Zi Zhan's main achievements

Su Shi's literary view comes down in one continuous line with Ouyang Xiu's, but he emphasizes the originality, expressiveness and artistic value of literature. His literary thoughts emphasize "doing something and not doing something", advocating nature, getting rid of bondage, and "innovating statutes and releasing wonderful ideas". He believes that composition should be "like running water, with no definite quality at first, but always do what you should do and always stop where you can't stop." The artistic realm of "natural arts and sciences, rich posture" ("Thank you for your promotion"). Su Shi's prose works are rich, and he is also known as Han Yu, Liu Zongyuan and Ouyang Xiu. The style of the article is concise and smooth, and it is unrestrained.

Shi Dehong's Postscript Dongpo (Left Ladder (X and N) Right Grant) Pool Record says: "His literature is joyful.

But if the water quality is boundless, its waves will naturally write. Su Shi and Ouyang Xiu, both called "Ou Su", are one of the "Eight Masters in Tang and Song Dynasties".

Su Shi is the leader who presided over the literary world in the Northern Song Dynasty after Ouyang Xiu. He enjoyed a great reputation among writers at that time, and for a time many people made friends with him or accepted his guidance. Huang Tingjian, Qin Guan and Chao, writers of the Northern Song Dynasty, were all trained, rewarded and recommended by him, and were called the Four Bachelor of Sumen. Four Bachelor of Su Men, Chen Shidao and Li Zhi are also called Six Gentlemen of Su Men.

His "On Liu Zihou's Poems" said: "Poetry must do something ... Curiosity and novelty are the diseases of poetry." His "Answering Qiao Sheren's Enlightenment" also said: "The article focuses on Chinese style, but mainly on body use", and advocates that poetry should be promising and "body use" should be the basis of the article. In Answer to the King, he said: "The diseases of Confucianism are more virtual than real."

His poem "Send Li Gong Shu Que" says that his poem is "mixed with satirical poems". The History of Song Dynasty also said that his poems were "satirizing with poems and enriching the country with poems", which showed that he was deliberately inheriting Feng Sao's satirical tradition.

He also said in "Answering Mao Gu Shu": "Articles are like gold and jade, they have their own pricing, and they are quoted in succession. Because all the people believe their words, and they are there. Speaking of its high quality, it is by no means something that my husband can suppress. "

Main work

China's classical prose

Xun Qing Lun, Fan Zeng Lun, Hou Lun, Jia Xu Lun, Chao Cuo Lun, Dongpo Zhi Lin, Essays, Rewarding and Punishing Loyalty and Righteousness, Shi Zhongshan Ji, Taking a Night Tour in Heaven, Praying Heavenly Destiny and Shen Ming Lun.

"Hundreds of officials at the decision-making level" Chapter 6.

Six Chapters of Cebiean Wan Min

"Don't have deep pockets" two chapters.

Chapter Three of "Cebie Training Brigade"

Article 4 of the Decision

Lie on the mouse

Remember to go to Dinghuiyuan (a work "Remember to go to Dinghuiyuan")

Poetry fu

When I first saw Red Cliff Fu, Post Red Cliff Fu and Donglan Pear Flower in Yingkou, it was the day to go to Shouzhou, spring night, begonia, the homesickness of Mianchi, the shadow of flowers and the night scenery by the river (this poem was written for Su Shi to see the night scenery by the river).

On the twelfth day of the twelfth lunar month, I visited Qin Hui and Huisi, two monks in Gushan. On June 27th, Wang Hulou drunk books, and on March 29th, he wrote two poems.

Shang Yuan Shi Yan, Shi Cang Shu Zui Mo Tang, autumn scenery, You Jinshan Temple, Tixilin Wall.

The night view of Wanghailou, the book wall in Beitai after the snow, the rain on the lake after the Chu Dynasty, and the rainstorm in Youmeitang.

Living in the east of Dinghui Garden, there are many flowers all over the mountain, and there is a begonia. Scholars don't know how expensive it is. Give it to Liu Jingwen.

On the 20th day of the first month, when we arrived at Qiting, Pan, Gu and Guo from the county sent jade to the Zen Garden in the east of the Queen's City.

On the 20th day of the first month, Pan and Guo Ersheng and I were looking for spring in the suburbs, and we won eight victories in Ganzhou, sending Shen Shu 'er and Bu Ji, and hanging sparse trees without a month.

