Wang Zhongming, pen name Zhong Ming, born in 1953, was born in yi county, Anhui Province, the 45th grandson of Wang Lun in Tang Dynasty. Specializing in calligraphy, good at regular script and running script. Running grass, seal script, official script, etc. And attack calligraphy theory. Member of China Calligraphers Association, Chinese Painting and Calligraphy Institute, China Calligraphy Art Committee, China Culture and Art Development Promotion Association, Anhui Calligraphers Association, and special painter of Cultural Market Development Center of Ministry of Culture.
His works won the gold medal in the exhibition of outstanding works of the famous national painter Anti-Japanese Cup, the gold medal in the collection of Momo China, the special gold medal in the first Water Margin Cup painting and calligraphy exhibition, the silver prize in the second Prince Cup cross-strait painting and calligraphy competition, and the third prize in the China film centennial painting and calligraphy exhibition, and were exhibited in the National Museum. The selected work "China's Paintings and Calligraphy Long Scroll" was exhibited in China Art Museum, and was selected as "Selected Works of Contemporary Famous Painters in China", "Selected Works of Modern Paintings and Calligraphy in China", "Appreciation of Calligraphy in the world famous paintings", "Selected Works of Scholars and Scholars in China", "Selected Works of Contemporary Famous Painters in China" and "Selected Works of Modern Paintings and Calligraphy in China". "World Art Collection" (Chinese Volume 1) and so on. The work also passed the evaluation of China artwork 1S02003.
At present, when it comes to calligraphers' regular script ability, it is generally believed that Tian He is the best. I have seen the regular script works created by famous calligraphers, which makes people shine: under the background that many calligraphers lack regular script skills, like Tian brothers, they have made great achievements in regular script after long-term efforts, and their regular script ability is comparable to Ertian's.
All the books are finished, and regular script is the bottom. Wang Zhongming's calligraphy practice can be described as traditional and authentic, which has become the real skill and quality of calligraphers. Just by publicly displaying regular script, we can see that this calligrapher is a real master of calligraphy.
It sounds like a joke to learn cursive script in one month and regular script in ten years, but it is to express that many calligraphers have failed to write regular script at present and write cursive script directly. This is a utilitarian and impetuous state.
In Wang Zhongming's art dictionary, there have never been such cultured words as "scribbling", "scribbling" and "opportunistic". His favorite way of calligraphy cultivation is the skill of writing board based on posts. He keeps practicing calligraphy, taking learning from the past as the first and innovation as the second.
The peak of calligraphy was in ancient times. Wang Zhongming's understanding of this proposition is very profound, and his practice is also very strange. Therefore, he mainly practiced regular script, practiced laws and regulations, and also trained Yan, Liu and Zhao. He also participated in the righteousness and beauty of Zhong You's small script, learned from the strengths of various schools, and became the beauty of his own regular script. It can be said that Wang Zhongming's regular script has both ancient attributes and unique new ideas. Inheriting innovation, regular script has become a model, and everyone's contribution is based on regular script.
The study and understanding of the calligraphy of the two kings made Wang Zhongming's calligraphy incorporate the free quality of the spirit of the book sage in the extremely strict calligraphy statutes. By studying the calligraphy of the two kings, Wang Zhongming mastered the core cheats of calligraphy: brushwork!
As the fundamental secret of calligraphy, brushwork requires a lot of efforts, learning from the past and gradually gaining it. He who gets the brushwork wins the world. Wang Zhongming has his own world in calligraphy, which is closely related to his exquisite and magical brushwork. Wang Xizhi's success in Preface to Lanting is mainly marked by his wonderful brushwork. Wang Zhongming, a calligrapher, took the essence of his method and made great efforts to refine it. He cracked the calligrapher's free spirit and brushwork quality one by one, and took the skills as his own, showing a very strong ability to learn from others.
Others attach importance to the shape of the column and are not good at reconstruction, that is to say, the column is dead, or the column is dead. Wang Zhongming made a post, one is chasing the shape, the other is similar to the spirit, and both the spirit and the shape are the same, and the old products are indistinguishable. Therefore, Wang Zhongming's talent in post-school lies not only in being good at reading and writing, but also in being good at understanding. His communication with his old post is equal and two-way. Bo Gu's understanding of the present is the genius heterogeneity of Wang Zhongming's calligraphy.
Wang Zhongming's calligraphy skills are solid, and he is a leader in calligraphy creation. He never writes about rivers and lakes at will, and always takes Wang Xizhi, Huai Su and other great sages as his teachers. Even the authentic flavor in calligraphy is profound and fair. It is his cultivation and nature to be good at absorbing the essence from ancient calligraphy inscriptions.
Books are all written by people. They are really chic. The long ancient rhyme in calligraphy also stems from the exploration of the Second Seal of Jinshi and the Ten Monuments of Han Li. When practicing calligraphy, he is a real cursive seal, with a bald pen tip, and his skill is definitely practiced. Everyone's demeanor is of course the background color and tolerance of the book.