On the basis of inheriting the previous generation, calligraphy in the late Ming Dynasty combined with personal style and innovative exploration showed the characteristics of diversity and individuality. It represents a part of the culture of the Ming Dynasty and is also one of the important stages in the development of China's calligraphy. This period is the late period of Ming culture and the turbulent period of political, economic and social development. This kind of turbulence and diversity is also reflected in calligraphy in the late Ming Dynasty.
Characteristics of calligraphy in late Ming Dynasty
1. Diversity and inheritance: Calligraphy in the late Ming Dynasty absorbed the essence of previous calligraphers and developed various styles and forms on this basis. It not only inherited the calligraphy of Ou Yangxun, Yan Zhenqing, Zhao Mengfu and other Song and Yuan Dynasties, but also borrowed and developed the calligraphers of Ming Dynasty.
2. Freedom and individuality: Calligraphy in the late Ming Dynasty was more free and personalized in expression and writing style. Calligraphers pay more attention to the display of personal characteristics and styles, do not stick to traditional norms and constraints, and show greater creativity and uniqueness.
3. Theoretical exploration: In the late Ming Dynasty, calligraphers conducted in-depth research and exploration on calligraphy theory. They pay attention to the theory of brush and ink techniques, structural composition and layout, and put forward some new views and opinions, which have a positive impact on the development of calligraphy.
4. Achievements of individual calligraphers: A number of outstanding calligraphers emerged in the calligraphy field in the late Ming Dynasty, such as Dong Qichang, Wen Zhiming and Yu Shinan. They have made great achievements in the art of calligraphy, created new styles and techniques, and had a far-reaching impact on the development of calligraphy in later generations.