Butterfly lovers Flower Xie Hong Xing, butterfly lovers Remember to Meet at the First Screen, and butterfly lovers Mizhou Shangyuan.

Set the storm, I always envy the world's jade lang, set the storm, don't listen to the sound of leaves in the Woods, and the water dragons sing, and the two rhymes are Zhang Zhifu Yang

Jade bone, the ice muscle of the fairy song, the lacing of Jiangnan, and He Xinlang dancing like smoke.

"Huanxisha, covered with green wheat, is not Su", "Huanxisha, painted falcons, and I like to swim across the river again"

"Huanxisha, rustling clothes and falling jujube flowers", "Huanxisha, the mountain color is immersed in the faint glow" and "Huanxisha, the orchid buds at the foot of the mountain are soaked in the stream"

Huanxisha, seeing Mei Ting's old man off to the party for a scholar, Huanxisha, drizzle and oblique wind make him slightly cold, Huanxisha, meaning.

Huanxisha, fish, magnolia grandiflora, spring moon, magnolia grandiflora, empty bed.

"Jiang Cuie is ashamed to look at others" and "Jiang and Zhang Xiantong heard that they were playing the piano on the lake"

Jiangchengzi is hunting in Mizhou.

Jiang, endless wandering thoughts.

"Jiangchengzi Mao Yi recalled the dream of the 20th day of the first month (ten years of life and death)" and "Linjiangxian wakes up drunk after drinking Dongpo at night".

Man Jiang Hong Jiang Lai, Man Jiang Hong Liu, Man Jiang Hong thirty-three years, Magnolia Lingxiao Palace Hu Yun.

South Gezi, early suspicion of dark rain in the night, South Alley, cold birds full of fences, South Alley, Liangzi Bisha kitchen, South Alley, water traces of the first frost.

Nanxiangzi bid farewell to the ancient times, Nian Nujiao is in love with Chibi, Qinyuan Spring is a lonely pavilion lamp, and Qinyuan Spring is in a chain.

Jade case slept in Wuzhong Road for three years, Ruan Langgui was in early summer, and last year, she went on a youth trip, whispering and cooking.

"Water Turn Around Huangzhou Kuaizai Pavilion to Present Zhang Lisi" and "Water Turn Around Mid-Autumn Festival"

palindromic poem

The text of Su Shi's dream palindrome poem

Empty flowers fall into the urn, and the mountains melt snow every day, and the river rises. Red baking shallow ou new fire, dragon ball small grinding bucket clear window.

Hui language

The window is bright and the dragons are broken, and the new fire is shallow and red. The river rose, the snow melted into mountains and the wine in the jar was empty.

(This poem is included in Shen Calligraphy Collection)

antithetical couplet

Even if there is no way to find it; Don't degenerate into the wild and live with people.

Three Deng Qingyuan three people first; Four into Xining and four auxiliary schools.

-Wan Hanqi, Hanqi Township, Province and Gongkao all ranked third. There are about 2,700 poems written by Su Shi after his four moves. His poems are broad in content, diverse in style, mainly bold, changeable in brushwork and romantic, which has opened up a new road for the development of Song poetry. Ye Xie (Zi Zhou) said in the original poem: "The realm of Su Shi's poetry has never existed in ancient and modern times. Everything in the world laughs and curses, all from the pen. " Zhao Yi's "Ou Bei Shi Hua" said: "It is a spectacular sight for a generation to take literature as poetry and go from Changli to Dongpo Yida. ..... Especially out of reach, born with a healthy pen, as cold as a sad pear, cut it together quickly. There is a hidden meaning that must be achieved, and there is no difficulty in showing it. Therefore, after Li and Du, it is a big family, not as good as Li and Du Chu. " His poems are fresh and vigorous, good at using exaggerated metaphors and unique in artistic expression. A few poems can also reflect the sufferings of the people and accuse the rulers of extravagance and arrogance. The bold and unconstrained writing has a great influence on later generations. "Nian Nujiao, Red Cliff Nostalgia" and "Shui Diao Ge Tou, Ice Dust Mid-Autumn Festival" are widely circulated. His poems include Seven Chapters of Dongpo and so on. There are more than 340 poems written by Su Shi, which break through the narrow theme of writing about love and parting between men and women and have a wide range of social contents. Su Shi occupies a special position in the history of China Ci. He extended the spirit of the poetry innovation movement in the Northern Song Dynasty to the field of ci, swept away the traditional style of ci since the late Tang Dynasty and the Five Dynasties, created a wild school that kept pace with the graceful school, expanded the theme of ci, enriched the artistic conception of ci, broke through the boundary between poetry and poetry, and made great contributions to the innovative development of ci. His representative works include Nian Nujiao and Shuidiao Tou, which created the first example of unconstrained ci, and was also called "Su Xin" with Xin Qiji. Liu Chenweng said in the preface to Xin Jia Xuan: "The words reach Dongpo, which are aboveboard, picturesque and spectacular."

