The font style of Tang calligrapher Yan Zhenqing. His calligraphy was first learned from Chu Suiliang, and later from Zhang Xu's calligraphy. His regular script is dignified and majestic, and his running script is vigorous and vigorous. This ancient method has been changed and is known as "Yan Ti" in the world. Bai Sha's "Kang Youwei and His Guangyizhou Shuangji": "If we say that before the Wei and Jin Dynasties, the word 'Ti' meant calligraphy style, after the Wei and Jin Dynasties it turned to mean personal style, such as 'Yan Ti', "Liu Ti" and "Zhao Ti" are not three fonts, they just represent three different styles of calligraphy. "Lecture 8 (3) of Lu Gengrong's "A Brief History of Chinese Calligraphy": "Yan Zhenqing's calligraphy is mainly attributed to Zhang. Xu's guidance inherited the tradition of Wang Xizhi, and also learned the characteristics of the four calligraphy schools of the early Tang Dynasty. He also incorporated fresh nutrients from the calligraphy of the Southern and Northern Dynasties. He was the creator of the new calligraphy style of the Tang Dynasty, called "Yan style". /p>
"Yan Ti" refers to Yan Zhenqing's regular script. His regular script is contrary to the calligraphy style of the early Tang Dynasty. He uses seal script to transform thin and hard into plump and powerful, with a broad structure and magnificent momentum, and strong bones. And the spirit is awe-inspiring, exploring the origin of seal script and official script, the regular script is rigorous, free but not flowing, restrained but not clumsy, the characters are square and round, and the writing style is fat and vigorous. This style also reflects the prosperous demeanor of the Tang Dynasty and is consistent with his noble personality. It is an example of the perfect combination of the beauty of calligraphy and the beauty of personality.