In composition, attention is paid to the overall charm, the perfection of details, ingenious conception, changing with the situation in the writing process, and ingenuity.
When using a pen, he is mainly good at forming an elegant and extraordinary momentum and a calm and pleasant style in the back and forth, back, turn and frustration.
Achieve unity in change, and integrate the opposing factors such as wrapping and hiding, fat and thin, sparse and dense, simplicity and complexity, that is, "bones, muscles, flesh, fat and spirit are all available, just like a good scholar."
As a famous painter in the Northern Song Dynasty, Mi Fei is in the mature era of literati painting, with a wide range of painting themes, including figures, landscapes, turquoise, plum, orchid, bamboo and chrysanthemum. Mi Fei has made the greatest achievement in landscape painting, but he doesn't like the towering and mountainous northern landscape. What he appreciates is the ever-changing water towns in the south of the Yangtze River, which are "beautiful scenery", "naive and simple" and "smart and interesting without affectation". So Miffy pursues nature in artistic style. His "Mi's Yunshan" is all written in letters, and the clouds cover the fog.
Mi Fei's calligraphy is in Song Sijia, after Su Dongpo and Huang Tingjian, and before Cai Xiang. However, regardless of Su Dongpo's position as a scholar or Huang Tingjian's influence as a leader of Jiangxi Poetry School, Mi Fei's traditional skill is the deepest in terms of calligraphy, especially his running script, which shows the correctness of both.