In the vast majority of Hong Kong films, we also like to find celebrities and famous artists to sign their titles, on the one hand, to win a huge momentum, on the other hand, to show different film characteristics through the form and significance of their works.
There is a saying in the entertainment circle: An actor may encounter a fake Wong Kar-wai unless he is asked by Wong Kar-wai to remake it countless times.
However, Huayi can let the high-standard Wong Kar-wai pass it once.
At that time, Ge Hua had just written the words "a generation of masters", and Wong Kar-wai immediately shouted: "It's over!"
Stephen Chow, the heartthrob, also wrote inscriptions for most of his films, from Truant to Mermaid, which lasted for more than 30 years.
Many people may think it's a bit exaggerated, but it's just a few words. Is it so exaggerated?
The characters written by Huayi are not only composed of several strokes, but also have their own interests and stories.
Huayi wrote "The Ghost Story of a Ghost Girl", each of which lasted for a long time, symbolizing the lingering state of sadness and love, and she wanted to say it.
Ye Wen, written by Huayi, is as crisp and neat as Wing Chun Boxing.
"Zhi Ming and Chun Jiao" written by Huayi is a little more lovely and interesting, and the font is a little more gentle and relaxed like a little daughter.
Huayi wrote "Detective" because he has multiple identities, and his handwriting has both a resolute side and a ferocious unknown side.
The "young and dangerous" written by Huayi has added a little hostility to the children of Jianghu, and there is a wind of justice in the chaos.
The "ignorance" of the recent Hong Kong Academy Awards fire also came from Huayi.
In fact, the calligrapher's writing path is not smooth.
Huayi loved calligraphy since childhood, but because of her poor family, she could only write with a brush left by her brother and sister.
1979, huayi immigrated to hong kong, because she had no special skills, she could only do electrical work.
At that time, a "Hong Kong Youth Learning Art Competition" was held in Hong Kong. When the workers saw that the boy had something to do, they "wrote in big letters" and encouraged him to participate.
Huayi made an impromptu gesture and won the Excellence Award. Without any nepotism, he was the uncrowned king in the hearts of many people at that time.
From then on, Huayi began to write full-time. At that time, the most received inscriptions on the exterior walls of buildings and advertisements for truck bodies were commonly known as "white signboards" in Hong Kong.
One of Huayi's Old Works
1989 changed huayi's life. Bole, who enjoys a swift horse, appeared.
Sammo Hung, a martial arts star, stopped in front of his booth and said, "Let me introduce you to the film company and write down the title of the film."
Wong Kar-wai, Stephen Chow, Jing Wong, Liu Weiqiang and Du Qifeng all asked him to write books for more than 30 years.
From martial arts films to gangster films, from martial arts films to romance films, all come from his brushstrokes.
Now, Hua Yi is white-haired, but he is still writing. He has spent his life pursuing simple words.
Director Yang Jie, who died, wrote a book "Dare to Ask Where the Road Is", which contains a few words:
"The 1980s was an era of struggle, struggle and dedication.
Now the values are completely different-money first, fame and fortune first.
In the eyes of people today, people of our time may all be "idiots".
I can't forget that era]
Doing everything to the extreme may be the best interpretation of the old artists of that era.
Just like a poem recently shared by Huayi: "The green hills are still there, and the sunset glow is red several times".