Why can't I read Ceng Fanzhi's paintings?

First of all, you should know what background and influence he painted this picture. Take "The Last Supper" as an example. It sold more than one billion yuan. Young Ceng Fanzhi is introverted. He doesn't like to talk at school and often can't answer the teacher's questions. He is one of the only three students in the class who didn't join the Young Pioneers. Later, this kind of pain entered a moment in this painting.

The Last Supper is based on the work of the same name by Italian Renaissance master Leonardo da Vinci, but this work turns all religious figures into young pioneers wearing masks and wearing red scarves to eat watermelons at the dinner table. This work is a metaphor for China, where the economy is developing day by day. The red scarf represents the ideal of * * *, while Judas in the original work is played by a character wearing a gold western-style tie. For Ceng Fanzhi, this represents the abandonment of the socialist ideal in the new era. The artist once said, "The gold tie represents money and western capitalism. It was only in the 1680s that ties became popular in China. "Wearing a tie is undoubtedly a signal of social change in China, while the hanging picture of China's calligraphy style on the wall and the dazzling red watermelon on the table represent China. The Last Supper is magnificent, capturing the changes of China society during the economic reform in the11990s, and it is a very representative work in contemporary China art.

Besides, I just finished filming The Third Union Medical College Hospital, which is 100 million yuan less: this work, which was born in 1992, is a large-scale masterpiece of the artist's early style when he just graduated from Hubei Academy of Fine Arts. On this triple canvas, he completely interprets the painter's thinking and thinking about the cruel reality of life. The picture depicts the optimistic side of the hospital, where patients can move independently: the patients on the left line up to prepare for dinner; The patients in the picture are receiving blood transfusion, and some are still smoking leisurely; The patient on the right takes medicine from the medical staff in turn, and gradually moves towards the future of rehabilitation. The characters in the painting, whether they are all kinds of medical staff or patients, have prominent and exaggerated heads and hands. Ceng Fanzhi sketched a special group with quick strokes, although his expression was so cold. The choice of theme is closely related to the painter's personal experience and observation, which reflects his concern for this special group that is not noticed.