Four poems of Tang Dynasty, weeds, ink calligraphy, 29.5 cm high, 195.2 cm wide, five-color letterhead, * * * 40 lines, each line 188 words. This post is circulated by Zhang Xu's Four Poems of Southern Dynasties. The first two songs are two of Yu Xin's Ten Taoist Steps, and the last two songs are Xie Lingyun's Praise for the Prince and Praise for a Husband and a Son under the Rock. Throughout this volume of cursive script, calligraphy is bold and unrestrained, with endless pens, such as drawing sand with a cone, without delicate sliding pens. This ink has become a unique book handed down by Zhang Xu. This post is collected by Song Xuanhe Neifu, Ming Huaxia, Xiang, Luo and Qing Neifu. The original is in Liaoning Provincial Museum.
Huai Su preface is not a monument.
This volume uses a fine pen to write big characters, and the strokes are round and smooth, such as a winding steel cable, and the pen tip is sharp as a hook, so-called "iron painting silver hook". The whole volume emphasizes the continuous grass trend, turning up and down with the pen, jerking from left to right, fluctuating and swinging, with illness and slow, light and heavy, like a rhythmic music melody, which is very dynamic. In addition, there are some casual paintings, which emphasize the breaking meaning and endless brushwork of the pen, the tip of the pen is hooked back, and the point echoes the painting. Throughout the composition, strange changes and shocking waves are the ultimate expression of cursive art.