Although the single words are similar, they lack Yan Zhenqing's agility, rhythm and change throughout.
If an excellent work has a soul, a contest for seats, and a memorial manuscript, let the ministers of the Constitution Department show it, as shown in the figure. Although it is only partial, it is enough to illustrate the characteristics of Yan Zhenqing's running script, and the most important point is that it is silky. This point describes the twelve meanings of Zhang Changshi's brushwork.
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In my opinion, such a rigid and even cursive work is most likely written by people after the Tang Dynasty.
Jin and Tang calligraphy, you are fine, you are fine, that is eclectic, even between the lines, blank, smear, stippling. They are all beautiful, and the calligraphy of later generations is either too strong or too restrained. This is a far cry from letting nature take its course and not breaking the rules at will.
I'm just an inspirational young man who wants to write Yan Zhenqing's works well. I think I'll write a manuscript for offering sacrifices to my nephew and uncle, and let the Ministry of Constitution make a list of ministers, so I won't write Zhang Changshi's twelve meanings, and later generations will make a fake. Although the article is well written, as far as calligraphy is concerned, it is really not my eye.
202 1.6.3 The Book of Xu is in Yucheng.