Kneel down: The more detailed the information about Mr. Qi Gong, the better.

Aisingiorro Qigong (also often called Qigong) is a famous contemporary educator, master of Chinese studies, classical philologist, painter, cultural relic appraiser, poet, Manchu and Ai Xinjue Roche. He is the fifth son of Sejong in Qing Dynasty and the eighth grandson of Prince Hongzhou. Beijingers. White, also known as Yuan Bo. He lost his childhood and his family was poor. After dropping out of Beijing Academy, he was angry and taught himself. A little longer, I studied under Jia Ximin and Wu Jingting's calligraphy and Dai Classical Literature. Studied hard and finally achieved academic success in 1933. On the recommendation of Mr. Fu Zengxiang, he studied under Chen Yuan to understand the academic division and textual research. Later, he was hired as a Chinese teacher in Fu Jen Middle School. 65438-0935, Assistant Professor, Fine Arts Department, Fu Jen Catholic University; 1938, he served as a lecturer in China Literature Department of Fu Jen Catholic University, and concurrently served as a special member of the Palace Museum, engaged in peer review and cultural relics appraisal in the Palace Museum; 1949 Associate Professor of China Literature Department of Fu Jen Catholic University and Associate Professor of Peking University Museum Department; 1952, he served as an associate professor and professor of Beijing Normal University. Chinese People's Political Consultative Conference, member of the Standing Committee, director of the National Cultural Relics Appraisal Committee, curator of central research institute of culture and history, honorary chairman of China Calligraphers Association, professor of Beijing Normal University and doctoral supervisor. Consultant of Jiu San Society, Chairman of National Cultural Relics Appraisal Committee, Honorary Chairman of China Calligraphers Association, Consultant of Chinese Buddhist Association, Palace Museum and National Museum, President of Xiling Printing Society. He died in Beijing at 2: 25 on June 30, 2005. His main works include Essays on Ancient Fonts, Essays on Poetry and Rhyme, Essays on Qigong, Qigong Poems, Qigong Redundant Words, Essays on China Phenomenon, Poems on Books, Notes on Books, Essays on Eight Essays and Qigong Painting and Calligraphy Collection.

Artistic feature

Mr. Qi Gong is a famous contemporary scholar, painter and calligrapher. He is rich in works, familiar with linguistics and philology, and even has a good study of eight-part essays that have become historical relics; He is not only an excellent poet, but also an expert in ancient calligraphy and painting, especially the study of inscriptions.

Appreciating his calligraphy works, I always think of his profound study of inscriptions, because his study of inscriptions is inextricably linked with his achievements in calligraphy art. The study of inscriptions is a science that rose in the Ming and Qing Dynasties, and now it has opened up a new realm with the continuous excavation of underground ink. He is one of the pioneers of this garden. This knowledge can be divided into two categories: one is to study historical materials, supplement history with inscriptions, or collate essays; The second is to appreciate and study his calligraphy art. Mr. Qi Gong is good at both, and he is better at the latter. He combined the two, and his method broke through the barriers of predecessors. "Buying bamboo slips and pearls is different, and rubbings are mostly calligraphers. What's the use of rushing away? I saw several collectors chanting. " He wrote this poem because many connoisseurs in the past paid attention to the calligraphy of inscriptions, but often turned a blind eye to the words in them. Famous artists such as Weng Fanggang and Ye all have this defect. He never misses the content of his prose. Because of this, he refuted the "Cao E Monument" that has always been conclusive. Therefore, the so-called "Cao E tablet" written by Wang Xizhi in small letters no longer exists. What's more, Cai Yong's book Dan.

Among Mr. Qi Gong's calligraphy theory works, I like his metaphors and quips best. He has unique views on the art of calligraphy and many problems in the history of calligraphy, which is his decades of experience in calligraphy practice and research. Especially self-annotation, Wen Juan's escape, and his opinions. I have some long-standing problems myself, and after reading them, I feel solved and suddenly enlightened. For example, the textual research of Ode to the Bird originated from the dedication of Kaiyuan Hanlin; In the face of Japanese Fujimoto's book "Le Yi Lun", it proves Wang Xizhi's strong writing style; Identify Zhang Xu's book Geng Xin's "Not Empty Zuo Ci" as the pen of Dazhong Xiangfu after the Song Dynasty; On the True Features of Suo Jing's Calligraphy in Ge Tie from the Remnants of Jin People. These are all cases in the history of calligraphy, and the arguments are solid enough to be convincing. In addition, for example, Cai Xiang and Zhu Yunming's calligraphy did not become their own paragraphs; The calligraphy of Liu Gongquan and Huang Tingjian is perfect, and the words are bound together. Among them, it is very incisive to distinguish the characteristics of famous calligraphers in past dynasties, the style and style of calligraphy in each era, and even the origin of calligraphy and the reasons for its changes.

19 12 was born in Beijing on July 26th.

The founder of Qigong was the son of Yong Zhengdi in Qing Dynasty, ranking fifth, named Hongzhou, and was named "Prince of Peace". Their descendants gradually left the palace, and by the time of their great-grandfather, the family had lost its shadow and needed to find a way out through the imperial examination. Great-great-grandfather Pu Liang was admitted to imperial academy and joined the Imperial Academy. In the late Qing dynasty, he served as the minister of rites and commander-in-chief of Chahar. Grandpa Yulong, who is also an academician, is a bachelor of rites, has studied politics and is an examiner.

My father died at the age of one in 19 13 and lived with my grandfather.

In order to pray, my grandfather asked him to learn from an old Lama in the Lama Temple and become a registered little Lama named "Chado Zabu". At that time, just after Xinhai, the Qing court abdicated, and his great-grandfather refused to live in Beijing to show that he would no longer ask about state affairs. Only his great-grandfather had a student named Chen, who was also an academician. His family is the richest man in Yixian County, Hebei Province, and his family is rich, so he invested in buying a house in Yixian County and asked his great-grandfather to live there. My great-grandfather moved to Yixian with his family when he was three or four years old. Later, I went to a private school to read poetry.

1922 Ten years old.

Great-grandfather died. The family business declined due to the repayment of debts.

My grandfather died in 1923 at the age of 1 1.

The family sold the books collected in the world as funeral expenses. At that time, mother Ke Lianzhen and unmarried aunt Heng Ji Hua, both in their twenties, provoked the burden of family life. In order to raise his nephew, Henderson decided not to marry for life and regarded himself as the man in this family. Qi Gong also called his aunt "Dad" (full of customs, "Dad" means uncle).