Allusions to the top of Chen Ziang's schoolbag in Shehong

Chen Ziang Reading Desk is located on Jinhua Mountain, 23 kilometers north of Shehong County. It was the place where Chen Ziang, a poet in the early Tang Dynasty, studied in his youth. It was formerly called Reading Hall, or Chen Gongxue. Its former site is the area around the Ancestor Hall behind the ancient scenery in Jin Huashan. In the Tang Dynasty, Xian Shuming, our ambassador from Dongchuan, once erected a monument to Chen Ziang's merits in front of the library. After the middle Tang Dynasty, political chaos and frequent wars led to the decline of the school. During his reign, Pang was ordered to build a collection pavilion on his site. At the beginning of the Ming Dynasty, the pavilion was destroyed, and low-cost service was provided in the statue of the old infrastructure building, with Mingyuan Pavilion on its side. At the time of Chenghua, the county magistrate Guo chiseled the pavilion, and by the early Qing Dynasty, all the above buildings collapsed. In the fifty-first year of Kangxi, Tang Linxiang, a magistrate of a county, built a square auditorium in the former site of the school and set up a plaque as an ancient reading desk. Eight to eleven years after Daoguang, the city ordered Qian Bingde and Wang Shu to move the reading desk to Wugang Mountain behind the mountain. In the sixth year of Guangxu (1880), the study room of the magistrate of a county donated money to persuade people to raise money, demolished short walls, eliminated fine awns, and built three new halls in front of the pavilion, with cloisters on both wings and a door pavilion outside; There are three fine houses on the right of the pavilion, and three halls will be built behind the pavilion. It is planned to build Yunshan Pavilion, surrounded by verandahs and dazzling walls. Finally, a large building, Ye He Pavilion, was erected, including three boathouses and a small pavilion, which has begun to take shape. Since then, it has remained basically unchanged, with a slight increase.

There are many pairs of plaques on the ancient reading table, mostly written by famous writers in ancient and modern times. His woodcuts "Thirty Senses" and "Biography of Mr. Wang" are important cultural relics, and there are few documents about Chen displayed in the museum.

Stone carvings of Du Fu's poems

That is to say, the handwritten stone carvings of Du Fu's poems are kept on the stone terrace outside Guanshanmen, Jin Huashan. The Chinese watch is about 5 meters high, square and cylindrical, with cirrus patterns, a square base under it and a carved conical top cover on it, which is beautifully carved. On the right, the inner side of the Chinese table is engraved with the handwriting of Du Fu's poem "Looking at Jin Huashan in Winter and Picking up the Ruins of Chengong School", and the outer side is engraved with the handwriting of Du Fu's poem "Looking at Spring"; On the inside of Zuohuabiao, Chen Ziang's poem "Spring Goes to the Golden Flower Taoist Temple" is engraved, and on the outside, Chen Ziang's poem "The Honorable Xia Ruochong" is engraved. 1966 in the "cultural revolution", the stone tablet was destroyed, leaving a few pieces. Now copy it with white marble and stand in its original place.

The Yongle Grand Ceremony (Volume 3 134) records that Niu Qiao, a poet in the third year of Guangqi (887), wrote a poem "Going to Chen to pick up the remnants of books and looking at poems" on September 26. Among them, "step out of the western suburbs of the county, climb the cliff ... the northern compartment leads to danger, and the Ministry of Industry has carved stones", which shows that Du Fu really stayed in the flood shooting. The inscriptions on Du Fu's poems are thin and hard, and the brushwork is vigorous. Confirmed by historian Fan Wenlan, it was incorporated into the fourth volume of General History of China, and marked with "Du Fu's Handwriting". 1976 In February, the eighth issue of Hong Kong Book Score magazine published Mei Erhua's Du Fu and Calligraphy, which has a complete extension. The sixth issue of Cultural Relics Magazine 1962 was also published. Therefore, the Stone Carving of Chen Du's Poems by Chen Ziang Reading Desk in Jinhua is indeed Du Fu's handwriting.

That's all. Have a good reference.

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