This poem is a description of the scenery. The red of the red leaves is almost the same as that of the sunset. The red leaves set off the mountains dyed red by the sunset, depicting a red scene at sunset from the perspective of distance and color.
This poem is from Wang Shizhen's Come to Tongcheng. The original poem is:
Creek road is almost over, just past Beixiaguan.
Rows of red leaves, countless sunset mountains.
I believe in Huanger's hometown, and I will return to my original heart and release the silver pheasant.
In Long Mian's painting, Andrew is chasing and climbing.
Extended data:
The road to Linxi seems to be coming to an end. I just passed the Beixia Pass at the junction of Tongcheng and Shucheng. As the sun sets, rows of red leaves are followed by the rolling Longmian Mountain. Entrust the letter to the yellow-eared dog, and the homesickness will be brought back to the hometown by the silver pheasant. At present, there is a dragon sleep landscape described by Li, a lay monk in dragon sleep. Can I follow the example of my predecessors, live in seclusion here and die in my hometown?
Poets in Qing dynasty. The word "Shang Yi" is called Ruanting and Yuyangshan. New city people. Jinshi in the fifteenth year of Shunzhi. As Yangzhou push officer. Later, he was promoted to minister of justice, and the official was the minister of punishments. In forty-three years, Kangxi dismissed from office and returned to Li. Wang Shizhen's poetic theory is based on "verve", which requires quiet and elegant style, full of interest, verve and implication.
Wang Shizhen's five-character poems and seven-character poems best represent his style. He does not pay attention to the reflection of literature on reality. His poems mostly describe landscapes, express personal feelings and tend to pursue artistic skills and artistic conception, which is the concrete embodiment of his creative theory. Wang Shizhen has a collection of poems "Yanbo Ci", among which Xiaoling is the best, but its achievements are not as good as those of poetry. He is the author of Classic Classrooms, Selected Poems of Yu Yang and Lu Jing, Yu Yang's Poems, Notes on My Occasional Talk in Chibi, Miscellaneous Notes on Uncle's Fishing Pavilion, Notes on Xiangzu, etc.
His theoretical works include metrical poems, which made a preliminary summary of the tone and rhythm of ancient poems, and really made contributions to later generations.