What is the epigraphy culture of Zisha pottery?

Purple sand pottery carving art: it is a kind of "stone culture on the pot" with strong comprehensive artistry. According to records, there were inscriptions at the end of Yuan Dynasty and the beginning of Ming Dynasty, but there were only records and no textual research. Zhan Tianyou wrote in a poem: "I received a teapot (commonly known as pot at that time) with five cursive characters on it. After drinking tea, I cleaned the venue. I know this is the legacy of Master the Monkey King. (Sun, Sun, also known as "He Chicha" at the end of Yuan Dynasty, once named his residence, creating a precedent for purple sand lettering. During the Wanli period of the Ming Dynasty, the pot bottom carving style of purple sand utensils became increasingly popular.

In the Ming Dynasty, a hexagonal pot was made by Dabin, and the bottom of the pot was engraved with two regular scripts: "Wan Li Bingshen Dabin" and "One Forest is Qingming, Qin Ding Green Peel". According to records, there were inscriptions at the end of Yuan Dynasty and the beginning of Ming Dynasty, but there were only records and no textual research. According to Si Qi in Ming Dynasty? "Zhiyuan Congtan" records: "Getting a teapot with a white background (commonly known as a pot at that time) and eating tea are called the relics of Sun. Every time you make tea, it is quaint.

Sun is a late figure of Sun and Wang Shizhen in Qing Dynasty. His residence was once called "the place where he ate tea", which formed the earliest purple sand engraving. During the Wanli period of the Ming Dynasty, the pot bottom carving style of purple sand utensils became increasingly popular. At that time, Daban made a hexagonal pot, and the bottom of the pot was engraved with two kinds of regular script: "Wanli Shen Bing Daban" and "A piece of clear forest, a piece of clear spleen". During the reign of Apocalypse Chongzhen (162 1 ~ 1644), most of his calligraphy was in the style of Jin and Tang Dynasties. Shen's currency system was elegant and simple, and there were many descriptions of Jin and Tang pottery styles between the lines. But the inscription at that time was limited to what the pot maker left at the bottom.

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