Is his handwriting really better than Guo Moruo's without hands?

The reason why China's imperial examination system has remained unchanged for thousands of years is because people like Wu Zetian use calligraphy to be officials. She loves the art of calligraphy and pays special attention to the cultivation, promotion and reuse of calligraphy talents. Even humble people with low status are favored by Wu Zetian as long as you have the ability of calligraphy. She believes that calligraphy can cultivate self-cultivation and cultivate sentiment, which is the embodiment of one's mood and perseverance. Having a broad mind and cultural background is the guarantee of writing good calligraphy. Therefore, a large number of calligraphers emerged in the Tang Dynasty, including Bobo, Zhong Shaojing, Sun, Li Yong, Han Jingyang and Xu Jiaozhi, which played an important role in promoting the development of the Tang Dynasty. The heyday of the Tang Dynasty. Influence.

Although there was no calligraphy later, to a certain extent, there was no shortage of people who studied calligraphy seriously as a kind of cultivation and restoration of artistic accomplishment. For example, we want to say that Kang Sheng is a famous calligrapher of modern calligraphy. We don't talk about politics, but he has certain attainments in painting art and is a famous calligrapher, painter and collector in modern China. Guo Moruo was called "Lao Guo" and "Kang Lao" at that time.

Kang Sheng, formerly known as Zhang Zongke, is a native of Datai Township, Zhucheng (now Jiaonan City). He was born in a scholarly family. Influenced by his family, he began to contact literary and artistic works at an early age, and he was good at China's traditional calligraphy. He was known as one of the four contemporary calligraphers in China (Kang Sheng, Guo Moruo, Qi Yanming and Shen). However, it may be the light of scholars. Kang Sheng thought that he and Guo Moruo were arranged together, and he was very disapproving. He also told others that Guo Moruo's handwriting can also be called calligraphy? It is better to say that Guo Moruo "I lean on a stick with my toes" than "I lean on a stick with my toes". Why does Kangsheng brag about such a seaport? It turns out that Kang Sheng was the emperor of the late Qing Dynasty, the emperor of Xuan Tong. He spent time in Qingdao. He not only went to the "Ocean School", but also got to know the old emperors and famous teachers of the Qing Dynasty who lived in Qingdao, as well as two Shandong Wang Maipeng, Cao Hongxun and Liu.

In addition, Kang Sheng's genuine turf seal is not only exquisite, but also can draw pictures. All books can be called "pastimes", and Zhang Wei's plays are excellent. It is particularly noteworthy that Kang Sheng can also write a plum blossom seal on his hand. He often uses his left hand, or his left hand, so he often uses the inscription "Kang Sheng's left hand". Kang Sheng is also conceited about his calligraphy. Too arrogant. Kang Sheng writes, sometimes prose, but it is written in a natural atmosphere. Three strokes broke the taboo of Zhang Wei's independent discourse and appeared more fluent. However, his writing style is too exposed. It shows Kang Sheng's character and reveals his character. Charles Zhang Cai of Kang Sheng adopted the methods of Yuan Ming and She Han, although the ancient concept was slightly inferior. As the ancients said, books are like people, and "heart and pen" say that books and characters are inseparable-calligraphy is the external embodiment of character, and character is the extension of calligraphy connotation. Therefore, the ancients attached great importance to the character of calligraphers and highly pursued the unity of characters and books. So when the ancients wrote books, they often talked about characters, but Kang Sheng thought Lao Guo was ridiculous and had doubts about his character.