Key words: exquisite prose of murals on both sides of the story of Tianbao main peony in the famous craft museum of Jiangxi Province.
Prose classification: exquisite prose
Composition source:/three articles
There is a acrylic mural "Linchuan Dream" on the screen of the main hall, which is based on the story of Tang Xianzu rehearsing "Peony Pavilion" in Tengwangge. On both sides of the main hall in the building, there are "Tuojia" ritual vessels, mainly ancient sacrificial ceremonies such as "Ji Jie" and "Wei Yan". The South and North Ears Hall displays the Jiangxi craft exhibits known as "Wuhua" and "Tianbao". There are gold plaques for the "ancient banquet hall" and "wedding" in the west hall, and there are antique mahogany furniture in the hall. There is a bronze relief "Tangji Music Picture" on the east wall, and there are replicas of bronze cultural relics in the Spring and Autumn Period below.
Outside the East Gallery of this building is a couplet written by Shi Liu, a patrol inspector in Gansu Province in the Qing Dynasty: "Look back at Jiege Linjiang, and the remnants of the robbery will be gone, leaving the true colors of lakes and mountains; Even the memories of resisting the enemy, after ten years of fighting, should be singing and dancing on the balcony. " The main hall was written by Hu Shouchun, who was edited by imperial academy in the Qing Dynasty: "The restoration of Kudo, the co-existence of Wu Chujie in Nanpu Xishan, is a victory; Bin Ming, as before, wants to write the armory and has a lofty mind. " Outside the west gallery, there is a couplet written by Song Yanchun, a scholar of Qing Dynasty: "In the pavilion, I will broadcast it for thousands of years and recognize the mark of Changzhou;" Sailing on the river to collect Wan Li, I suddenly suspected that the Chinese table crane was returning. " .
The fourth layer mainly embodies the theme of "the spirit of the earth". On the wall of the main hall, there is a large acrylic mural "Spirit of the Earth", which reproduces the landscape of "the beauty of Zhong Ling" in Jiangxi.
There are two couplets worth mentioning on this floor. One is written by Li Wentian, Shunde, Zheng Xue, Jiangxi Province in the Qing Dynasty: "The peak has been a thousand years, things come and go, the building is low and ancient, and the mountains and rivers open and close; It's still a hundred feet dry, so you must admire the sails and stars, and the car will cover the clouds. " The other was written by Zhou Ming, a native of Huiji, Zhejiang Province in the Qing Dynasty. This joint article is: "Where is Wang Teng? Stayed, play pity to draw a bead curtain, all turned into empty pools and clouds; Gong Yan can preach, the scholar is in the order, and he sends a message to the host and guest in the southeast. Don't underestimate the talents of Taoist priests. "
Like the third floor, the fifth floor is a bright floor surrounded by cloisters, and it is the best place to visit victory, express feelings and make literary friends.
Under the veranda, there is a huge gold plaque, the contents of which are all from the preface to Wang Teng-ting, and to the east is the preface to Ou Yue, which is a group of Chinese characters in the preface to St. Jiao, a four-year book by a great calligrapher in the Tang Dynasty. The south is "the south is deep and deep", which is the word Yan Zhenqing; It is called "western control" in the west, and the word "capsule dragon and Yan monument" is set; In the north, it is "North Star Sublime", which is a collection of the words "Zhang Qianbei" in the Han Dynasty.
On the screen wall in the center of the main hall, the stone tablet of "Preface to Wang Teng Pavilion" in Wang Bo, which is made of nearly 10 square meters, was carved by Su Dongpo in calligraphy and craftsmen. This is extremely valuable. On the back of the screen wall, that is, the east wall of the west hall, there is a lacquer painting "Hundred Butterflies and Hundred Flowers". It is said that this theme was chosen according to the elegant thing that Wang Teng Li Yuanying loved butterflies and painted them. On both sides of the lacquer painting, there are 1 couplets made of brass and written in ancient Chinese characters. It is said that it is the oldest couplet in Tengwangge, and it has been handed down as an old couplet in the Song Dynasty. The text said: "Nanpu clouds open, autumn water * * * sky is one color; Rain in the western hills, sunset and lonely Qi Fei ".
On both sides of the central hall, there are two halls, Hanmo and Danqing. There are antique root carving furniture and painting cases for painters to splash ink in the hall, which is an excellent environment for artists to create art.
On this floor, in addition to celebrity calligraphy and painting, there are several couplets. First, for Pan, president of new york Global Couplets Association, he wrote a couplet in official script: "The majestic pavilion knows Zhongxing, the green water flows, and the wine talks; The Sao altar has a long-standing reputation, and the sky is long and the autumn is endless. " Secondly, I wrote an article for Li Wenmin, the governor of Jiangxi Province in the Qing Dynasty: "The article is fascinating and carries the spirit of the earth to spread. After reading for thousands of years, I still see the painting building flying clouds and rolling rain; The lakes and mountains are intact, and they are good at winning the victory of Chu, Wei and Wu. Looking around on the fence, the situation is even more obvious. " Third, it was written by Yin Da He Hongxun in the Qing Dynasty in Nanchang: "The songs and dances in the pavilion are dusty, so I asked my deputy An Cai who he was, leaving a sequence for Xia Xunqi to polish the country; After the robbery, the balcony was newly built. Fortunately, there are still traces of the king here. I remember the snow claws and sent them to the crown for many years. "
Finally, the sixth floor is the highest sightseeing floor of the Wang Teng Pavilion, which is also the treasure of the pavilion. Between the east and west eaves, there is a gold plaque inscribed by Su Shi, "Tengwang Pavilion".
Standing on the roof, overlooking the railing, the rolling Ganjiang River unfolds in front of us: It really is "the sunset is lonely in Qi Fei, and the autumn water is * * * the sky is one color". It is no wonder that literati and poets in past dynasties left countless poems for Tengwangge. According to incomplete statistics, there are more than 1 1,000 (first). In the distance, mountains of all sizes, such as Meiling and Mengshan, are looming, just like Yu Meiren's eyebrows and many pearls, which endow this endless river with rich poetry, hazy change of sunshine and sparkling orange fantasy. I'm afraid even a master who is good at painting will feel that he is at his wit's end here.
Immersed in the scene, enjoying the scenery of "the sunset is lonely in Qi Fei, and the autumn water and the sky are one color" is really refreshing and forgets all the insults.
Downstairs, I looked back at Tengwangge: the three bronzed characters of "Tengwangge" in Su Shi's calligraphy are still so brilliant, and Tengwangge is still blooming with extraordinary splendour. like