Second, avoid it, avoid it, easily avoid it, avoid it far and near, and want it to reflect each other properly. Another example is the word "Lu", the first one is sharp, and the next one is different. The word "Fu" is next to the left, and the word "Feng" is in "?" If you pull it out, you must make some points on it, and avoid overlapping and simplify the path.
Third, there are many people who inherit the word "wearing on", but those who attach importance to the top and despise the bottom all want to gain power, such as "overlapping, building, medicine, Luan, fright, heron, bun, sound, medicine". In the eight major tactics, the so-called "slanting as a person means downloading from above" and "the head should not be light and the tail should not be heavy" are also said.
Fourth, those who interweave calligraphy and painting want their density, length and size to stop evenly, such as "Zhong, Fu, Jing, Qu, Shu, Concurrent, Yu, Yu, Shuang, Er, Xiang, Yong, Er, Ao, You, Xing, Che, Wu and Mi", the so-called "Four" in the Eight Laws.
Five, to the back of the word is opposite, there are opposites, each has its own momentum, can not be wrong. The opposites of "no, no, goodness, knowledge and harmony" are also established, as are the opposites of "North, omen, fat and root".
6. If there are many orthographic characters on one side, if there is an inclination on the other side, it should also be combined with its word potential. Those who lean to the right, such as "mind, posture, clothes and a few"; To the left, such as "evening, friends, yes, no, less, macro" and so on; Just like those biased, such as "hai, female, Zhang, vector, mutual, nothing" and so on. The so-called radical spelling is right, and if it is right, it is radical, which is also wonderful. "Eight Tactics" also says "not to be biased".
Seven, pick? Is it necessary to choose the context of the text? Who, such as "Ge, Yi, Wu, Jiu and Qi"; Another example is the words "offer, persuade, disperse and break". Since there are many left sides, we must get the right side? It; For example, "save, bake" and so on, must the upper level get it? Therefore, phase is good.
Eight, the left and right sides of the word, more or less, must give way to each other in order to be perfect. For example, the words next to "horse", "nest" and "bird" must be straight on the left, and then the right can be used as words, otherwise it will be inconvenient. For example, the word "debate" should be shortened with the word "Yan" in the middle, so that two words "letter" can appear. For example, the words "gull, quail and late" are narrow on both sides and wide at the bottom, so we should make way for each other. Another example is the word "woo, hoo", and the mouth on the left should be close to each other. The word "he" and the word "buckle" should be to the right, and then it is better, and so is this one.
Fill in the blanks, such as "I am here", and doing something to the left is not the same as "success and luck". For example, "attack, conquer, eat, Jiangxi" and so on, it is necessary to have the party, for example, the word "construction" in the inscription of Liquan is also the same.
Ten, cover such as "treasure, capacity", the point must be correct, the painting must be round, not suitable for each other, the upper part is long and the lower part is short.
Eleven such as "zero, today, winter, cold" also.
12. Those who leave the original form of sticky characters want to stick together, so that they can take care of each other better, such as the radical word "Lie, Sword, Fly, Door".
Thirteen, the speed is like "wind, phoenix", and the speed on both sides should be rounded. When using a pen, the left side should be sick, and when carrying a pen, it is like electricity.
Fourteen, don't be empty, such as "circle, garden, field, country, back, bag, south, partition, eye, four, hook", and so on.
Fifteen, the meaning of words is broken and connected, such as "knowledge, meaning, faith, comparison, dawn, biography, week, water, autumn" and so on.
Sixteen, those above the word will be below the word, such as "rain", "hole", "home, glory", "luxury, gold, food, society, lane, Thailand" and so on.
17. Dragging, such as "Du, Qing, Mao, and worship", dragging, such as "water, nutrition, debt, degree, change, travel, people, and also".
18. Borrowing and changing is another example. The word "secret" is on the right of the word "show" and the word "must" is on the left. This is also borrowing and changing. Another example is the word "autumn" as "?" , the word "goose" is "?" Such as this, because its words are difficult to form a structure, so the exchange is so, but also borrowed. So is the so-called "East reflects West".
