⑵ Purple beard: Purple beard. Green: a work of "Bi".
⑶ Loulan: the name of the Western Regions in Han Dynasty, which is in the northeast of Ruoqiang, Xinjiang.
⑷ Xiaoguan: One of the four passes in Guanzhong in Han Dynasty, it is a traffic fortress from Guanzhong to Saibei, located in the southeast of Guyuan, Ningxia.
5. Tianshan Mountain: In the Tang Dynasty, the mountains in the north of Yizhou (now Hami, Xinjiang) and Xizhou (now Dakonus, Xinjiang) were called Tianshan Mountain.
Kunlun Mountain: refers to the main peak of Qilian Mountain in the south of Jiuquan, Gansu Province.
(7) Qinshan: Zhong Nanshan, also known as Qinling Mountains. Longshan: Also known as Tommy Tam and Ban Long, it is located in the west of Longxian County, Shaanxi Province. This poem "Hu sent Yan Zhenqing to He Long" shows the feeling of parting with friends from the tragic description of Hu Jiasheng.
Hu Jia plays like a human lament. At the end of the Han Dynasty, Cai Wenji wrote Eighteen Beats of Hu Jia, which was used to sing with Hu Jia's accompaniment and pour out the pain of separation. However, this poem by Cen Can is full of sadness and strength, showing a unique style. The poet repeatedly and profoundly expressed Hu Jia's tragedy in three ways.
The first aspect is the first four sentences. The poet combines Hu Jia's voice with Ren Hu's performance. In the poem, the image of "Ren Hu" with red beard and green eyes is used to render the exotic sentiment, and at the same time, the sadness of Hu Jia's voice is set off by the sadness of "Loulanfang", and the words "You don't smell" vaguely reveal the heroic spirit.
The second aspect, the middle four sentences, combines Hu Jia's voice with the desolate scene in the border area. In these four sentences, the poet arranged Hu Jia's voice when Xiao Yue was about to fall. The biting cold, the whistling north wind and Hu Jia's sad voice blend together, which seems to fill the universe and chill the world. This desolate border makes Hu Jia's voice doubly sad.
In the third aspect, the last four sentences, the author directly combines Hu Jia's voice with farewell. These four sentences show the poet's infinite kindness to his friends in his affectionate telling. "Qinshan overlooking Longshan Cloud" refers to his nostalgia for Yan Zhenqing after he left, but the clouds are covered with fog, but he can't see it, revealing a trace of disappointment, which is consistent with Hu Jia's sad voice; "The border town is a melancholy dream every night", he wrote from the border, hoping that Yan Zhenqing's yearning for himself was directly connected with the voice of embarrassment. These two meanings naturally combine the feeling of parting with the embarrassing voice, and have received touching results. Nevertheless, there is no abnormal sadness in the poem, and there is still a magnificent spirit from the literal words such as "Qinshan", "Longshan" and "Border Town". The last sentence, in particular, ends with a question, the meaning is not so certain, and it also includes the meaning of "not liking to smell" and having to "smell". These deep aftertaste add a sad and strong atmosphere to the whole poem. As Mr. Zhou Xiaotian said: "The frontier fortress in the poem is so sad and charming, and Hu Jia's voice under the moon is so tearful and charming that readers feel the same. At this time, the average poet has vaguely made up his mind to experience Saiyuan. This poem can be described as a prelude to his frontier poems. " (See "Cen's Summary")
This poem is an ancient poem with seven words, but it begins with eight words, with the word "you don't smell" as the introduction, showing a sudden momentum. The first sentence is a question, and the last sentence is also a question, which echoes closely. "Hu Jia's resentment will send you away", and he used the sentence pattern of Chu Ci to multiply his passion. Use the thimble technique in the middle, such as "purple beard and green eyes". I haven't played a song yet, and Hu Jia was blown to the moon by the conference semifinals. "Hu Jia hatred will send you, language. The whole poem changes rhyme frequently, and the first four sentences become a rhyme (supporting micro-communication), which is more soothing; Among the four sentences, there are two rhymes, which are even and even, and become particularly urgent from soothing; Finally, four more rhymes, gradually returning to ease. This intricate arrangement just shows the ups and downs and tragic passion. Selected Tang Poems: Jiang Zhongshu said: Below the fifth sentence, let's talk about it in detail.
Selected Poems of Tang and Song Dynasties: Yu Yan said: There are four words "Hu Jia" in the article, which I don't find complicated.
Zhou Wei said: The word "dream sorrow" is deep.
Tang Xian's "Samadhi Collection" Note: Sorrow, sorrow, Qian Jieshi sang. Sending someone such a poem may break the heart of the recruiter.
"Don't cut the Tang Poetry": I only talk about the sadness of the sound, seeing the river unbearable, saying goodbye beyond words.