Wang Anshi (102 1- 1086), born in Linchuan, Fuzhou (now Jiangxi), is a famous symbol festival. Politicians, writers and thinkers in the Northern Song Dynasty. Wang Anshi's calligraphy is of primitive simplicity and far-reaching, and won the wonderful use of pens by people in Jin and Song Dynasties, and is often imitated by the soil. Outline of Yan Jing, a paper book, 29.9 cm long, the main book, every two texts are connected, with 72 lines of scriptures ranging from 23 to 36 words. Translation of The Book of Songs in Tang Dynasty. Ten volumes. Wang Anshi is taken from Guanyin Miaoermen, which is from Wen. This volume, in the middle of the main book, has a running script and a light ink book with clear strokes. Although the lines are close and there are few blanks, there is no dazzling feeling. Now it's in Shanghai Museum.
Calligrapher (Song Dynasty)-Su Shi
Zi Zizhan, a famous Dongpo layman, was born in Meishan (now Sichuan). He and his father, Su Xun, and his younger brother, Su Zhe, are world-famous for their poems, known as "Su San". His calligraphy draws nutrition from Yan Zhenqing, Liu Gongquan, Chu Suiliang, Xu Hao, Li Beihai and Yang Ningshi, and strives for innovation on the basis of inheriting tradition. When talking about his calligraphy, he said, "The method of writing is not perfect, but I can't get it all." When talking about his artistic creation of calligraphy, he said: "I can't write books with my heart, and I am very happy." He focused on "meaning" and sent his feelings to the book with "faithful hand". On the basis of his profound understanding of calligraphy art, he used traditional techniques to create calligraphy art, enriching and developing traditional techniques in calligraphy art creation, rather than simply mechanically removing the old. He used a special method different from ordinary people in writing methods, and also paid attention to the reform of writing tools. The representative works include Dark Clouds in the Sky, Poems of Dongting Spring, Poems of Zhongshan and Song Dynasties, Poems of Spring Posting, Poems of Wine Love, Poems of Cold Food, Poems of Shu Zhong, Notes of Drunk Pavilion, etc.
Su Shi's Poems on Cold Food in Huangzhou. It is the masterpiece of Su Shi's running script. This is a poem to send a revival, and it is a sigh of life caused by Su Shi's relegation to Huangzhou for three years. The poem is desolate and affectionate, expressing Su Shi's melancholy and lonely mood at this time. The calligraphy of this poem is produced in this mood and situation. The whole calligraphy is full of ups and downs, radiant and unrestrained, and there is no shortage of pens. Huangzhou Cold Food Poetry Post has a great influence in the history of calligraphy, which is called "the third running script in the world" and is also a leader in Su Shi's calligraphy works.
Calligrapher (Song Dynasty)-Zhao Mengfu
Zi Ziang, Taoist Cedar, Taoist Crystal Palace, Huzhou (Xing Wu, Zhejiang). Descendants of Song Taizu's son, King Qin Fangde. After the demise of the Song Dynasty, he returned to his hometown to live in seclusion. Later, he was wooed by Yuan Shizu and became an official in the Five Dynasties. He was appointed as a bachelor of Hanlin, and Dr. Rong Lu was appointed as Wei Gong and Shi Wenmin. Make good use of printing, printing, printing, printing, printing, printing, printing. He is the author of Song Xuezhai Collection. Zhao Mengfu was an influential calligrapher in the early Yuan Dynasty. "Biography of the History of Yuan Dynasty" records: "Meng Yi's calligraphy is the best in the world, so the book is the theme of the world." Praise. According to Song Lian, a scholar, Zhao's calligraphy learned Lingling's Eight Intellectuals in his early years, Zhong You and Fairy in his middle years and books in his later years. In addition, he also visited Dingding Monument in Yuan and Wei Dynasties, Yu Shinan and Chu Suiliang in Tang Dynasty, which was a great achievement of predecessors. As Wen Jia said, "Gong Wei's calligraphy is superior to the ancients, and they are all imitations. "So, Zhao's success in calligraphy is inseparable from his ability to learn from other people's long sentences. What is particularly valuable is that most calligraphers in the Song and Yuan Dynasties were only good at lines and cursive scripts, while Zhao Mengfu was able to delve into various styles. His article is out of date and bypasses the study of Buddhism and Taoism. Later generations, many people studied Zhao Mengfu's calligraphy, and Zhao Mengfu's calligraphy was very popular in Korea and Japan. There are also masterpieces in Zhao Kai's books, such as Sanmen Collection, which is broad in structure, deep and steady in structure and fluent in brushwork, and is most suitable for copybooks. Most of Zhao's handed down works are running scripts, most of which are accurate in brushwork and rigorous in wording, such as Fu on the Red Wall, which is a classic.
Calligrapher of All Dynasties (Ming)-Tang Yin
Tang Yin, one of the "Four Masters of Ming Dynasty", was known as the first gifted scholar in Ye Jiangnan in the middle of Ming Dynasty. He is knowledgeable and versatile, recites poems and composes music, is good at writing and painting, and has experienced ups and downs. He is an outstanding great painter in the history of painting in China.
