The crisis of China culture is getting closer and faster. Under such a cultural background, does it mean that we must have national feelings if we want to inherit traditional culture? Without innovation and development, what is the significance of our inheritance? I am just an ordinary cultural worker, but I have my sense of hardship. China's only hope is innovation and development. Innovation and development is the last word! The emergence and inheritance of "Yan Shu" is the necessity of cultural innovation and development. The innovation of calligraphy and the enthusiasm of writing reform will make China's culture and writing truly ahead of the world. "This time, Mr. Ma Yongan thanked the news media for their two-hour press conference, which ended successfully in a warm atmosphere.
Seemingly ordinary, but rugged, with a poetic atmosphere, Chinese/Gao begins.
-Analysis of Ma Yongan's Calligraphy Art
There are many controversies about the artistry and scholarship of his calligraphy. More calligraphers and scholars are studying "Yong 'an Style", and more and more people are recognizing, liking and collecting it, which became "Yong 'an Phenomenon" for a while, and the occupation of the market became an indisputable fact after the dust settled. Mr. Wang's anthology is about to go, and he asked me to preface it. But it's hard to learn, it's hard to write, and I haven't written it. Fortunately, in the conversation with Mr. Wang, I learned what Mr. Wang thought and felt a lot. The ancients said, "Writing is like a man" and "Books are like a man"; People who meet Mr. Wang for the first time will be attracted by his calm, elegant, elegant and frank scholar style. The book is just like him, but his words are not exaggerated. Ma Yongan, 1956, a native of Shangcai, Henan Province, graduated from the Chinese Department of Beijing Normal University. He used to be the director of the Office of China International Painting and Calligraphy Research Association of the Ministry of Culture and the secretary-general of China ATV Painting and Calligraphy Institute of the Ministry of Radio and Television. He is currently the vice chairman and secretary general of China Artists Association, the vice chairman and secretary general of China Calligraphy Artists Association, the president of China Art Collectors Association and the curator of Longshuncheng Art Museum. Since ancient times, artists must be scholars, and the artistic realm reflects the depth of their knowledge. Most of the poems in Mr. Wang's works are written by himself, which makes his calligraphy full of rich sense of words, artistic conception and profound cultural connotation. Mr. Wang is not only a scholar, poet and writer, but also a scientific inventor. The famous Square Rate is the research result of Mr. Wang in his early years. He seems to have irrelevant fields, irrelevant logic and unconstrained thinking mode, but Mr. Wang Can learns from others, draws inferences from others, exchanges concepts and has unique thinking. This is also Mr. Wang's outstanding point. His extensive dabbling has accumulated nutrition for his artistic creation. As we all know, artistic creation is unique. Mr. Wang studied Yan Zhenqing, Liu Gongquan, Wang Xizhi, Tang and Song Dynasties in his early years, and he knew the meaning of the ancients well. His pen power and heart are vigorous in grace, everything turns into soft fingers, hiding his head and protecting his tail, and his strength lies in the words, which means the outflow of paper, and his strength is great and beautiful. Therefore, Mr. Wang combined truth, line and grass in one furnace, summed up the simple writing methods of radicals in thousands of Chinese characters, and borrowed the dynamic beauty of bamboo leaves from the trend of fonts. After more than 20 years of painstaking research, it has finally become today's image. Reading his calligraphy is like a euphemistic and soothing guzheng song "Moonlit Night on a Spring River", which haunts my ears and makes me fascinated ... Then I was even more moved by his open-minded and straightforward gentleman style, without any dry artistic charm. Appreciating the Sixth Style Yan calligraphy can't be understood without the two-dimensional and three-dimensional traditional image thinking. In fact, its artistic achievements have risen to the second natural spiritual home in the spiritual world, which can be said to be natural.
What is the Tao, the metaphysical way, the tool of doing things, the change of cutting and pushing, the way of doing things by words, the shape of meaning, the shape of meaning, and the shape of meaning. It is difficult to express the richest spiritual connotation with its most concise artistic language. The achievement of Liuziyan's calligraphy stems from his extensive knowledge, profound understanding of calligraphy art, profound cultural accumulation and unremitting enterprising spirit. Mr. Wang's courage and talent are all revealed in his words and hidden in his works. It looks ordinary but rugged, and his stomach is full of poems and calligraphy. May your art tree be evergreen! (Gao Zaijing)