Common autographs are: "where to draw in Xupu", "where to draw in Xupu" and "where to draw in Yanggu".
Common stamps are "Ren Xu", "Where" and "Made in Ren Xu".
He (1882— 1940), a master of ceramic art, was originally named Chu, whose real name was Deda, and later renamed from Nanling, Anhui. With the phrase "Mr.five doesn't know who he is" in Tao Yuanming's Biography of Mr. Wuliu, he was renamed who, one of the "Eight Friends of Zhushan" in Jingdezhen, and a master of ceramic art in China.
Who comes from a poor family, and teenagers are employed by others to make a living. /kloc-after entering Jingdezhen porcelain art circle at the age of 0/7, Wang Qi changed Hanako into Hanako according to homophonic, and joked about the sentence "Mr. Wu doesn't know who he is" in Tao Qian's Biography of Mr. Wu.
When I was young, whoever married Dong gave birth to two daughters, one named He Cuie and the other named He Yine. 1932 In May, the only son, He Daxing, died on 1940, and his wife remarried, giving his son to the business director of Qimen Gong Sheng and Jingdezhen Porcelain Company, Kangda. Kangda recognized him as an adopted grandson and later took him back to his hometown, Wu Li Village, Qimen County. The descendants of the He family have continued to this day.
I used to be an antique master in Jingdezhen Ceramic Art World, and I opened a "red shop" that I produced and sold myself, and set up an account for my disciples. Famous flower and bird painters, Xue Jing Deng Xiaoyu and Yu Wenxiang all came from his door. I have lived in Beijing for several years and met many children of the Eight Banners in the former Qing Dynasty. I used to be a minister and aristocrat.
Extended data
After 19 16, people mainly used snow porcelain paintings. In the process of porcelain painting, a set of innovative techniques has been gradually explored. All the imitations are his snow paintings. Judging from the characteristics of pen and ink, He's snow paintings mainly have the following characteristics:
First, the composition is far from the strengths of the Song people in landscaping, paying attention to the layout of the rules, paying attention to the triple composition of near, middle and far, overlapping mountains, staggered slopes and banks, and orderly levels.
The second is to sketch the mountain color with bright black as the main color, to dye the yin and yang layers with ochre, and the ink color is clear and open, and the second order is orderly, and then to express the snow color with powder and blank space. When using Fucai materials, he overcame the characteristics of few color steps in the snow scene, and skillfully applied famille rose glass white to the snow scene, so that the color materials in the picture were rich and vivid, and the snow color was vivid and layered, which not only had the powdery effect of traditional color filling, but also had the vivid meaning of painting.
Pay attention to the pursuit of crystal clear effect in thin, especially to render the snowy and foggy sky, showing extraordinary skill. However, imitations are often ugly, and most of them pile the glass white in pursuit of layering in Fucai works, which makes it feel ridgy by hand.
Thirdly, in the description of some details, He also painted with delicate brushstrokes, such as leading a donkey through the snow and leaving a series of traces on the road; If you are on the balcony, there will always be one or two warm colors when you wake up. His works, whether large-scale porcelain paintings or small pieces of Yin He, are meticulous in brushwork, rigorous in workmanship and neatly arranged.
He pastel snow-covered porcelain painting "Snow Filled Beam Garden" is one of the eight scenic spots in Bianjing in Song Dynasty. The picture is set by boundary painting technique, overlooking the composition, rigorous, natural and imposing. Sketch the landscape with pen and ink, with trees and bamboos in the air and muddy branches; The beautiful stone is finely carved and made of powder jade.
The double-eaved balcony has a strong snow color and the fence is slightly blue, which makes the painting present the beauty of Leng Yan. In pavilions, people drink and enjoy the snow, and the courtyard is decorated with vermilion, which shows the folk joy in the snow and ice, such as jade carving and crystal carving, with clear and open pen and ink and far-reaching artistic conception. His works, whether large-scale porcelain paintings or Yin He's small works, are meticulous in brushwork and rigorous in workmanship, integrating poetry, calligraphy, painting and printing.
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