Who does the so-called calligraphy in Ming Dynasty refer to first?

The so-called Ming Dynasty calligraphy refers to Zhu Yunming, that is, Zhu Zhishan. There is a saying in "Hidden in the Famous Mountains": "It is the first in the country to allow Shu Ming to enter and leave the Jin and Wei Dynasties."

1, the characteristics of calligraphy

The main achievements of Zhu Yunming's calligraphy are cursive and regular script. Weeds come from Huai Su and Zhang Xu, which are closer to the Yellow Valley. Lifting strokes are used alternately, and the distance between lines is very tight, forming a visual effect of Wang Yang sea. What is even more rare is that regular script is quite rigorous and has the quaint atmosphere of Jin and Tang people.

Zhu Yunming's calligraphy advocates paying equal attention to "nature" and "merit" and expressing spirit. Zhu Yunming's calligraphy thought takes "spirit" as the ultimate destination. To achieve this goal, he believes that "sex" and "work" must be equally important. "Sex" refers to people's spirit, and "Gong" refers to the ability and kung fu of calligraphy creation. He believes that there is no spirit if there is only skill without spiritual realm, but with noble spiritual realm, if there is no effort to express it, then the spirit can't really appear.

2. Regular script

Zhu Yun's regular script in the next year is meticulous. He studied under Zhao Mengfu and Chu Suiliang, and caught up with the "two kings" from Europe and Henan. His book "Examples" is rigorous and simple. In his later years, Huang Tingjing was written without paying attention to the shape of stippling, but it was dense in structure and full of charm. Wang Xiaodeng, a calligrapher at the end of Jiajing, said: "There are more than a dozen people who came to Huang Tingjing in ancient and modern times, but they are all in the shape of adhesive tapes ... Shan Zhi Gong can be proud of his escape spirit at this moment."

3, cursive script

Zhu Yunming's cursive calligraphy, Huang Tingjian and Mi Fei have profound skills, especially in his later years. My favorite works are Poems of Taihu Lake, Elegance and Red Cliff Fu, which are fluent, free and unrestrained. His works Six Poems and Fu Juan, Du Fu Cao Shu, Nineteen Ancient Poems, Tang Cao Shu and Han Shu Cao Shu are all masterpieces handed down from generation to generation by Mo Bao.