Second, if you draw sand with a cone, you are talking about writing with strokes. When writing strokes, you should control the brush, and you can't come at will according to your own habits and preferences, and you can't be dull. When I put pen to paper, I went down first and then ran sideways. And to maintain a certain strength. Otherwise, the handwriting that can't be drawn; Irregular rules are a mess; If you don't control the strokes, the strokes will be different in thickness and the lines will be distorted.
Third, like Yin Yinni, it is like a cone drawing sand. This is the antithesis of Chinese calligraphy. In other words, when writing on paper, the brush is soft and hard, and when printing on mud, it is hard and soft. Soft and hard are similar, but up and down are opposite, so they have something in common.
Fourth, the leak marks are the brushwork. In the past, the quality of huts was poor and there were many leaks. Most of the leaking places are a point, and the rain slowly seeps down from this point, leaving traces where it passes. Obviously, this trace is continuous downward. To sum up, this statement means the following-the brushwork, structure and composition of words should be continuous and unified, and they should not run around like headless flies-between the lines, both front and back are used, and they are random and messy; Or one word is particularly large, and the other word is too small to form a line; Where a thick pen is used, a thin pen is suddenly used; Fonts are staggered-they need to be unified as a whole and changed locally. For example, although the word Lanting has various shapes, everyone still thinks it is a Chinese character and will not think it is any other word.
Five, white is black, which is actually the essence of word structure. The original intention of this language is actually to unify the layout structure, that is, in the box of a word, black and white should be unified or symmetrical; Don't crowd together and don't be too sparse. If we regard words as thickness, ink color and weight, then every ink has weight. If you have weight, you must obey Newton's law. You must make these weights stand firm, just like building a house. So this word has a center of gravity. If the strokes are crowded together, just like a wall is particularly thick, how much strength is needed to support it.
Here I also want to talk about the matching of sizes. Some people write words with big and small strokes, thick and thin strokes, but they are also very beautiful, especially cursive scripts. This will use the lever principle in physics, that is, if your stroke arrangement conforms to the lever principle, you can achieve a stable effect. Although the weight is small, the distance between weight and weight is also far. This is the difference between a master and a ghost. Or take a look at the seesaw that children play with. You have to sit at both ends with someone about the same weight to lean up and down. How else to play?
6. Have a plan, that is, imagine what you want to write or draw on paper, and draw these virtual images with a pen, just like copying. This is actually the practice of copying calligraphy and painting used in actual combat. The so-called reading breaks thousands of volumes, and writing is like a god. This is what it means. I have accumulated a lot of wonderful words and images in my heart, which are rich and varied, handy and natural, and I don't work behind closed doors.
Seven, the intention to start writing first, which is similar to having a well-thought-out plan, that is, making a virtual writing path on paper before starting writing. When writing the first pen, the writing methods of the second pen and the third pen have been thought out. Writing is like playing chess. How to deal with the existing arrangements after writing a pen. A chess master can be counted as a change after fifteen steps, while a low hand is to follow the trend. Art is interlinked and things are similar, which is probably the case.
Eight, don't be like an operator, you said don't feel dull. After writing is unified, we should also pay attention to changes and local disunity, thus creating a sense of movement, which is both unified and disunity, which is the highest realm of calligraphy. It can't be exactly the same The horizontal direction is the same length, and the vertical direction is the same thickness. Calligraphy is different from printing. A slight inclination of the horizontal plane is a change, that is, it produces an unstable meaning and a dynamic artistic conception. If the vertical pen is inclined, the overall character is unstable, and the horizontal inclination is like the wind shaking the willow, which makes it suddenly smart.
Nine, the word has eight sides, indicating that Chinese characters are square characters. When writing, you can't walk out of this box. Every stroke has a boundary in every direction. You can't surpass it, but you can't be less than it. Each small part also has its own small ninety-nine and its own eight sides. Use the pen in place, each pen does its job, and the words are written out.
Ten, the pen heart, in fact, is to have control over the pen, rather than doing whatever you want or doing nothing. The so-called "Yin Yinni" and "slapping sand" are both methods of controlling the pen, but what the ancients said was not detailed and specific. When you write, write down first. The action of printing the seal and the action of drawing sand with an awl should go down first, so that the strokes can be unfolded after a certain width. Pen-pen center, to control the pen from beginning to end, once out of control, there will be a sick pen.
Let's talk about what people say now.
First, turn the pen around, that is, to be consistent and unified. The connection between strokes should be smooth and natural. Only by mastering the brushwork can you turn well. Only when the brushwork is smooth, can it turn smoothly and freely, and the natural unity and neatness will also appear. Turning around is also related to the writing of strokes, which the author will say later.
Second, writing the word "one" is to master the brushwork. One is the basic stroke, and other strokes are developed and deformed from the basic stroke. Eight methods of permanent words, the beginning of which is to write a word. Point is a shortened word, horizontal, vertical, vertical and oblique, all of which can write well. These strokes are naturally not a problem. It's easy to go out, but difficult to go back. In a word, there are naturally more ways to go against the sky. Write in front, it's not worth mentioning. Similarly, it will be further developed in the future.
Third, the main pen refers to the strokes in a word that can determine the whole font. But this statement is not easy to generalize, that is, the main strokes of some words are difficult to find, such as the word "mouth". It is easy to understand that strokes have weight-the main pen is something with heavy weight or torque between lines-there is torque when there is weight.
Fourth, the center of gravity, from the above can push forward the understanding of the center of gravity. Turn out junior high school physics and let readers use their brains.
China's calligraphy or Chinese characters are basically square, which is commonly known as square characters. Brush calligraphy is basically square, which is seen from the overall shape of words. Secondly, the writing of brush is actually the line mentioned in painting, so all the concepts about the beauty of line can be applied here. Calligraphy is still a word, so to have the function of a word is to be able to convey the meaning of the word. To be clear, it is to be recognized by people, not vague, otherwise it is to draw rather than write.
In the past, the method of recording writing can refer to copybooks, which is the result of good words, not the beginning of writing, but what, not why. How to achieve the effect of copybook, there are different opinions, but people are confused. To record music, you can use the score. The ancients in China had a method of recording music with letters, but few people can understand it now. There are notation personnel abroad who can record music scores well. But these methods can only record the length and pitch of music, but can't record the severity of pronunciation and the size of sound. Performers and singers can play with this.