1. Jia Hongsheng
was born in Anyang, Henan Province in p>1955, and he was a Xijiang scholar. One of the four disciples who made contributions to the contemporary calligraphy master. At the age of six, he began to learn books. He visited all the inscriptions and was good at regular script.
By chance, in the autumn of 1981, Mr. Jia Hongsheng became a master of contemporary calligraphy. Mr. Meng Qigong personally gave advice, and he was widely exposed to the tablets of the Northern Wei Dynasty and the wooden slips of the Han Dynasty, and then traced back to the Jin and Tang Dynasties and down to the Ming and Qing Dynasties, learning from others. Mr. Jia Hongsheng finally formed his own style and became more and more mature.
influenced by Mr. Qi Gong, he has bold innovation and development on the basis of inheriting Mr. Qi Gong's style. Therefore, each of his works can be different in font and composition, and each one shows its own personality.
2. Zhang Shizhong
was born in Beijing in July p>1964. He liked calligraphy very much since he was a child, so he got advice from Mr. Qi Gong when he was a child, and he also studied with Mr. Qi Gong for a period of time. He copied a variety of fonts, the most important of which was running script. He has also been instructed by many calligraphers. Because of his stable foundation, he has formed his own writing style. His works are characterized by "falling stones from high mountains".
3. Ding Guangmao
China is a famous calligrapher, born in Xiangxiang City, Hunan Province in April 1939. Mr. Ding Guangmao loved calligraphy since childhood and received a good traditional education. Although I have been engaged in flying and army work for a long time, I have always studied and studied calligraphy theory persistently and assiduously, starting with Ou Yangxun and Liu Gongquan, and then studying the calligraphy works of Erwang and Dong Qichang and the calligraphy skills of modern calligraphy master Mr. Qi Gong, focusing on running script.
I was lucky enough to get Mr. Qi Gong's guidance and become Mr. Qi Gong's closed disciple. Mr. Ding Guangmao adheres to the principle of unity of inheritance and development, artistry and practicality in his calligraphy creation, so his calligraphy art has the profound heritage of traditional culture and the innovative spirit of inheritance and development. His books are well-structured, precise in strokes, rich in brushwork and well-balanced in flesh and blood, giving people a kind of beautiful enjoyment.
4. Zhao Rengui
was born in Beijing in June p>1942. Zhao Rengui had a strong interest in classical literature since childhood. In 1978, the country resumed the postgraduate diploma system, and he was admitted to the Chinese Department of Beijing Normal University, where he studied classical literature under Mr. Qi Gong and became the first postgraduate after the Cultural Revolution.
During his study at school, he mainly engaged in the research of Tang and Song literature, and also learned from Mr. Qi Gong about poetry creation, calligraphy theory and calligraphy appreciation, which benefited a lot.
In p>1981, Zhao Rengui stayed in school after graduation, mainly engaged in the teaching and research of classical literature. The courses offered in the Chinese Department of Beijing Normal University and their own research topics mostly revolve around this major.
5. Zhang Xueming
Born in Gu 'an, Hebei Province in p>1965. University culture, teaching for ten years. In 1996, Zhang Xueming went to Beijing with his family to seek the true meaning of calligraphy. When he first arrived in Beijing, he made a living by selling words while learning them, while looking for opportunities to consult famous teachers. At one time, because of the pressure of survival, I had to imitate other people's calligraphy and painting to sell money.
Zhang Xueming accidentally read Qigong's book "On Poems from Books", and was shocked by his knowledge, so he decided to learn Qigong's style. In less than two years, Zhang Xueming has written his qigong style in a confusing way. His name has gradually spread in Panjiayuan market, and his words have become best sellers in the market. However, this kind of "imitation" fame has always made Zhang Xueming unable to let go.
Later, Bao Wenqing, a friend of Qigong, saw Zhang Xueming's handwriting in Panjiayuan, and fell in love with this hardworking and sincere young man at once, and agreed to his wish to visit Qigong. Only then did Zhang Xueming meet his long-admired "teacher". What moved Zhang Xueming was that the master Qigong not only didn't mind Zhang Xueming's imitation, but also praised his handwriting for being fake but not inferior.
Every time I communicate with Mr. Qi Gong, he brings inspiration to the pen again, copying Mr. Qi Gong's words again, trying to figure out the artistic conception conveyed in the words, and his works are getting better and better. The qigong style he studied is not only similar, but also more similar because of the implication of Mr. qigong.
6. Li Honghai
Born in p>1946, the word Yixin,No. Ark, was born in Wuqing, Tianjin. Li Honghai loved calligraphy and seal cutting since he was a child, and he learned to paste tablets every day, laying a solid foundation and paving the way to success. Later, when he joined the army, he took the blackboard newspaper as a platform and copied files as an opportunity. His calligraphy talent was first revealed and he was transferred to the office to specialize in writing work. At this time, Li Honghai, like a fish in water and a dumpling in the sea, showed his talents.
However, it is the famous master of calligraphy, Mr. Qi Gong, who really made great progress in his calligraphy. In the early 197s, Honghai had the honor to learn from Mr. Qigong, and he got his true biography, lit a bright lamp, pointed out the road, worked hard, studied hard and matured day by day. After the 198s, he emerged, published in domestic and foreign newspapers, won more than 1 calligraphy competitions, held a solo exhibition, and his works were collected by many albums.
in the early 199s, he was listed as a world celebrity in painting and calligraphy, and his paintings and calligraphy works were not only designated by the International Liaison Department as gifts to foreign heads of state, but also collected by cultural units and individuals at home and abroad, and also hung in foreign reception places of many countries and armies, and many titles such as "cultural messengers" came into being.
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