Is there an artist named Qian Qingjun who makes teapot?

I don't seem to have heard of it.

the following is for reference.

a famous teapot maker in past dynasties

Wang Youlan was a famous pottery maker during the Qing Shunzhi-Kangxi period.

Zheng Ning was a famous pottery artist during the reign of Hou Qing and Kangxi.

During the period from Kangxi to Yongzheng in the Qing Dynasty in Hua Fengxiang, people were good at antique, and the pots they made were elegant without losing their quaint flavor, and they were long in purple sand furnaces. The imitation Chinese square pots they made were exquisite and excellent, with uniform glaze, ingenious but not fiber, and simple in workmanship. The style was based on the square seal [made by Jingxi Huafengxiang].

Chen Mingyuan, Hefeng, Hetun, Huyin, Shixiashan, etc., were famous pottery makers in Kangxi period of Qing Dynasty, and their birth and death are unknown. He is a generation of famous teachers after Shi Dabin. He is good at sculpture decoration, good at renovation and exquisite in skills. His works are elegant and healthy in calligraphy, with the style of Jin and Tang Dynasties. His works are sought after by scholars and famous officials and ministers, and are famous at home and abroad. At that time, there was a praise in Beijing for "competing overseas for a distant dish". His works included dozens of kinds of pots, cups, bottles, pots and elegant plays in the study, such as Tianji Pot, Begonia Pot, Treasure Pot, Flower Bottle, Chrysanthemum Pot, Fragrant Pot and assorted dishes.

Yuan Yulong was a famous pottery artist during the reign of Emperor Kangxi and Yongzheng, and his Plain Body Flat Pot was handed down from generation to generation.

Jiang Delin's word Wanquan. Qing Daoguang-a famous pottery artist during Tongzhi period. According to Guangxu's "Yixing County Records", Dexiu's "all kinds of arts are excellent, and all the tea pots, flower pots, cups and plates and all the furniture of the book case are exquisite in color and workmanship, which is the crown of the moment".

He Xinzhou Qing Daoguang-a famous pottery artist during Tongzhi period.

Wang Dongshi Qing Daoguang-a famous pottery artist during Tongzhi period.

During the reign of Emperor Li's reign of Emperor Tongzhi of Qing Dynasty-Guangxu, "Carving Flowers and Bending the Flat Pot" was handed down from generation to generation.

Fan Dingfu, Qing Xianfeng, was a famous pottery artist during Tongzhi period.

The information of Wendan is ominous

The information of ancient lotus seeds is ominous

The information of mineralization is ominous

Deng Kui was born, a friend of Qu Ziye before and after Daoguang in Qing Dynasty, and cooperated with purple sand artists to design and supervise purple sand pots, write their own inscriptions, or carve flowers, bamboo and seal the bottom of the pots with "Fu Sheng Deng Kui's supervision".

Mei Diaoding's word is "Friends of Bamboo" and "Yun Weng". People in Daoguang and Xianfeng Dynasties in Qing Dynasty. Gong calligraphy, carving calligraphy and painting on the teapot, is a school of its own.

Pan Qianrong was a pot-making artist during the reign of Yongzheng, Qianlong, Jiaqing and Daoguang in the Qing Dynasty.

Shao Suogen was a pot maker during Jiaqing and Daoguang periods in Qing Dynasty.

Shao Weixin was a pot-making artist in Qing Dynasty.

Shi Weigao was a pot-making artist in Qianlong and Jiaqing years in Qing Dynasty.

yang jichu was a pot artist during Qianlong and Jiaqing periods in the early Qing dynasty.

Zhu Jian's name is Shimou (Shi Mei), who was born in Jiaqing and Daoguang years in Qing Dynasty. He is good at epigraphy and calligraphy, and he is a scholar who cooperated with Yang Pengnian after Chen Hongshou. His decorative paintings and calligraphy are elegant in style, rich in charm of stone and stone, and vigorous in knife cutting.

Zhao Songting used to be a famous fountain, and his stage name was Dongxi. A native of Shangyuan Village, Sichuan Port, Shushan, Yixing, he was a pot-making artist and industrialist in the late Qing Dynasty and the early Republic of China.

there is no information about Qu Ziye, Qing Daoguang and Tongzhi

Chen Bofang

Zhu Shimei

Shao Xingran

Fan Qinfen, Yixing Zisha artist in the late Qing Dynasty and the early Republic of China. Craft sand pot. Zhenjiang cultural relics store has a "Fan Qinfen's waist-bending pot" with purple ochre mud. The upper part of the kettle body is in an inner arc, forming a high neck and a small mouth; The lower part is in an outer arc, forming a bowl-shaped bottom. Hemispherical lid, mushroom button, a curved flow, ear-shaped handle. At the bottom, it was engraved with "Made by Fan Qinfen". The height is 11.5 and the diameter is 3.5 cm.

