Appreciation of He Daqi's Excellent Calligraphy Works
Pictures of He Daqi's Excellent Calligraphy Works 1
Photo 2 of He Daqi's Excellent Calligraphy Works
Photo 3 of He Daqi's Excellent Calligraphy Works
He Daqi's Excellent Calligraphy Works Figure 4
He Daqi's Personal Profile
Calligrapher He Daqi, male, special teacher. 1940 was born in Beijing and belongs to the dragon. My ancestral home is Shaoxing, Zhejiang. Graduated from Chinese Department of Beijing Normal University. Now he is a researcher in the teaching department of Shijingshan branch of Beijing Institute of Education. Director of Beijing Fine Arts Education, member of China Fine Arts Education Society, member of Beijing Calligraphers Association, member of the Textbook Review Committee of Beijing Institute of Education, and deputy editor of Art Education Reference Book of People's Fine Arts Publishing House.
Good at China's meticulous figure painting and calligraphy creation. He has rich experience in figure painting teaching and calligraphy. And compiled more than ten kinds of teaching materials. Main works: Selected Sketches of He Daqi's Screen (1996, China People's Publishing House), Hundreds of Tang Poems (1997, Equatorial Wind Publishing House), Series of Excellent Teachers' Educational Thoughts and Teaching Arts (1999, Knowledge Publishing House), and Beijing Folk Paintings. 44 articles in Chinese Soul Magazine), Sketch Cartoon Teaching and Appreciation (Hunan Fine Arts Publishing House, 2003) and Old Beijing Folk Painting (China Water Resources and Hydropower Publishing House, 2005) won awards in 2002. The 4th Hu Chun 'an Excellent Teaching Achievement Award? In 200 1 year, he won the gold medal of the United nations painting and calligraphy exhibition.
Dotted lines in calligraphy
The stippling lines of calligraphy have infinite expressive force, which is abstract in itself. The calligraphy image they form has no definite meaning, but should contain all the characteristics of beauty. This puts forward special requirements for the stippling lines of calligraphy. Require a strong sense of quantity, rhythm and three-dimensional sense.
1, sense of strength
The power of stippling lines is one of the elements of line beauty. It is a metaphor, pointing out the sense of power aroused by drawing lines in people's hearts. As early as the Han Dynasty, Cai Yong made a special study on stippling lines in Nine Potential, pointing out? Hiding the head and protecting the tail, power is between the lines? ,? Do a pen heart and often do some painting? ,? After the stippling is finished, you still have to collect it forcibly? . It is required that the stippling should be hidden deep in the laurel corner, and what is done will be collected and its power will be obvious. It should be noted that our emphasis on hiding the head and protecting the tail does not mean that we can ignore the midline. The center line pen must take the convergence center, so as to make the stippling lines round and smooth, warm but not soft, and contain strength. But the starting point and ending point of the dotted line are not all hidden in the corner (both large print and small print must hide the front). Calligraphy is often combined with hiding and revealing as needed, especially cursive script. When appreciating it, we should pay attention to the acceptance and echo of the beginning and the end, and whether the middle part is flashy and frivolous.
2. sense of rhythm
Rhythm originally refers to the regular changes in the height, strength and length of notes in music. Because of the different strength and speed of calligraphy in the process of creation, different forms such as thickness, length and size change regularly alternately, which makes the stippling lines of calligraphy have a sense of rhythm. The strokes of Chinese characters are different in length and size, which further strengthens the rhythm of stippling lines in calligraphy. Generally speaking, regular script (such as seal script, official script and regular script) has a weak sense of rhythm, while running script (running script and cursive script) has a strong sense of rhythm and rich changes.
3, three-dimensional sense
The stereoscopic impression is the result of using the pen in the center. The strokes written in the center, looking at the sun, have a wisp of thick ink in the center of the painting, which is in it. As for the folds, there is no bias in it. ? In this way, the dotted lines can be full, round and round. Therefore, the pens used in the center have always been highly valued. However, we can't find the profile that can be seen everywhere in calligraphy creation. Except for Xiao Zhuan, all other calligraphy styles are inseparable from the side edge. Especially cursive script, as a supplement and foil to the center, wingers can be seen everywhere.