The evolution of a Chinese character. Please simplify it according to the first few glyphs.

the evolution history of Chinese characters (Oracle Bone Inscriptions-bronze inscription-big seal script-small seal script-official script-regular script) Oracle Bone Inscriptions: also known as "Qiwen", "Oracle bone inscriptions" or "tortoise shell and beast bone inscriptions", mainly refers to the characters carved on tortoise shells or animal bones by the royal family in the late Shang Dynasty in China (from 14th to 11th centuries before), and the Shang Dynasty perished. It is the earliest known systematic writing form in China. It inherits the original carved symbols and opens the bronze inscriptions at the bottom, which is the key form of the development of Chinese characters. Modern Chinese characters evolved from Oracle Bone Inscriptions. Its characteristics are: strong pictograph, strong color for depicting objects, thin strokes of Oracle Bone Inscriptions, many straight strokes and twists, uncertain writing orientation, irregular font structure and many irregular characters. Fonts are often sized according to the complexity of the objects they represent, and some characters can occupy the position of several words, or they can be long or short. In terms of the structure of characters, some pictographic characters only focus on highlighting the characteristics of physical objects, but the number of strokes and the front and back are not uniform. Some of Oracle Bone Inscriptions's knowing words only require the radicals to meet with clear meaning, but not to be fixed. Therefore, there are many variants in Oracle Bone Inscriptions, and some words can be written in dozens or even dozens. Because the characters are carved on the hard animal bones with a knife, the strokes are thin, and most of them are in Fang Bi. Because Oracle Bone Inscriptions is carved with a knife, and the knife is sharp and blunt, and the bone is fine and thick, hard and soft, the strokes carved are different in thickness, even as thin as hair, and the joints of the strokes are peeling off, thick and heavy. Structurally, the length and size are not certain, or 1/5 pages are sparse and uneven; Or the dense layers are very neat and solemn, so it can show the infinite interest of simplicity and variety. Oracle Bone Inscriptions, although the structure varies in size and complexity, has a symmetrical and stable pattern. Therefore, some people think that China's calligraphy, strictly speaking, began with Oracle Bone Inscriptions, because Oracle Bone Inscriptions has prepared three elements of calligraphy, namely, using a pen, tying words and composing. Bronze inscriptions, also known as Zhong Dingwen, refer to inscriptions carved on bronze wares of Yin and Zhou Dynasties. Shang and Zhou Dynasties were the era of bronzes, in which ding was the representative of the ritual vessels and bell was the representative of the musical instruments, and "Zhong Ding" was synonymous with bronzes. Because copper was also called gold a week ago, the inscription on the bronze ware was called "bronze inscription" or "auspicious writing"; Because this kind of bronze ware has the largest number of words on Zhong Ding, it used to be called "Zhong Dingwen". The application of bronze inscriptions dates back to the early Shang Dynasty, and it lasted for about 12 years. According to Rong Geng's "Jin Wen Bian", there are 3,722 inscriptions on bronze, of which 2,42 can be recognized. Compared with Oracle Bone Inscriptions, Oracle Bone Inscriptions's brush strokes are thin, with many straight strokes and many turning points, which is different from that of square. The brush strokes in bronze are fat and thick, with many curved strokes and many lumps. And the overall elegant, simple and heavy, a variety of variant characters, strong pictographic, there is no big difference between the structure of bronze inscriptions and Oracle Bone Inscriptions, but there are obvious differences in fonts. Big seal; Da Zhuan is also known as Shu Wen, Shu Zhuan, Shu Shu and history books. When he was in Zhou Xuanwang, Taishi Shuan wrote fifteen pieces of Da Zhuan, which was called "Shuan Wen" because it was written by Shuan. "Shu Wen" is based on ancient prose, which is sorted out on the basis of ancient prose, so it is the same or different from ancient prose. Developed from bronze inscriptions. 2/5-page Da Zhuan is a widely used font in the Western Zhou Dynasty, which is said to have been created by Bo Yi in the Xia Dynasty. According to different writing media, there are also differences between inscriptions on bronze (or "Zhong Dingwen") and inscriptions on bronze. The development of the seal script has produced two characteristics: first, the lines with uneven thickness in the early days have become uniform and soft, and the lines they draw with the objects are very concise and vivid; The second is standardization, and the glyph structure tends to be neat, gradually leaving the original shape of the picture and laying the foundation for the square characters. Features: the strokes are neat, the lines turn round and symmetrical, the structure is complicated, the strokes tend to line drawing and straightness, and the pictographic degree is obviously reduced. Xiao Zhuan: Also known as Yujin Zhuan, it is named after its meaning of writing. The small seal script developed from the big seal script. At this time, Chinese characters began to finalize the design, the pictographic meaning weakened and the characters became symbolic. Compared with Da Zhuan, Xiao Zhuan's body strokes have been simplified, but the number of words is increasing, which is due to the requirements of the times. The change of characters from ancient Chinese to Da Zhuan and from Da Zhuan to Xiao Zhuan is of epoch-making significance and occupies an important position in the history of China characters. Features: the figure is neat, the lines are balanced and symmetrical, the pictureness is weakened, the symbolism is strong, the strokes are horizontal and vertical, the thickness is consistent, and the strokes are round and interesting. After Qin Shihuang unified China (the first 221 years), the policy of "writing with the same language, cars on the same track" was carried out in unified measurement, and Li Si, the prime minister, was in charge of it. On the basis of the original seal script used by Qin State, it was simplified, and the variant characters of other six countries were cancelled to create a unified writing form of Chinese characters. It was popular in China until the end of the Western Han Dynasty (about 8 AD), and it was gradually replaced by official script. 3/5 pages are always favored by calligraphers because of their beautiful fonts. Because its strokes are complex, the form is quaint, and twists and turns can be added at will, seal engraving, especially the official seal that needs anti-counterfeiting, has always used seal script until the collapse of the feudal dynasty and the emergence of modern new anti-counterfeiting technology. Lishu: Lishu, also known as han li, is a common solemn font in Chinese characters. Its writing effect is slightly wide and flat, with long horizontal painting and short vertical painting, showing a rectangular shape, and paying attention to "silkworm head and goose tail" and "twists and turns". Lishu originated in the Qin Dynasty and was compiled by Cheng Miao, and reached its peak in the Eastern Han Dynasty. The calligraphy circle is known as "han li Tang Kai". Official script is also called "official character" and "ancient book". On the basis of seal script, it is a font produced to meet the needs of convenient writing. Simplifying the seal script, and changing the even and round lines of the seal script into straight and square strokes, which is convenient for writing, and the appearance of official script is a great change in ancient writing and calligraphy. The appearance of official script is a watershed of ancient and modern Chinese characters. According to legend, Cheng Miao at the end of Qin Dynasty arranged it in prison, and simplified it by removing the complexity, making the font round and square, and changing the strokes into straight ones. Change "Lian Bi" to "broken pen", from line to stroke, which is more convenient for writing. "Liben" is not a prisoner, but a petty official, that is, a small official in charge of documents, so in ancient times, Lishu was called "Zuoshu". Calligraphy, at the same time, derived cursive script, open script, running script and Yan script, laying the foundation for art. Features: the lines of seal script are changed into square and straight strokes, and the strokes are stretched, with waveform arrangement and pictographic meaning