Tang Yin, with the word Bohu and Gengzi, is the master of the Peach Blossom Temple, an immortal who escaped from Zen, became attached to Nanjing, and was the first romantic talent in Jiangnan. In his later years, he believed in Buddhism and had six nicknames, such as lay man. Wuxian (now Suzhou, Jiangsu) people. Tang Yin was born in a merchant family, and his status was relatively low. Under the guidance of "making a name for himself", he studied hard and reached the age of 1 1, with excellent literary talent and good handwriting. 16 years old, scholar. At the age of 29, he participated in Yingtian Township Examination and won the first prize of "Xie Yuan".
Tang Yin's calligraphy is named painting, and he mainly studied Zhao Mengfu and was influenced by Li Beihai. He is graceful and charming, and his brushwork is mature and free and easy, but his brushwork is slightly weak, flexible and slightly loose in structure. Therefore, Wang Shizhen commented: "Bohu entered Wuxing Hall, but his ears were weak."
Calligrapher of All Dynasties (Qing Dynasty)-Deng
Deng, a native of Huaining, Anhui Province, whose real name is Yan, Zi, and his name is stubborn Bo, is a native of Wanbaishan, and he uses words to avoid the name of Renzong. Born in poverty, his ancestors' character of "hiding virtue and not showing glory", his study of "learning to be excellent and being an official" and his unruly character have a subtle influence on his growth. At the age of 20, I started my life's travel career, wandering around the rivers and lakes, looking for teachers and friends everywhere. All his life, accompanied by hard work and self-motivation, the whole content of his life devoted to art is almost the word "making friends". I don't want to be literate, don't want glory, don't be moved by foreign things, don't enter the official career, and always keep the true colors of cloth. This is the free and easy life of a pure artist.
At that time, people spoke highly of Deng's calligraphy, calling it "the four bodies are absolutely unique, ranking first in the country." His calligraphy is the most outstanding, and the achievement of seal script lies in Xiao Zhuan. Taking Si and Bing as his teachers, his seal script is a little longer, but he creatively combined the brushwork of official script and boldly raised the ups and downs with long front and soft hair, which greatly enriched the use of seal script, especially in his later years. The lines are round and boundless, creating a typical seal script in Qing dynasty, making immortal contributions to the development of seal script art, and official script has benefited a lot from the long-term immersion of Han steles. The official script that can write the meaning of seal script, combined with the strength of Wei Bei, is naturally unique in its style. Regular script didn't start in Tang Kai, but traced back to the source, directly using Wei Bei and Fang Bi. The strokes make it convey Li's meaning, and the structure does not seek meaning by the method of horizontal light and vertical weight, low left and high right. It is simple and unsophisticated, which is out of tune with the customs of the times and shows the spirit of courage to explore. Comparatively speaking, his cursive script is not as profound as seal script, which is the view of most people, so I won't go into details here. Deng's seal cutting is also worth a special book. I will discuss with you in ancient seal cutting.
Calligrapher of All Dynasties (Qing Dynasty)-Wu Changshuo
Famous painter and seal engraver in the late Qing Dynasty. Formerly known as Jun Qing, Changshuo, alias Kutie, from Anji, Zhejiang. When he was a teenager, influenced by his father, he liked writing books and printing. His regular script began to be strict, followed by Dean Zhong; Li Shu studied China stone carvings; The study of seal script was initially influenced by Deng, Zhao and others, and later it was integrated in the writing of Shigu. Sha Menghai's comment: Mr. Wu tries his best to avoid the state of "stubborn" and "grasping the heart and gnawing teeth", and confuses the three postures of Zhong Ding clay figurines, so he is much better than Zhao Gaoming. Wu Changshuo's running script was greatly influenced by Huang Tingjian and Wang Duo's brushwork, while Huang Daozhou's brushwork was greatly influenced by Beibei's brushwork, seal and pen.
Calligraphers of All Dynasties (Modern Times)-Li Shutong
Li Shutong, Master Hongyi, has a young name, a scientific name, Wen Tao, a similar word, and many pen names and nicknames, reaching more than 250. My ancestral home is Pinghu, Zhejiang, and I was born in Tianjin. China is a famous painter, musician, dramatist, educator, poet and scholar, a pioneer of Sino-Japanese cultural exchange, one of the top ten painters in China in the 20th century, and the founder of Nanshan Famendi1/kloc-0. This is unprecedented in China's 5,000-year history, leaving the world with inexhaustible spiritual wealth. Throughout his life, he was a typical figure of China's gorgeous acme and a world-renowned child prodigy.
Li Shutong was brilliant since he was a child, and he lost his father at the age of five. He learned many famous poems and aphorisms from his mother Wang. At the age of ten, he began to study Confucian classics and history, and later studied poetry, calligraphy and seal cutting under Tang Jingyan and Zhao.
Mr. Li Shutong's calligraphy has a long-standing reputation in modern China book circles, and modern cultural celebrities such as Lu Xun and Guo Moruo are all proud of their words. Li Shutong's calligraphy is divided into two periods, the first period before becoming a monk and the second period after becoming a monk.