Flower Inspiration Sticker: It's a sketch by Huang Tingjian, a calligrapher in Song Dynasty in China. It's a 28-word poem, written casually and comfortably. It combines the rigorous central front line with the ten thousand seals of cursive script to form a perfect sketch, which is a rare masterpiece for appreciating calligraphy.
The post station is stamped with the seal of "Ji Dianbao" in the Southern Song Dynasty and has been in the inner government of the Southern Song Dynasty. There is also the collection of the Korean An Yizhou in the Qing Dynasty. Yin (Anyizhou) was the most famous collector at that time. This discount is kept in the National Palace Museum in Taipei.
Flowers excite people, a 28-word poem by Huang Tingjian, is very casual and comfortable, brilliant and naive, and it is also a rare good work in Huang Tingjian's structured calligraphy. "Flowers are suffocating, and people want to break the Zen. Actually, I've been slipping for a long time. What is the poem in spring? Eight let the water boat be buried on the beach. "
This post is vigorous and powerful, not as clever as clumsy, fat and bone, thin and fleshy, "unusually vertical and horizontal, strong as flying." Its charm is no less than regular script. "The calligraphy in the valley is so great that the truth was hidden in my later years (Huai Su). This pen is in a trance, and he is obsessed with ghosts. It is called' Cao Sheng'! "
At this time, Huang Tingjian's cursive art has reached the point of perfection. At this time, cursive script gained the free and easy charm of Zhang Xu and Huai Su's cursive script, but it also had its own style. The pen is tight and steep, thin and strong, vigorous and changeable.
works appreciation
In order to convey his complicated experience in age, years, spring and life creation, the author wrote this poem, and in the most natural way, he combined Huang Tingjian's rigorous midline with the cursive script, forming a perfect sketch, which is a rare masterpiece to appreciate calligraphy.
The origin of calligraphy is diverse, mainly influenced by Yan Zhenqing, Su Shi and the stone carving Yi He Ming in the Southern Dynasties. Shao Shengyuan (1094) was relegated to the middle of Guizhou, and he saw Huai Su's cursive self-narrative posts. Inspired by many things, his pen tends to be round and vigorous, and he tends to be grassy. The brushwork is healthy and the ink color is rich and dry, which is a rare sketch.