19. It is difficult to add and subtract words, or because there are few strokes, for example, the word "new" is "?" , the word "sword" is "?" Yeah, yeah. Or because of more strokes, such as "Cao" is "?" What is the word "beauty"? . But to be beautiful, no matter how the ancient people wrote.
Twenty, Chinese characters should be stippled less, set each other off and be interesting, and must be matched. Another example is "dragon, poem, resentment, turn" and so on. You must draw a picture for a picture, and the corresponding pictures are complementary.
Twenty-one, people who support independence must support it, and then they will be strong and healthy. Such as "Qian, Xia, Yu, Ding, Shou, Ke, Gong, Si, Yu, spear, Yong, Heng, Ting, Ning, Hui, towel, grass" and so on.
Twenty-two, those who are biased towards each other should take care of each other. There are many words "Zou, Xie, hoe and storage", and those who have the words "Bi and Ban" should take care of each other. So is the so-called "mutual greetings" in calligraphy.
Twenty-three, to save every word, a pen to drop, it is easy to think of how to save the second and third pens, how to tie them. The same is true of the so-called "intention first, literary direction later" in the eight strokes.
Twenty-four, the shape of the attached words, if there is a coincidence nearby, can not be separated, such as "shape, shadow, flying, rising, super, drinking, encouraging." Where there is "literature, debt and support", it is also necessary to roll with the punches and roll with the punches.
Twenty-five, holding the back on the left is like "Yi, Beggar, Yi, Ju", and on the right is like "Gen, Ghost, Bao, Xu, Ta".
Twenty-six, the parcel refers to the "group, nursery", surrounded by parcels. "Shang, Xiang" up and down, "You, Meng" down, "Kui, Kuang" around, "Xun, Hungary" around and so on.
Twenty-seven, but it's good to say that its package won't fall into the hands of powerful people. It's perfect to end it.
Twenty-eight, the stippling of characters should be connected, and they should be connected. Two points such as "small" and "eight" are connected correspondingly; "Long" and other three points, left to right, middle to upper, right to left; The four points of "nature" and "heat" are connected in the middle.
Twenty-nine, see the big or small with small, such as "door?" So is the next big one. Words change from small to large, and their small characters change from small to large. For example, the word "orphan" is only pressed at the end, the word "ning" is only hooked at the end, the word "owe" is pulled out, and the word "ge" is a little bit.
30. The formation of small and big means that there is something in small and big words. Mr. Dongpo said: "The big characters are difficult to be dense and seamless, and the small characters are difficult to be generous." It would be perfect if the big characters were dense and the small space was spacious.
Thirty-one, small and big "Calligraphy" says: "The big characters are small preface, and the small characters are big preface, which is naturally wide and narrow." For example, the word "day" is too small to be as big as the word "country". For example, the word "one" and "two" are sparse, and the position of calligraphy and painting should be well thought out, so that the foil can be appropriate and then the top. Or: "It is said that the top is small, the bottom is big, and the top is small, and it must be matched." I also said.
Thirty-two, each writing is formed separately. It is also good to combine into one, and it is also good to divide into different forms, which can be formed separately. As for the size of density, length, width and narrow, it also needs to be explained in detail.
Thirty-three, small left and big right. This section is a word disease. If you want it to stop, people's knots are easy to be left small and right big. So with the next two verses, it is also sick.
Thirty-four, left high and right low, left short and right long. Can't be left high and right low, that is, one shoulder. The left side is short and the right side is long. The so-called "eight strokes" do not mean making the left short and the right long.
People who study European books tend to write long words, so the law requires it to end neatly and converge? Dense, ranked second, and old-fashioned. The so-called "old-fashioned secrets" in the book spectrum are so expensive.
Thirty-six, the manager asked them to look around each other, not to lose their position, they had to cover it, they had to accept it, and so on.