Aisingiorro Qigong, a professor at Beijing Normal University, who can introduce me? Although he has passed away, I want to know something.

Peking man, Manchu. The surname is Ai, the word Bo, the first name, Shaowen and Changqing.

The names of the rooms are Jianqingtang and Jianjingju. Eleven grandsons, great-grandfathers and grandfathers of Emperor Kangxi all entered the Imperial Academy, and their families fell. He lost his father when he was a child, dropped out of school without losing his ambition, and worked hard in calligraphy, writing and painting to motivate himself.

During middle school, I learned classics and poems from Suzhou scholar Dai after school, and learned painting from Jia Erlu and Wu Xizeng. Recommended by Fu Zengxiang, he studied under Chen Yuan. He didn't graduate from middle school. At the age of 2 1, he was hired as the cultural and educational chair in China, a middle school affiliated to Fu Jen Catholic University, and then he took up his education post.

He used to be a teaching assistant, lecturer and associate professor at Fu Jen Catholic University, and an associate professor and professor at Beijing Normal University after the founding of the People's Republic of China. He is good at natural history and cultural and historical appraisal. He has served as a distinguished member of the Antiquities Museum of the Palace Museum, an associate professor of the Peking University Museum Department, a consultant of the Palace Museum, a consultant of the Chinese History Museum, a member of the the State Council Ancient Books Arrangement Planning Group, a member of the National Cultural Relics Committee, and a chairman of the National Cultural Relics Appraisal Committee.

From June 65438 to June 0983, he became a member of the newly established China Ancient Painting and Calligraphy Appraisal Group of the Cultural Relics Bureau of the Ministry of Culture. After eight years, he sorted out, identified and catalogued the existing ancient paintings and calligraphy in China one by one, with unprecedented scale and remarkable achievements.

In recent years, he was elected as the chairman of China Calligraphers Association.

He has taught and educated people all his life, and has done a lot of academic research and writings. Ou Yangxun, Yan Zhenqing and Zhao Mengfu are beginners in calligraphy. At the age of six, they learned the inscription of Liquan in Jiucheng Palace. At the age of eleven, they learned many pagodas and monuments; At the age of twenty, they learned the Danba Monument. Calligraphy is concise, powerful and beautiful.

After studying under Dong Qichang and Mi Yuanzhang, he studied hard in Zhiyong Qian Wen for the longest time.

Yu believes that stone inscriptions often lose their original appearance through knife carving and natural destruction, and the true meaning of calligraphers' pen and ink can be obtained by directly studying pen and ink. Even when reading a tablet, we should feel the nib from the blade. The so-called "lose the pen without losing the knife".

It also advocates that writing should pay attention to structure, pen and gesture.

His calligraphy is precise and rigorous, with clear brushstrokes, courtesy, and handsome spirit, which reveals a faint king's breath in his leisurely manner. He painted a lot in his early years, with many landscapes, pale crimson ink, clear air and paper, and his skill was particularly remarkable.

His main works are: Essays on Ancient Fonts, Essays on Poetics, Essays on China Phenomenon, Essays on Qigong (three volumes), Qigong Rhyme, Essays on Eight-part Essays, Hundreds of Poems, Notes on Qigong Essays, and Qigong and the Remaining Theory of Qigong. Editor-in-Chief: Introduction and Complete Works of China's Calligraphy with Fatie (18 volumes). His published works include: Selected Works of Qigong Calligraphy, Selected Works of Qigong Calligraphy, Qigong cursive script with thousands of characters, Qigong Painting and Calligraphy Collection, Qigong Painting and Calligraphy Album, and Qigong Three Posts Collection.

Calligraphy works have participated in many important domestic exhibitions, and held lectures, solo exhibitions and joint exhibitions in Japan, South Korea, Singapore and Hong Kong. His works are valued by the world and enjoy a high reputation. Many famous dictionaries include biographies. 200 1 was awarded "Lifetime Achievement Award of China Calligraphy Art" by China Calligraphy Association.

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