The content of how to write calligraphy in regular script is as follows:
Take Yan Zhenqing's "Duobao Pagoda Stele" in regular script as an example. The stroke processing of this character is very clever: the first point and the hook are centered, and the It is on the central axis and aligned up and down; the hook stroke should be written in an arc and bulge to the right, like a bow, so that it has strength; the two horizontal strokes are tilted to the right and in a parallel state, so that the strokes will not be chaotic;
The three-stroke paintings are basically parallel, pay attention to the size and length; in general, the lower part is covered by the Bao Hijab, and the feet of the strokes stick out, so that the glyphs are stable and not top-heavy.
Explanation of home: ***Family members who live together and the place where they live: ~ Courtyard. ~ Dependents. ~Long (zhǎng?). ~ Garden. ~ Spectrum. ~ private school. ~ Township. ~Wind. ~ Training. ~ Regulations. ~A household name. Rushu ~ Jane. The place where the family is: Hui~. Old~. An~. Living: "Yes~ Yan". Address people to their elders and relatives: ~ancestor. ~Father. ~ Weng. ~Mother. ~ Kindness. Those raised at home are not wild animals: ~ animals. ~ Birds. People who run a certain industry or have a certain status: wine. Farmer.
Occupying a special position in the history of Chinese calligraphy, the only one who can compete with the great calligrapher Wang Xizhi and shine successively is Yan Zhenqing. His calligraphy is mostly regular script and also includes cursive script. The stele written in regular script is upright, beautiful and powerful. He was born when regular script was popular and, opposite to Wang Xizhi's example, he ushered in a new trend in calligraphy.