buddhism. The scenery of the two exhibition areas reflects the grandeur of Chinese culture and constructs a unique cultural landscape of "viewing the Lion Mountain in the Han Dynasty and serving the Buddha in Chikulin Temple". The future development of Jijulin Temple will focus on five major cultural constructions: special training, agricultural Zen experience, social charity, sightseeing and performing arts, and international exchange, and complete relevant facilities.