First of all, in terms of subject matter, Su Shi's early works mainly reflect his "specific political worries", while his later works mainly focus on his "broad life worries", taking evil as his enemy. When it comes to evil, he is "like a fly in Taiwan Province, spit it out". His flowing works triggered the Wutai poetry case. Huangzhou's relegated life made him "ironic and cruel, sharp in writing style, nervous and angry, all of which disappeared and replaced by a brilliant, warm, kind, tolerant and harmonious understanding." Very sweet, very mature, very thorough and deep. "

Secondly, culturally, Confucianism was advocated in the early stage and Taoism in the later stage.

In the early stage, he had a sense of social responsibility advocated by Confucianism and was deeply concerned about the sufferings of the people; Later, especially after being demoted twice, he advocated Taoist culture more and returned to Buddhism in an attempt to get rid of religion. Inspired by Buddhism's "normal mind is the Tao", he lived a real peasant life in Huangzhou, Huizhou and Danzhou, and enjoyed it.

Thirdly, in style, the previous works are magnificent and unrestrained, like a flood bursting its banks and spilling thousands of miles; Later works are ethereal and meaningful, simple and light, such as Deep Willow and White Pear Flower.

As far as ci is concerned, there are not many works that really belong to the bold style. According to Mr. Zhu Jinghua's statistics, similar works accounted for about one-tenth of all Su Shi's poems, and most of them were concentrated in Xuzhou, Mizhou, which was the mainstream of creation at that time. Although these works are not dominant in quantity, they truly reflect Su Shi's positive attitude towards being an official at that time. Some later works have both the style of local people's feelings and the charm of hospitality. For example, it is almost all-encompassing, colorful and lyrical, remembering the scenery, nostalgic feelings, giving gifts away, pastoral scenery and talking about Zen. This part accounts for about nine times out of ten of Su Shi's whole poems, and it is full of Zhuangzi, which turned into a butterfly and I forgot everything. At this point, he expelled all dissatisfaction with reality and politics, hysterical rants, and criticisms that criticized the shortcomings of the times. Its subject matter is more and more extensive, and its style is more and more plain and far-reaching.

classify

First, the bold style.

This is the ideal style that Su Shi deliberately pursues. He is full, passionate and even slightly sad, and writes the numbers to win with generous and heroic images and magnificent scenes.

Second, the broad-minded style.

This is a sentence that best represents Su Shi's thought and personality, expressing the poet's desire to live in seclusion, avoid troubled times and look forward to peace. Su Shi is also good at regular script, and he is also called "Song Sijia" with Huang Tingjian, Mi Fei and Cai Xiang. He studied under the famous artists of Jin, Tang and Five Dynasties, and made innovations under the influence of Wang Sengqian, Li Yong, Xu Hao, Yan Zhenqing and Yang Ningshi. The end of the pen is ups and downs, naive. Ziyun: "I can't have published a book"; There is another cloud: "Be innovative and don't practice the ancients." Huang Tingjian said: "In his early years, his pen was refined, not as natural as his boss"; Another cloud said, "When I arrived in Huangzhou, my pen was very strong." In his later years, he was influenced by overseas storms. In addition, his knowledge, mind and knowledge are outstanding everywhere, and his life has been ups and downs. His calligraphy style is rich and naive. You can imagine that he is a person by looking at his calligraphy.

