1. A collection of four-character calligraphy idioms
The pen moves like a dragon and a snake, the tendons and willow bones of the face, the iron painting and the silver hook, the power penetrates the back of the paper, and the brush moves freely bǐ zǒu lóng shé Definition: Describe The calligraphy is very beautiful and skillful. Yan Jin Liu Gu yán jīn liǔ gǔ Definition: Yan: Yan Zhenqing, a calligrapher of the Tang Dynasty; Liu: Liu Gongquan, a calligrapher of the Tang Dynasty.
It means that the calligraphy of the Yan and Liu families is strong and powerful, but their styles are different. Also generally known as excellent calligraphy.
Iron Painting and Silver Hook tiě huà yín gōu Definition: Describes the strength and softness of calligraphy that penetrates the back of the paper lì tòu zhǐ bèi Definition: Describes the strength and power of calligraphy, and the strokes almost penetrate to the back of the paper. It also describes poems with profound ideas and concise words.
huī sǎ zì rú Definition: describes painting, writing, composing, being able to use the pen as one pleases. 2. A collection of 4-character calligraphy idioms
Falling from the peak, changing grace, embodying meaning in the middle, powerful and majestic, well-proportioned, elegant and charming, thundering, hard, soft and clumsy, flowing and smooth, dragon and tiger Shock, change of ideas, elegant and elegant, dignified and elegant, powerful and bold, concise writing, wrapped in iron, round and smooth, natural, delicate and rich, leaning on the side and elegant, beautiful and clear, natural and interesting, thick and strong, simple and honest Vigorous, sinister, powerful, powerful, rich in the strengths of others, timeless and handsome, frank and simple, majestic, powerful, flying, vivid, profound, agile and flowing, powerful as a dragon, majestic. , completely natural, gorgeous and natural, thousands of miles of clouds, self-made natural interest, pleasing to the eye, majestic, graceful and generous, beautiful style, majestic, smooth, simple and graceful, vigorous and powerful, fresh and straightforward, tight structure, straight and strong, Excellent works handed down from generation to generation, natural stretch, vigorous and vigorous, flowing clouds and flowing water, skillful brushwork, smooth charm, unrestrained and elegant, peaceful and smooth, iron painting with silver hook, lifelike, round and smooth, simple and peaceful, free and easy, strong muscles and bones, tight and relaxed, The pen is strong, retractable and retractable, smart and delicate, hearty and unrestrained, charming and strong, beautiful in structure, unique in personality, tight and steep, handsome and elegant, three points dense and plump, rich and graceful, smart and unrestrained, the pen moves like a dragon and a snake, Soft yet strong, strong and simple, powerful through the paper backing, dignified and simple, round and round, strong and powerful, hearty, free and unrestrained, smooth and subtle, strong and upright, steep and sparse, combining hard and soft, and created by foreign teachers.
