Please be more specific about how the words on the blackboard extend and how the words on the stone tablet extend. Thank you. I want to try it myself. Where else is there a calligraphy forum that unde

Please be more specific about how the words on the blackboard extend and how the words on the stone tablet extend. Thank you. I want to try it myself. Where else is there a calligraphy forum that understands calligraphy? ... Ink painting: The main tool is a brush made of fine felt. It is advisable to wipe the seams closely and master them properly. Cut the lower end of the felt roll and brand it flat, spread the wet paper on the stone tablet, brush it flat with a brown brush to make the paper tightly cover the recess, and then hit it with a bristle brush in sequence. If the stone carving is solid, the paper needs to be padded with felt, and it should be struck with a wooden hammer to make the nuances of the pen path clear. It is not allowed to be struck with a wooden hammer. When the paper is dry, dip the ink on the rubbing with a pen, wipe the ink evenly with an eraser, and then wipe the ink on the paper. Don't soak the back of the paper in black and white, wipe the ink three times. Pumo extension method: the common characters used in extension are white cloth or satin wrapped in cotton cloth and oil paper, with two layers of interlining, one end of which is tied into a garlic shape, which can be tied into three types according to the needs of extension inscriptions and utensils. Wet the bag with water, brush it on the washboard with a pen dipped in ink, and knead it evenly with a hammer. If you use a double hammer, you can dip the ink in the lower hammer first, then rub the ink evenly with two hammers, and then splash the ink on the semi-dry paper. The first ink must be even, and you can see that the ink is black and shiny after three or four strokes. Wax ink rubbing method: pine nuts are mixed with wax to make a cake-shaped ink ball, dry paper is pasted on the stone carving, and it is wiped with large wax biscuits, also known as dry ink rubbing. In areas with cold climate or damp caves, dry rubbing ink extension method can be used. Mosaic: A method of mosaicing the edges of Chinese characters before mending them. Remove the edges of the words first, and then add all the ink. This extension method is often used to carve Chinese characters on cliffs. The rare inscriptions are rubbished by acoustic rubbings, the transparent thin paper is laid flat on the inscriptions, the outline is drawn by double hooks with a pen, and then rubbings are carried out by a small punch. Or cover the original tablet with a thin paper and fill it with ink with double hooks, also called Xiang Tuo. The best ink for spreading inscriptions is the broken ink in the late Qing Dynasty and the early Republic of China. Put the broken ink into a small pot, add a proper amount of cold water, and stir with a wooden stick to make ink, which can be used without writing. The ink made of pine smoke tung oil and spices, or the refined calligraphy and painting ink now, is also a good product for spreading and spreading inscriptions. When using cigarette glue as ink, or cigarette glue and egg white as ink, it is necessary to add some spices such as mint essence and camphor essence in the ink to avoid the fishy smell of rubbings. It is the worst to spread directly by black smoke and water.