Zhang Chunfen Yixing Zisha artist in the late Qing Dynasty and the early Republic of China. Be good at making colorful pots. Zhenjiang Cultural Relics Store has a "Zhang Chunfen Lotus-shaped Pot", with a big lotus root as the pot body, a small lotus root as the flow, a lotus stalk as the handle, a lotus leaf as the cover, and a lotus flower as the decoration. The idea is ingenious and the work is shaped. Seal script seal made by Zhang Chunfen. The height is 1.5 cm.

In the history of teapot in the late Qing Dynasty, Wu Dacheng hired Huang Yulin and others to make pots for him, which is often mentioned in historical materials, which is more credible. However, as the saying goes in "A Test of Yang Xian Sand Pot", "Bishan Pot has a large purple sand pot with a handle ...", and Qing Qing was appointed as the governor of Taiwan Province in the Jiawu period. "Today, people still quote:" This pot was made in the Sino-Japanese War (1894), when Wu Dacheng was appointed as the governor of Taiwan Province, and his teacher was defeated in the Japanese year, or as Zhang Hong said, "Ji is based on sending it." (See "Yixing Zisha Precious Appreciation" edited by Gu Jingzhou, page 149, published by Sanlian Bookstore Co., Ltd., 1992, Hong Kong). The credibility is not so great. About Wu Dacheng's deeds, there are many books published in China, including the Draft of Qing History, but all of them are incomplete. Mr. Gu Tinglong, the former director of Shanghai Library, wrote a book "Mr. Wu Shuzhai's Chronicle", but he has not been able to read it so far. As for whether Wu Dacheng has ever been the governor of Taiwan Province, I have not mentioned some information I have seen. As for when Wu Dacheng participated in the teapot and hired Huang Yulin and others to make it, we can find the answer from the existing teapot with the exact date. Wu Dacheng (1835-192) was born in Wuxian County, Jiangsu Province. The first name was Dachun (in order to avoid the change of the current name from Mu Zong Zai Chun, the Tongzhi Emperor), and the word was respectful and clear, with the number of Hengxuan, Baiyun Shanqiao, Baiyun Sicao, Songxuan, Zheng Niche and Ertian Jushi, and the name of Lingzhai in the evening. The room name is 28 general print Zhai, Erjiu Residence, 12 Jinfu Zhai, 16 Jinfu Zhai, 1 Guishan House, 1 general print Zhai, 1 Tonggu Zhai, 8 Tiger Fu Zhai, 3 ancient sou Zhai, 58 Bi 64 Cong 72 Gui Jing She, Zhijing (Tang), Shuanglingju, Shuangfan Xuan and Jade Buddha Shrine. At the beginning of Tongzhi, he entered the painting and calligraphy meeting of Pinghua Society. Learn less from Chen Shuofu's seal script, and participate in ancient seal writing after middle age, which is beneficial to seiko. He is a famous epigraphy archaeologist and philologist. (See Dictionary of China Artists' Family Names, edited by Yu Jianhua, page 276, Shanghai People's Fine Arts Publishing House, 1981, edited by Chen Yutang, edited by China Modern People's Names Dictionary, page 349, Zhejiang Ancient Books Publishing House, 1993, edited by Ma Wenxi and Zhang Guibi, page 1195, Zhonghua Book Company, 1996. )

Wang Huai's word "Xiaohai", a man from Qing Qianlong to Jiaqing, was able to write good poems, and the tea pots he made were elegant and vigorous, with correct calligraphy and few utensils.

Yang Jiguang, a man from Qing Yongzheng to Qianlong, used the palace style as a decorative technique, made the royal wares well, matched the clay materials properly, and praised them for their color, exquisite craftsmanship and utensils.

Jiang Anqing was born from Xianfeng in Qing Dynasty to the early years of the Republic of China. He was a famous purple sand craftsman with simple workmanship and simple craftsmanship.

Jin Shiheng was a famous pottery artist from Yongzheng to Qianlong in Qing Dynasty.

Xu longwen was a famous pottery artist in Yongzheng.

Chen Hanwen was a famous pottery artist during the Yongzheng-Qianlong period of Qing Dynasty.

Fan Zhangen, named Dean, was a famous pottery artist during Yongzheng-Qianlong period in Qing Dynasty.

Hui Yigong was a famous pottery artist when he was in the Qing Dynasty. The size and thickness of the pots he made were comparable to those of Hui Mengchen, and he was called "Erhui" in the world. There are also many fakes.

Pan Dahe was a famous pottery artist during the reign of Qing Qianlong and Jiaqing.