People and books respect each other. At that time, his brothers, sons and nephews, You, Mai and Guo, as well as his friends and Zhao Lingzhi studied under him. Later, famous historical figures such as Li Gang, Han Shizhong, Lu You, Wu Kuan and Zhang Zhidong also learned from him in the Qing Dynasty, which shows the great influence. Huang Tingjian said in Valley Collection: "Those who are good at books in this dynasty should take (Su) as the first."

Huangzhou cold food paste is the representative work of Su Shi's running script. This is a poem to send a revival, and it is a sigh of life caused by Su Shi's relegation to Huangzhou for three years. The poem is desolate and affectionate, expressing Su Shi's melancholy and lonely mood at this time. The calligraphy of this poem is produced in this mood and situation. The whole calligraphy is full of ups and downs, radiant and unrestrained, and there is no shortage of pens. Huangzhou Cold Food Poetry Post has a great influence in the history of calligraphy, with ups and downs. The Book of Idleness in Yuan Dynasty is called the third running script in the world after Wang Xizhi's Preface to Lanting and Yan Zhenqing's Sacrifice to a Nephew. It is the best among Su Shi's calligraphy works.

Huangzhou Cold Food Poetry Post presents a dynamic trend with ups and downs. Poetry is desolate and melancholy, and calligraphy is produced in this mood and situation. Throughout the ups and downs, rapid and steady, incisively and vividly, in one go. Su Shi put the changes of artistic conception and emotion in his poems in the changes of stippling lines, either before or after, changing and changing, breaking with the trend, and being natural. Its words are also strange, big or small, sparse or dense, light or heavy, wide or narrow, uneven, arbitrary and strange, and varied.

Because of the praise of many scholars, the world called Cold Food Sticker, Preface to Lanting by Wang Xizhi in the Eastern Jin Dynasty and Book of Sacrificing My Nephew by Yan Zhenqing in the Tang Dynasty, or simply called Cold Food Sticker the third running script in the world. Others compared the "three major running scripts in the world" and said: "Preface to Lanting" is the wind of Confucianism, "Post for Sacrificing Nephews" is the wind of the wise, and "Cold Food Post" is the wind of scholars. Both of them are equal, each leading the way, which can be called three milestones in the history of China calligraphy.

Su Shi used a pen calmly in his later years, and his early calligraphy represented Zhipingtie, with delicate brushwork and charming personality. As a middle-aged representative, Huangzhou Cold Food Poetry Post is two poems written by Su Shi when he was demoted to Huangzhou in the fifth year of Yuanfeng (1082) because of Wutai Poetry Case. Poetry is gloomy and desolate, but it is broad-minded. The color of brush and ink in calligraphy also changes with the context of poetry, ups and downs, extraordinary momentum, and one go, reaching a near-perfect state of "both hands are smooth". Therefore, the book of Xian Yu in the Yuan Dynasty was called the "third running script in the world" after Wang Xizhi's Preface to Lanting and Yan Zhenqing's Sacrifice to His Nephew. In his later years, his representative works include the running script Ode to Dongting Spring and Ode to the Old in Zhongshan and Song Dynasties. These two poems are elegant and smart, plump and rigorous, which embodies the characteristics of Su Shi's calligraphy. The latest ink is Xie Essay (1 100).

Representative works include Huangzhou Cold Food Poem Post, Sky Dark Cloud Post, Dongting Spring Color Fu, Zhongshan Songlao Fu, Spring Post Ci, Love for Wine Poetry, Cold Food Poetry, Zhong Shushi, Renlai Book Post, Folk Teachers' Essays Appreciation Post, Jiangshangtie, etc. New Year's greetings, Bao Yue's greetings, Zi Ling's greetings, Letter to the Ambassador of South Guangxi, Two Debates Poems, One Night's Posture, Monument to Chen Kuiting, Letter to General Manager Xu Ruoshu and Preface to Huai Su, etc. Su Shi's calligraphy is highly respected by later generations. No one has a better say than Huang Tingjian, who said in "Valley Collection" that "those who are good at books in this dynasty should take (Su) first".

Calligraphy works

Zhongshan songlaofu

Ode to Dong Ting Chun

People come to book posts.

Thank you for your essays and posts.

