Some introductions ~ ~ ~
Official script is flat, neat and exquisite. In the Eastern Han Dynasty, stippling such as skimming was beautified as upward provocation, with different degrees of severity and artistic beauty of calligraphy. Styles also tend to be diversified, which is of great artistic appreciation value. In the process of "writing in the same language", Qin Shihuang ordered Li Si to create Xiao Zhuan, and also adopted the official script compiled by Cheng Miao. Xu Shen of Han Dynasty recorded this history in Shuo Wen Jie Zi: "... Qin burned books, purged the old people, officers and men made outstanding contributions, were promoted to military service and defended, and there were countless officials and prisons. At first, it was an official script, for the convenience of agreement. " As an official script, Xiao Zhuan's writing speed is slow, which turns official script into a square fold and improves writing efficiency. Guo Moruo used "the greater achievement of Qin Shihuang's reform of writing was the adoption of official script" to evaluate its importance (the development of the debate on ancient Chinese characters in the slavery era).
Official script is basically evolved from seal script, mainly changing the round strokes of seal script into square folds, which makes writing faster, and it is difficult to draw round strokes when writing with pigments on wooden slips.
Lishu Han Li
At the beginning of the Western Han Dynasty, Qin Li's style was still used, but it began to change greatly in the Xin Mang period, resulting in the writing method of stippling. By the Eastern Han Dynasty, Lishu had produced many styles and left a large number of stone carvings. Zhang Qianbei and Cao Quanbei are the representative works of this period.
Han Li has the beauty of waves and strokes. The so-called "wave" is that the left line of the stroke is like a meander, and it becomes left in the later regular script; The so-called "stroke" only opens the right pen, which looks like a "dovetail" pen. When writing a long horizontal line, the pen begins to cut into the "silkworm head" facing the front, with the pen in the middle having a wave distance and a tail at the end. In this way, in the use of pens, the methods of square, round, hiding and revealing are readily available, and the pen gesture is flying and elegant. Structurally, there is a vertical square of Xiao Zhuan, which first becomes a square and then becomes a horizontal square. Han Li has a powerful, extensive, neat and flexible bearing. The reform of official script to seal script includes two aspects: stroke and structure. The method of official transformation has become square. Turn it into a straight curve. Correct the strokes and disconnect. Save the stroke structure and so on. Among them, it is most important to take the potential horizontally and keep the natural state of writing with a brush. Take the potential energy horizontally, send the pen left and right, and the up and down movement is limited. Finally, the eight-point brushwork of sweeping left and picking right is formed. The softness of the brush makes the strokes of Chinese characters have a thick and thin Fiona Fang. Hidden dew and other changes. And word spacing. Narrow line spacing is also a major feature of its composition.
Han Li is exquisite in silk paintings, lacquerware, portraits and uranium mirrors. In the inscription, it shows its broad momentum and unique charm. There are two main forms of existence in Hanli: stone carving and bamboo slips. Most of the official scripts in Wei, Jin, Southern and Northern Dynasties are regular script. There are many calligraphers in the official script of the Tang Dynasty, such as Xu Hao. Song Yuanming's official script can hardly inspire Han Li's brilliance. Until the Qing dynasty. Han Li recovered. Yu Nong, Deng,, how. Don't achieve anything.
The second peak
After Wei and Jin Dynasties, calligraphy, cursive script, running script and regular script formed and developed rapidly. Although the official script has not been abandoned, it has not changed much and has been silent for a long time.
In the Qing Dynasty, in the wave of the revival of stele study, official script was re-valued, and famous calligraphers such as Zheng Xie and Jin Nong appeared, who made innovations on the basis of inheriting Han Li.