There are about 4,000 Su poems in existence, and their contents and styles are different, but they are mainly bold and unconstrained, with poor changes, which has opened up a new road for the development of romantic songs. Xie's "Poetry" said: "Su Shi's poems have opened up a realm of both ancient and modern, haven't they? Everything is laughing and swearing, and all the inspiration is in his works. " Zhao Yi said in "Ou Bei Shi Hua": "Writing poetry has become spectacular since Changli, and it has become a generation ... especially those who can't, a natural and healthy pen, a calm and sad pear, cut." His poems are fresh and bold, with exaggerated metaphors and unique artistic expressions. This poem also reflects the sufferings of the people's ethnic minorities and accuses the rulers of extravagance and arrogance. An influential and uninhibited descendant. The Story of Chibi and Qiu Chen, the singer of Shuidiao, are widely read. His poems include Seven Chapters of Dongpo and so on.
There are more than 340 Su Ci poems, which are the first to break the narrow theme that men and women love to write and stay, and have a wide range of social contents. Su Shi occupies a special position in the history of our country. He expanded the prose spirit of the Northern Song Dynasty to Ci and Ci, and eliminated the traditional style, because in the late Tang Dynasty, he created a bold and graceful coordinate word, expanded the theme words and rich artistic conception, broke the boundaries of poetry and created beautiful words, which meant that he made outstanding contributions to innovation and development. His representative works include Story and Overture, which is the first model of the school of open and bold ci. He said to Xin Qiji, "Su Xin". Xu Xi said in the Preface to Xinjiaxuan: "Dongpo's Ci is frank and poetic, which is like words and wonders in the world".
Su is also good at regular script, and is called "Four Songs" with Huang Tingjian, Mi Fei and Cai Xiang. He learned from Wang Sengqian, Li Yong, Xu Hao, Yan Zhenqing, Yang Ningshi and Meng, became a master of Jin, Tang and Five Dynasties, and created his own thoughts. It is naive to use a pen to enrich the ups and downs. I said to myself, "I'm not going to write this book"; Another cloud:. "In the new city, the ancients didn't practice," Huang Ting told him. "Not as accurate as early as possible as the boss's gradual nature"; You Yun: Old age depends on overseas trends, plus knowledge, brain holes and extraordinary insight everywhere. Life has experienced many ups and downs, and his calligraphy style has been enriched. "Huangzhou's grip on the pen is very strong." Innocent, you can imagine him by looking at his calligraphy. The book of respect for people, among brothers, is one step at a time. In the end, friends, Zhao and others all learned from him about the time when they sacrificed their sons and nephews in ancient times. Later historical figures, such as Li Gang, Han Shizhong, Lu, Zhang Zhidong in Qing Dynasty, also learned from him, which had a great influence. Huang Tingjian said in "Valley Collection": "This is a good book, and pushing (Su) is the first."
Su's bamboo and stone paintings are the same (that is, literary and colorful), simpler than painting, and have the trend of elevator dance. Miffy said she was "bamboo". From the ground to the top, I want to ask: Why not read in sections? Bamboo was born, this is a paragraph by paragraph, and the students are all good because of the dead wood and stones. Mi language, um: "with dead branches, the song is unprovoked;" Stone cracks are hard, but they are also strange and unprovoked. The feathers on its chest can also be reflected in the fact that painting is far from fantasy. He has his own opinions on painting, which has a far-reaching influence. Because he attached great importance to the likeness of spirit, he thought that "painting is similar to seeing neighbors", advocated that there is love and painting, and pinned on it, and opposed the bondage schema of form, so as to promote "poetic nature and ownership, artistry and freshness" and clarify the artistic attainments of "literati painting" with such a high concept. Through the development of its "literati painting", it laid a theoretical foundation. The surviving books can be traced back to Huangzhou Cold Food Poetry, Red Cliff, Xie China's Cracked Paper, Ji Huang's Several Essays, and Qianchibi Fu. The surviving paintings can be traced back to Ancient Rock Enze and Bamboo Stone Map. Another recently discovered "Xiaoxiang Bamboo Stone Map" is also his work.