Red wall fu

Post on the river

Huangzhou cold food poem post (known as the third running script in the world)

Li Baixian's poems and posts

The second rhyme Qin Taixu's poem post

Cross-sea post

Several volumes of Sacrifice to the Yellow Emperor

Plum blossom poem post

New Year Exhibition and Celebration Poster

Bao Yue post

Zi Ling post

East Wu Tie

Northern travel post

Letter to ambassador nangui

The rhyme of the second debate

One-night post

Chen Kui Pavilion Monument

"To General Manager Xu Ruo"

Preface to Huai Su

Intimate post

"With Fan Zifeng" Su Shi draws ink and bamboo in his paintings, learning from literature (that is, literature and energy), and has the potential to dance. Mi Fei said that he "made ink bamboo, from the ground to the top. I asked: Why not divide it into sections? Say: When bamboo is born, why is it born one by one? " He is also good at making strange stones. Mi Fei also said: "As a dead branch, bending is unreasonable; The stone is hard and strange and unreasonable, such as the depression in his chest. " It can be seen that his paintings are very strange and he wants to send them far away. His theory of painting and calligraphy is outstanding and his painting theory has far-reaching influence. For example, we attach importance to the likeness of spirit, think that "paintings are similar in shape, and we can see our neighbors", advocate that there is affection outside paintings and sustenance in paintings, oppose similarity and procedural constraints, advocate that "poetry and painting are unified, ingenious and fresh", clearly put forward the concept of "literati painting", and highly value the artistic attainments of "painting in poetry and painting in poetry". It laid a theoretical foundation for the subsequent development of "literati painting". The existing books include Huangzhou Cold Food Poetry, Cliff Ode, Paper of Thanks to the Teacher, Several Essays in Memory of Huang, Thousand Cliff Odes and so on. The paintings that have been circulated in the world include "Atlas of Ancient Wood and Strange Stones" and "Atlas of Xiaoxiang Bamboo Stones", which are also his works.

By the Song Dynasty, Su Shi had made great achievements in many aspects, such as poetry, prose, ci, calligraphy, painting, cultivating the mind, understanding the Tao and grasping the valley naturally. He is a rare literary genius in the history of China.

pigment

Xiaoxiang bamboo stone map

Chicken pecking rice map

Dead wood and strange stones

The relatively easy-to-obtain high-quality versions of Yan Song Tujuan are Su Shi's Collected Works and Su Shi's Poems collated by Kong.

Words and phrases

1. Wish people a long time, thousands of miles away. Prelude to Water Melody

2. Sleeping in the misty rain in the south of the Yangtze River, there is no loneliness. "Water tunes the song, Huangzhou Kuaizai Pavilion presents Zhang Lisi"

Laughter fades away, but passion is annoyed mercilessly. The nearest flower

4. There are few branches blowing willows, where there are plenty of fragrant grass in the end of the world? The nearest flower

5. Ten years of life and death are ambiguous, and I forgot without thinking. Jiang dreamed on the twentieth night of the first month.

6. Thousands of miles away is a lonely grave, and there is nowhere to talk. Jiang dreamed on the twentieth night of the first month.

7. No words care for each other, only a thousand lines of tears. Jiang dreamed on the twentieth night of the first month.

8. Bow like a full moon, look at the northwest and shoot Sirius. Jiangchengzi Mizhou Hunting

9. I want to send a thousand tears of acacia, but I can't shed them, Chu Jiangdong. Jiangchengzi

10. There are endless thoughts on the horizon! When they met, they hurried by. Jiangchengzi

1 1. A river that never returns, a romantic figure is washed away by all the waves. Niannujiao Chibi Nostalgia

12. The sentimental wind Wan Li swept the tide and returned it mercilessly. Klang Ganzhou

13. Needless to say, everything turns empty and dreams without turning your head. Xijiang moon

14. Who was alone with * * * in the Mid-Autumn Festival and looked at the north sadly. Xijiang moon

15. The high sentiment has vanished, and I don't dream with pear flower. Xijiang moon

16. I have hated this body for a long time. When can I forget the camp? Linjiang county

17. The ship left and Jiang Hai spent the rest of his life. Linjiang county

18. It's been a rough night in my life. Where to see the bright moon next year? Yangguan district

19. The taste of human beings is pure happiness. Huanxisha

20. The road to wine is long in Xiu Yuan, but the Japanese are thirsty for tea. Huanxisha

2 1. Who says life is endless? The water in front of the door can still flow westward. Huanxisha

