Qi Gong is a knowledgeable literary master. His personality is gentle and friendly, and he always has his own criteria for judging people and things. His scrawny handwriting makes him look like a man of backbone, not kitsch, not expensive because he clings to power, his words are like people, his nature is revealed, and his words are consistent with his deeds. For example, his handwriting can have a wonderful feeling of empathy, which should be mainly reflected in his brushwork, which not only pays attention to the rhythm of Ji Xu, but also attaches great importance to the formal beauty in the structure, that is, it gives people a vivid and dynamic vision. Thank you, my dear. The Preface to the Holy Teaching is too thin, mainly because my dear homework lacks a sense of strength. Floating, light, weak. You can also strengthen your bone strength by approaching Liu Gongquan's regular script Xu Lanting. The feeling of carving with a knife strengthens the sense of strength.
In high spirits, bright ink, traveling abroad, and thick inscriptions are all eye-catching. However, from a distance, the thin gold body tends to disappear slightly because of thin ink, and the fat word comes from the atmosphere. At the same time, when you are far away, it is still full of thickness, it has momentum, but it is very thin. I am very sorry. However, according to many historical materials, it can be asserted that his calligraphy attainments are also quite profound. In his poems, he put forward the aesthetic standard of "the book is expensive, thin and hard, but the spirit is clear", which caused great controversy and had a far-reaching impact on the aesthetic tendency of "taking fat as beauty" at that time in the Tang Dynasty.