Professor Ji Lao's academic achievement is a golden key, which can open the secret door of China's calligraphy. Japanese scholars have always felt that China and contemporary calligraphy theory are not enough to analyze China culture, and no one can really explain the mystery of calligraphy, so Ji Lao made such an inscription under such an era background. Ji Lao's inscription reads: "Hong Tao's knowledge and hard work won the masses, which enabled Japanese scholars to re-understand contemporary China culture. Let many so-called "experts" and "scholars" in contemporary times be "ashamed to death". Enough to "transcend the history of Japanese governance, China scholar died of shame. -Ji Xianlin (June 6, 2006) "The magic pen travels all over the world, and the immortal ink dyes the Three Rivers. Wonderful workmanship, even more rewarding and sighing for everyone. Bamboo sticks are clear, and red berries are fragrant. If you draw a good picture on the wall, you will feel full of Fang Ting. "From Li Duo's praise of Hong Tao's calligraphy, it is not difficult to see that his affirmation and praise of Hong Tao's calligraphy is warm and sincere, beyond words. In his autograph, he called Hong Tao by his brother: "Hong Tao's brother is on his wrist", which is both a wind of modesty and a wind of admiration; This inscription has just been written, but he hasn't finished it yet. Then he wrote, "Colorful ink is dripping, poetry and calligraphy are meaningful and fragrant", which is a heartfelt tribute to Hong Tao's artistic achievements in calligraphy.
1994 In May, China Three Gorges Publishing House published the first collection of Hong Tao's calligraphy. In the preface of the book, Mr. Li Duo said: "Hong Tao is knowledgeable, strong in brushwork, and his works are fantastic, elegant and elegant, with circles in the square and colorful dots. Everywhere is full of the flavor of the times and has a unique style. " Dan Guoqiang, a famous expert in calligraphy and painting appraisal in the Palace Museum, was thrilled to see Hong Tao's calligraphy. He began to write down the evaluation of "patchwork structure, picturesque style and naturalness".