In Song Dynasty, Su Tiancai came forth in large numbers, and reached the peak of success in poetry, prose, ci, calligraphy and painting. This is rare in the history of China's literary and artistic genius.
[Edit this paragraph] Poetic style
Su Shi's style can be divided into three categories:
1, uninhibited style. This is the ideal style that Sue deliberately pursues. This is sad. He was full of excitement and even integrated into the text. The heroic and generous image of winning the grand occasion is a material.
2. Open-minded style. This is the most representative thought and personality trait of Su Ci.
3. Elegant style. Su graceful words account for the total number of words. In these words, pure and profound feelings exceed their absolute number. Healthy and noble style is the inheritance and development of traditional graceful words.
1079 In July 2009, Su Shi was in Huzhou. In January, he was imprisoned for Wutai's poetry and was demoted to Huangzhou the following year. Before the poem, Su served as the magistrate of Missouri, Xuzhou and Huzhou, with outstanding achievements, because he passed sentences from 107 1 in Hangzhou. The overall style of his poetry works is to relax in the desert and express his pride and officialdom political views with more life. Although he was an official in imperial academy for a period of time, his works seldom centered on Yao Shun's unrestrained freedom and nature, but turned more and more to nature and life understanding. The old man was exiled to Danzhou, Huizhou. His indifferent mood and broader mind revealed a kind of works in the style of Huang Cheng and Zhou Dynasty. His life was concentrated in his heart, and I benefited from leisure and realized a land that was suddenly quiet.
Su Shi established obvious inheritance differences in his poetry works with Wutai poetry case as the boundary. In the whole complexity behind Going Back, we can see that the poet's brushwork is like an unprovoked juvenile sigh, and gradually turns to a frustrated and broad-minded middle-aged man-more and more familiar with the old, which comes from the plain.
First, the theme, the early works mainly reflect Su Shi's "specific political worries", while the later works focus on "broader life difficulties". If the flies are in Taiwan Province, the spit is already. " His work led to the blank of filling in Wutai poetry case. Huangzhou's relegated life has made him "sarcastic, sharp, nervous and angry, which have disappeared and replaced him." This is a glorious, warm, cordial and extensive laughter. " Sweet and mature, comprehensive and profound. "
Secondly, culturally, Confucianism was still advocating Taoism and Buddhism in the early and late period.
At the beginning of the year, he always advocated the social responsibility of Confucianism and expressed deep concern about the sufferings of the people. Later, especially after being demoted twice, he advocated that Taoist and Buddhist cultures return to the past and tried to get rid of religion. Inspired by Buddhism's "normal mind is the Tao", he went to Huang Dan, Huizhou and other places to feel the real life interest of rural farmers.
Third, the early works are magnificent in style, bold and unrestrained, and burst out like a flood; Later works are ethereal and eternal, with primitive light, such as deep flowers, which are far beneficial to clear pears.
In other words, the first word, such as Su Shi, has a bold work style, but there are also a few. According to Mr. Zhu Jinghua's statistics, similar works account for one tenth of the total, and most of them are concentrated in Xuzhou, Missouri. This period is the mainstream of creation. Although these works are not dominant in quantity, they do reflect the positive attitude of Soviet officials during this period. At the same time, it is in the late style of local manpower, but there are also some works to entertain guests, and the beauty is charming. Chanting such as lovelorn, reminiscing about mountains and rivers, feeling nostalgic for the past, taking unpaid vacations and other gifts, pastoral scenery, talking about Zen reasoning, almost all-encompassing, gorgeous and colorful. And this part of the accountant dealt with Sue's possibility that she was surrounded by a huge butterfly, Zhuangzi. No, I forgot the smell. At this point, he vented all his dissatisfaction with the political reality, howled, and pointed all the hysterical criticism at the expulsion of Maimang. Its theme is more and more extensive, and its style has become dull and far-reaching.