In the 12th year of Kaiyuan (724), Li Bai traveled to the Three Gorges in Zhou Shu. When he arrived in Jiangling, he met the Taoist Sima Cheng Town. They have the same interests and become very good friends. Later, in the third year of Tianbao (744), Li Bai, Du Fu and others visited Sima, the king of Wu, on the balcony where he lived. They learned that Sima had passed away.
Li Bai is very sad. He wrote this famous "Shangjietie" and used the towering peak of Mount Wu to express his memory of his friend Sima Cheng Zhen. The whole volume is vigorous and elegant, and the pen is freely used, fast and smooth, and eclectic. Just like the poems written by Li Bai, they are full of pride and become masterpieces, becoming the only calligraphy masterpieces left by Li Bai.
However, this "Shangjietie" has only 25 words. If you see the work, you will be surprised to find that it is full of traces. What happened?
It turns out that Li Bai's Ashes has many fans, and Song Huizong Evonne is one of them. As we all know, Song Huizong is not good at governing the country, but he is proficient in calligraphy and painting, and he especially likes literature. When he saw Li Bai's works, Song Huizong couldn't help being amused, so he wrote his own seven characters "Tang came to power" on the premise of sticking them on the water.
Song Huizong didn't enjoy himself, so he wrote a propaganda in the back: "Taibai tasted the running script and set foot on the moon on a whim. When he entered the western restaurant, he could feel the people looking at each other. He was in a post outside the world. His calligraphy and painting are elegant and heroic, but he knows that Bai is not special in poetry. "
When this letter arrived in the Yuan Dynasty, calligrapher Ouyang Xuan couldn't help but write a poem: "The son of the Tang family is a fairy in a robe, and his literary talent has been romantic for 600 years. It can be seen that the roof beams are bright and bright, and idle books turn into clouds. " Many scholars also wrote inscriptions on it to express their admiration for Li Taibai's poets.
In the end, the book was handed over to Gan Long, a "stomping madman". Gan Long is an emperor who likes antiques very much. The aristocratic status of the imperial power made him have more contact with his predecessor's paintings and calligraphy. However, Gan Long has a bad habit, that is, he likes to stamp and sign.
In the Tang Dynasty, Wang Xizhi's Sunny Post on the Snow contained 28 words. After reading it, Gan Long was so excited that he simply wrote down his feelings after reading tens of thousands of words, while Han Gan, a painter in the Tang Dynasty, stamped more than 50 chapters.
This "upper-level sticker" also failed to escape from the clutches of Qianlong. Maybe he thinks that his calligraphy is not as good as that of Song Huizong and Ouyang Xuan. He only added the word "Violet Han Yi" to the cover, but stamped more than 10.
In this way, when we look at Li Bai's calligraphy again, we suddenly have a feeling of distress and distress. There are many words and a red seal on it, and a big face is covered. I can't tell who wrote that passage, it was a presumptuous guest usurping the host's role. I have to say that sticking dog skin plasters in Song Huizong and Gan Long is like writing "xx tourists come here" in a scenic spot.