Pictures of Du Fu's quatrains, ancient poems and calligraphy works?
In style, Du Fu's poems are diverse. Yuan Zhen commented on Du Fu. As for Miko, the so-called thin coquettish cover, followed by Shen, Song, Su, Li, Cao, Liu, Xie's aloof, miscellaneous Xu and Yu's beautiful flow, all have ancient and modern momentum, and each has its own strengths. ? Qin Guan has a similar view:? Therefore, Du Zimei people are poor and noble, extremely luxurious, full of diluted interest, delicate and clean, and the beautiful state of preparing seaweed is beyond the reach of many literati. However, if we don't gather the strengths of many families, Du Fu can't be immune. ? For example, Du Fu also has a wild and uninhibited side, which can be seen from his masterpiece "Song of Drinking Eight Immortals". The mainstream view holds that Du Fu's poems are gloomy in style, refined in language, rigorous in meter, skillful in craftsmanship, sincere in feelings, elegant in speech, profound in description, delicate and touching, and vivid in image. ? For the sake of humanity, you can't stop talking. This is his creative style. As far as Du's narrative style and discussion style are concerned, some scholars think it is influenced by The Book of Songs? Xiaoya, whose elegy and generous style are similar to Li Sao's. Some scholars believe that Du Fu's poems have the traditional spirit of benevolent government and the spirit of Sima Qian's record. There are also views that Du Fu's poems are? Humanitarian spirit? . Han Yu, a great writer in the Tang Dynasty, once compared Du Fu and Li Bai. Du Li's article is in full swing? . Wang Anshi praised Du? Ugly and beautiful, I don't know how to carve it. Achievement. Chen Shan's New Words of Ammonium Tick Volume VII:? Old Du Fu's poems should be the Six Classics, while others' poems are philosophers. . Jiang Shiquan's Collected Works of Zhongyatang, Volume I, Preface to Du Fu's Detailed Notes, also known as? The poet Du Fu's poems are also "four books". ?
Picture appreciation of quatrains calligraphy works?
Among Du Fu's poems, most of his works reflect the social outlook at that time, with a wide range of themes and far-reaching significance, especially describing the sufferings of the people and expressing his sympathy for the people and his feelings of worrying about the country and the people. Du Fu's poems, known as the history of poetry, first appeared in the late Tang Dynasty. DUZH's difficult mountain, the flow of harmony is long and comfortable, and it is almost nothing to see its concealment, so how about the history of poetry? . In the Song Dynasty, the conclusion was drawn, but the significance of poetry history was different. Some people pay attention to Du Fu's poems about historical events, and think that Du Fu's poems are documentary poems, which can supplement and prove history, so they are called poetry history. This statement only pays attention to the truth and falsehood of historical events, but ignores the emotional characteristics of poetry. Some people think that Du Fu has profound historical knowledge and rigorous brushwork, which can be compared with Sima Qian, a historian of the Han Dynasty. And poetry can be judged by people and things? Is it beautiful, not evil? Therefore, the history of poetry. This is desirable. On the other hand, Du Fu's poems are called the history of poetry because they sympathize with others and sometimes feel sad, which is also desirable to some extent. But some people don't want to assign poems. Yang Yi is not Du Like mansion. Liu Fang's "Zhongshan Poetry" says:? Yang Danian has no poems written by Du Like Ministry of Industry. He is called the village party secretary. ?
Du Fu's Evaluation of the Characters in Selected Poems of Du Gongbu
It is well known to the world that poets use words as their works, but Lao Du's changes are endless and almost impossible to trace back. Like what? Jiangshan has Bashu, and Soochow is self-sufficient? Thousands of miles away, a hundred years up and down, only in? what's up With what? Since? Between the two words, swallowing the spirit of mountains and rivers, throwing the arms of ancient and modern times, all between the lines. Wang Teng Pavilion? Powder wall is still bamboo, empty pavilion is loose? What if it is not? Or? With what? Since? Two words, then more than eight words, all pavilions can be used, without rattan king. This is a wonderful work, beyond the reach of human resources, but this old man is a leisurely man, divorced from nature and unable to see his own strength. Nowadays, people are more likely to imitate the words they have used, to suppress their own narrowness and to stutter. They don't know the meaning and situation, so they can use any word.