The author's life for a seat

Yan Zhenqing (709-784, Yi Shuo 709-785), born in Wannian, Tang Jingzhao (now Xi, Shaanxi), was a calligrapher in the Tang Dynasty in China. An outstanding calligrapher in the middle Tang Dynasty. His "Yan Ti" regular script, together with Zhao Mengfu, Liu Gongquan and Ou Yangxun, is also called "the four masters of regular script". And Liu Gongquan, also known as "Yan Liu", has the reputation of "Yan Liu Jin Gu". Su Shi Ceng Yun: "As for poetry, as for literature, as for Han's retreat, as for painting Wu Daozi, as for books, as for beauty, the changes of ancient and modern times can do everything in the world." (Dongpo Inscription)

In the 22nd year of Kaiyuan (AD 734), Yan Zhenqing was promoted to imperial academy, and was appointed as an imperial envoy for four times to supervise the imperial envoy in the temple relocation. Rejected by Yang, the powerful minister at that time, he was demoted to the plain (now Lingxian County, Dezhou, Shandong Province) as the satrap, which was called "Yan Plain" in history. In the fourth year of Jianzhong (783), he was framed by Prime Minister Qilu and sent to Li Xilie as a traitor, and was killed by Li Xilie. He is honest, clean and honest, has a sense of justice, never condescends to the powerful, condescends to flatter, and is famous for his benevolence and righteousness.

Yan Zhenqing is a descendant of the Yan family in Langya, with a deep family background. Yan Shigu, the fifth ancestor, was a famous scholar in the Northern Qi Dynasty. He once wrote family instructions for the Yan family. When Yan Zhenqing was young, his family was poor and lacked paper and pens, so he used a pen to brush loess water to practice calligraphy on the wall. Chu Suiliang was a beginner, and later learned Zhang Xu's brushwork. He also absorbed the characteristics of the four schools in the early Tang Dynasty and accepted the brushwork of Zhuanli and the Northern Wei Dynasty. He completed the vigorous and broad creation of colorful regular script, which set a model for regular script in Tang Dynasty. His regular script is contrary to the calligraphy style of the early Tang Dynasty, featuring brushwork. It is a typical example of perfect combination of calligraphy beauty and personality beauty.