Chen Hongshou was born in Qiantang, Zhejiang Province from 1768 to 1822. He is good at sand pot design, calligraphy and painting, and is one of the famous "Eight West Lengs". In the sixth year of Jiaqing (181), any Huai 'an tongzhi. Poetry, literature, books and paintings are all won by capital. When Liyang was magistrate of a county, he distinguished the sand quality in his spare time, created a new sample of the sand pot, and designed eighteen styles of the pot sample, which were made by famous potters Yang Pengnian, Yang Fengnian's brother and sister, Shao Erquan, etc. Then Chen Mansheng and his curtain guests Jiang Tingxiang, Gao Shuangquan, Guo Pinjia, Cha Meishi and so on were engraved with calligraphy and painting, which was called "Mansheng Pot" in the world. Modelling has the equations of Shi Zi Heng Yun, well field, Albizia Albizia, Queyue, Banwa, Fangshan, Gua-shaped and Fu-dou. Chen Mansheng, a cool cliff-climbing stele, has carved inscriptions such as seal cutting, official seal cutting and travel, and the seal cutting tracks the Qin and Han Dynasties. The bottom of Mansheng Pot is commonly marked with "Amanta Tuo Shi" and "Sanlian Pavilion", and it has the word "Peng Nian". The existing "Wadang Pot" is in Shanghai Museum.

Fan Zhuang farmers have Guo Ming Zhu Jie Hu and Man Sheng Zi Ni Da Hu handed down from generation to generation.

The old man in Weiqing has a book "Loose Rod Pen Container" handed down from generation to generation.

Pot Idiot has been handed down from generation to generation.

Yuan Mao has polished the waist-girding Mengchen Little Pot, Jiepu Magnolia and Sushen Big Pot, which were handed down from generation to generation.

Xu Bojun's "Straightening Liang Dafang Pot" was handed down from generation to generation.

Han Fang Hu has been handed down from generation to generation.

Xu Feilong has Han Fang Hu handed down from generation to generation.

Han Zhen has a pastel bamboo pot handed down from generation to generation.

Wang Nanlin's Plain Body and Clear Pot has been handed down from generation to generation.

Yang Youlan's Inscribed Bell-shaped Ring Pot has been handed down from generation to generation.

Yang Lvgan's Painting a Round Pot with Mountains and Waters was handed down from generation to generation.

Shao Panzhen's "Drum-bellied Mengchen Small Pot" has been handed down from generation to generation.

There is a book named "Bend the waist and make a pot of Meng Chen" handed down from generation to generation in the calyx garden.

Yang Pengnian Zigzag Spring is called Dapeng. A famous artist who made sand pots during Jiaqing period of Qing Dynasty. Birth and death are unknown. Jingxi people, a native of Tongxiang, Zhejiang Province, whose younger brother was Bao Nian and younger sister was Feng Nian, were all famous pot-making artists at that time, who were good at mixing mud. The tea pots they made were crystal-clear in jade color, charming in Wen Ya, simple and exquisite, with natural interest, and the artistic forest was regarded as a treasure. At that time, the Man Sheng Pot was often made for Chen Hongshou, a magistrate of Liyang County, which has always been cherished by connoisseurs. The existing Bell Pot is hidden in the Shanghai Museum.

Yang Fengnian, a famous pot-making artist in Jiaqing period of Qing Dynasty, was from Jingxi. She said that she was from Tongxiang, Zhejiang, and was the sister of Yang Pengnian. Ingenious in conception and exquisite in relief, comparable to her brother, she is always recognized as the most prestigious female artist in making sand pots, with many works handed down from generation to generation. The Wind-rolled Kwai Pot made by her is elegant in shape, skillful in production, made of precious azure mud, slightly blue in rosewood color, exquisite in content and moist as jade. "Bamboo Pot" is purple, calm and steady. The pot body is bamboo-shaped, and the mouth, lid and handle are all decorated with bamboo branches and leaves. The proportion is symmetrical, the density is exquisite, and it is a good product in the pot. It is now hidden in ceramics museum, Yixing.

Lu Zhanyan, an old man from wood road, was born in Yong 'an, Fujian in the early Republic of China. After liberation, he was rated as a special master of hand-pulled pot by the state, and enjoyed a high reputation among Zhu clay vessels! According to Yun Qiu, Guilin, Zhang Dehai and others studied under him!

Qu Ying, who was named Rihu, Qufu, Laozhi, Bichun and the self-styled Tea Lord, was born in Jiaqing to Daoguang years, and was especially good at seal cutting.

Ge Zihou was a famous pottery artist in Jiaqing period of Qing Dynasty. There is a pear-shaped Mengchen pot handed down from generation to generation.

Yang Baonian lives a long life. Famous pottery artist in Jiaqing-Daoguang period of Qing Dynasty.

Shao Amnesty is also known as forgiveness. A famous pottery artist during the reign of Daoguang in Qing Dynasty.

Wu Yuting is called Zhuxi. A famous pottery artist in the Qing Dynasty.

Shao Jingnan left her master behind. A famous pottery artist in the Qing Dynasty.

Shen Xizi was a famous pottery artist during the Qing Daoguang-Xianfeng period. Make good use of white mud, a rising star of Yixing pot art in the Qing Dynasty, and use the money at the bottom of the pot "the tea is ripe and fragrant, and the emperor is warm." He has collaborated with Yang Pengnian and Qu Zizhi to create works.