22. Pick up all the cold branches and refuse to live. Lonely sandbars are very cold. Buzuo Huang Zi Zhou Ding Huiyuan Residential Project

23. in detail, it seems that it is not a flower, but a little tears. Shuilongyin

24. Looking back at the bleak place, rain or shine. Ding Fengbo

25. Life is like a dream, and a statue (through "respect") returns to Jiangyue. Niannujiao Chibi Nostalgia

26. People have joys and sorrows, and the moon is full of ups and downs. This matter is old and difficult. Prelude to Water Melody

27. The world is a big dream, and the autumn is crisp. Xijiang moon

28 bamboo stick shoes are lighter than horses, who is afraid? A raincoat and hemp fiber, despite the wind and rain, still live my life. Ding Fengbo

Don't miss your old country for old friends. And try new fire and new tea, poetry and wine by years. coffee senna

This peace of mind is my hometown. Ding Fengbo

3 1 but when the west wind comes, it doesn't pass the time and changes secretly. Immortal song

poetry

1. If you want to compare the West Lake to the West Lake, light makeup is always appropriate. Drink the rain on Chuqing Lake.

2. The spring night is worth a thousand dollars, and the flowers are fragrant and the moon is cloudy. Spring night

3. An all-consuming love butterfly flies, and Jiangshan is still a past tense. Flowers on strangers

You were rich when you were alive, but you spent a lot of time behind you. Flowers on strangers

People are not ashamed when they are old, but they should be ashamed when they are old. Appreciation of Peony in Jixiang Temple

6. Jiang Shen was surprised and stubborn. Visit Jinshan Temple

7. Peach blossoms outside the bamboo are three or two, and the spring river plumbing duck prophet. Hui Chong Riverside Scenery

8. I don't hate the narrow escape in the south, I will spend the rest of my life traveling! Crossing the sea on the evening of June 20th.

9. Who adorns the clouds and the moon, the sky and the sea will be clear. Crossing the sea on the evening of June 20th.

10. The sky is low everywhere, and the green hills are the Central Plains. Chengmai postal tongchaoguan

1 1. Lushan misty rain, Zhejiang tide, lack of hate. Lushan misty rain

12. A black wind was blowing on the sea, and it began to rain in eastern Zhejiang over Jiang Lai. Youmeitang rainstorm

13. There are 300 lychees every day, and I am not afraid to grow up as a Lingnan person. Two Poems on Eating Litchi

14. There is snow in Dongzhu, and life is bright. Donglan pear flower

15. What is life like everywhere? It should be like Hong Fei stepping through the snow. Homesickness of He Ziyou Mianchi

16. horizontally, the ridge edge becomes a peak, and the distance is different. Cylinder wall

17. I don't know the true face of Lushan Mountain, but I am only on this mountain. Cylinder wall

18. I can see that the western hills are covered with Dailing, which is separated from Silla to the east. Deng Shanghai pavilion

19. People are like Qiu Hong, and things are like spring dreams. On the 20th day of the first month, Pan Guoer was born in the suburbs looking for spring, suddenly remembering that last year was the same day, and he went to Queens City to compose poems and rhyme.

20. Take a day off to see Yue Quan. Who broke the water with a wave of his hand? Half a day, Liu, Bao, Zheng Jiahui and Su Gu traveled together on March 11th, six years.

2 1. Lotus flowers are not sheltered from the rain, chrysanthemums and branches of Ao Shuang. -"To Liu Jingwen"

diction

1. People who made great achievements in ancient times not only had talent, but also had persistent determination. -"On Chao Cuo"

2. Under the court, if the water is empty, the algae in the water are horizontal and covered with bamboo and cypress. -Night Tour in Chengtian Temple

3. It's a drop in the ocean to send the ephemera into the earth. Mourn a moment in my life and admire the infinity of the Yangtze River. Fly with the flying fairy, hold the bright moon, and grow up. I couldn't understand it at the moment, but I heard about it in Hengtai. -"(former) Red Cliff Fu"

4. The sound of the river, the broken shore of thousands of feet, the high mountains and the small moon, the truth comes out. -"Post-Red Cliff Fu"

5. People can break the wall of 1000 yuan, but they can't lose their voice in the kettle; You can kill tigers, but you can't be stung by bees. -"On the Mouse"