3. A complete collection of four-character idioms for calligraphy characters
The bottom of the brush is dragon and snake, the pen is exquisite and the ink is wonderful, the brush is walking like dragon and snake, the silkworm head is swallowtail, the head is hidden and the tail is protected, calm and happy, Calm and happy, Beginner to graffiti, Ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, Feilong Wufeng, Fengjinduoli, Fengboluan drifting, Fengwulongfei, Feng Zhuluanhui, Ancient fat and now barren, Crane knee bee Waist, beard is fat and bell is thin, painted with sand seal mud, painted with earthworm graffiti, domestic chicken and pheasant, domestic chicken and pheasant, tense, strong as a frightening dragon, strong as a swimming dragon, strong bones and muscles, running to the spring when thirsty, angry when thirsty猊, thirsty deer running into the spring, strength through the back of the paper, Linchi Xue Shu, willow bones and tendons, dragons flying and phoenixes dancing, dragons and phoenixes flying, dragons and snakes flying, dragons and snakes flying, dragons stretching and crouching, dragons jumping and tigers lying down, dragons mighty and tigers vibrating, dragons The mighty tiger is shaking, the dragon is flying and the leopard is changing, the dragon is flying and the phoenix is ??dancing, the dragon is flying and the phoenix is ??leaping, the luan is dancing and the phoenix is ??dancing, the luan is floating on the phoenix, the luan is floating on the phoenix, the luan is flying on the phoenix, the luan is flying on the phoenix, the luan is flying on the phoenix, the paper is falling on the clouds, and the phoenix is ??flying. Wrapped in iron, the wonderful thing is in the heart and hand, ink is accumulated in the mountains, an angry cat chooses a stone, a thirsty cat rushes to the spring, an angry cat is thirsty, fluttering like a fairy, floating like clouds, a group of crocodiles playing in the sea, like a cone painting sand, three points into the wood, good calligraphy No choice of paper and pen, Tang Lin Jin post, iron painting with silver hook, saliva jade hook with silver, Wang Yang Dawan, Wang Yang Hongsi, Wang Yang Xuansi, literary talent Binghuan, writing wind and thunder, fairy dew pearl, writing sutras for goose, heart is correct and pen is correct, learning calligraphy No, I can’t learn the sword, the Yan family is hungry, Yan Gu Liu Jin, Yan Jin Liu Gu, Yan Jing Liu Gu, Yi Zi Jie Xin, Silver Hook Hao Tail, Silver Hook Iron Painting, Silver Hook Jade Spit, Wandering Cloud Startled the Dragon, Youjun's habits, Yu, Chu and Ouyan are exquisite and subtle.
4. Is there any 4-character word that describes good calligraphy?
Calligraphy: The pen is vigorous and the ink is full: The pen and ink are used very freely and fully. It is mostly used to describe calligraphy and poetry that are vigorous and vigorous.\x0dThe pen is full of dragons and snakes: The pen is like a dragon and a snake leaping. It describes the calligraphy strokes as vigorous and free and easy. It also represents the command of writing.\x0dThe first writing of Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old comments on calligraphy, there is "first writing" "Huang Ting, just right" is an idiom. It was later used to describe doing things just right. \x0d Spring earthworm and autumn snake: a metaphor for poor calligraphy, as curved as the traces of earthworms in spring and snakes in autumn. \x0d At stake: The sword is *** from its sheath. , the bow is also opened. It describes a situation that is tense and about to explode. Later, it is also a metaphor for calligraphy that is vigorous and powerful.\x0dExample: Zuo Qiuming wrote a biography of "Chun Qiu" and summarized the calligraphy of "Chun Qiu" into several categories and examples. A general explanation. Later, it is called a classification example to illustrate the style of a book as "exemplify the style of the book". See "make examples of the world". \x0dStrongly penetrates the back of the paper: originally refers to the powerful calligraphy, now it is also used to describe the vivid and profound poetry. Powerful.\x0dDragon flying and phoenix dancing: Like a flying dragon, like a flying phoenix. The original description is unrestrained and majestic. Nowadays, it mostly describes the lively calligraphy strokes, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.\x0dDragon and snake flying: Describes calligraphy The writing style is vigorous and vivid. Su Shi's "Xijiang Moon? Pingshan Hall" lyrics: "I haven't seen the old immortal in ten years, and dragons and snakes are flying on the wall." Describes calligraphy as free and unrestrained. It can also be used as a metaphor for the separation of husband and wife of advanced trainees. \x0d Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying posture of calligraphy strokes. \x0d Beauty hairpin: describes the style of calligraphy or poetry. The beauty is beautiful and colorful.\x0dpenetrating into the wood three-thirds: the original description is that the calligraphy pen is strong (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated into the wooden board three-thirds deep), now it mainly describes the profound and powerful analysis, description, and discussion.\x0dIron painting silver hook: Hua: strokes; hook: hook. Describes calligraphy as strong and beautiful.