Hu Jinlai's Calligraphy Works: Characteristics of Hu Jinlai's Calligraphy Works

Hu Jinlai, 65438-0954, a native of Hebei, China and Datong, Shanxi, is a member of the Professional Committee of China Book Association. Vice chairman of Shanxi Book Association, director of lettering committee, chairman of Datong Book Association, first-class artist. Hu Jinlai loved calligraphy when he was young, and studied under Zhou Quanrui and Wang Chaorui. Specializing in Han Li, and learning Taishan stone carving and stone drum writing. He is a famous official script seal engraver in China. This is Hu Jinlai's calligraphy that I arranged for you. I hope it works for you!

Appreciation of Hu Jinlai's Calligraphy Works

Pictures of Hu Jinlai's Calligraphy Works 1

Pictures of Hu Jinlai's calligraphy works 2

Picture 3 of Hu Jinlai's Calligraphy Works

Figure 4 of Hu Jinlai's calligraphy works

Brief introduction of Hu Jinlai

Hu Jinlai loved calligraphy when he was young, and studied under Zhou Quanrui and Wang Chaorui. Specializing in Han Li, and learning Taishan stone carving and stone drum writing. His works participated in the third national calligraphy seal cutting exhibition and the Sino-Japanese calligraphy joint exhibition, and won the third prize of the "Xinghua Cup" National Calligraphy Competition and the third prize of the "Wen Hui" National Calligraphy Competition. He is especially good at copying everyone's books and posts on various stones with meticulous brushwork and stone as paper, and rearranging the articles with the changes of the stone surface, which has its own uniqueness; The words carved on the stone surface are surprisingly small, but they also show personal calligraphy style. Mr. Hu Jinlai's series of "Micro-engraving of Stone Carving Calligraphy" was rated as "Contemporary Stone Carving Classics" by the art circle, and Mr. He Haotian, the consultant of the Forbidden City, once called it "the national treasure of the future".

Hu Jinlai's Honorary Achievements

1984 to 2000, seal cutting works were selected for four times in China calligraphy seal cutting exhibition, calligraphy works were collected by China Art Museum, and calligraphy works (Su Dongpo Cold Food Sticker) were collected by China Museum. He has been invited to perform in Hongkong, Taiwan Province, Japan and Korea for many times. His works include: Classic of Young Artists in China, Collection of Works by Famous Calligraphers in China, Hu Jinlai Lishu copybook, Hu Jinlai Calligraphy Album, etc.

Hu Jinlai art evaluation

After years of hard work, Hu Jinlai inherited the tradition in the art of calligraphy and painting, gained all kinds of wonderful ideas, integrated seal, official, line and grass, injected personal passion and sublimated his artistic conception. His seal script is as simple as casting stone; Its official script is simple and natural, open and indulgent; The grass is free, and his stone carving works, with a knife instead of a pen and stone as paper, skillfully combine calligraphy art with stone carving art. After the exhibition, Zhang, the executive vice chairman of the Municipal Calligraphy Association, said that his works are "the knife does not move, and the Han does not move", which is a must in the contemporary era.

A Review of Famous Scholars in Hu Jinlai

Hu Jinlai, a gangster.

"Poetry? Feng Wei? Qi Ao: "There are bandits and gentlemen, such as gold and tin, and jade and jade. Mao zhuan: "bandits, the appearance of the article." Cheng Junying's Note: "It refers to literary talent and talent. Uncle Kong said: "Virtue is as good as Suk Kim; "Tao is finished, it is like a gem." It seems that the word bandit is not only derogatory, but also positive. If this sentence is used to describe Hu Jinlai, a calligrapher and seal engraver, it is no longer appropriate.

Hu Jinlai, 1954 was born in Huailai, Hebei Province, and has lived and worked in Datong, Shanxi Province for a long time. He is currently a member of the lettering committee of China Calligraphers Association, vice chairman of Shanxi Calligraphers Association and chairman of Datong Calligraphers Association. His works have participated in the 3rd and 5th National Calligraphy and Seal Cutting Exhibition, the 4th Seal Cutting Art Exhibition and the 7th China Youth Calligraphy and Seal Cutting Exhibition. He has been invited to exhibitions in Hongkong, Taiwan Province, Korea and Japan for many times, and his works have been collected by many museums at home and abroad. Judge of the 9th National Engraving Art Exhibition.

Hu Jinlai's calligraphy seal cutting has gone through three stages.

The first stage is his youth. Hu Jinlai showed his artistic talent when he was in his twenties. His calligraphy and seal cutting works participated in the third exhibition of calligraphy and seal cutting organized by China Calligraphy Association very early. He is good at official script, selected from Ode to Shimen, Fang Heng Monument, Yiying Monument and Book of Rites Monument. He organically integrated the vigorous spirit of cliff stone carvings with the elegant and pure spirit of temple stone carvings, highlighting its greatness and strength. His seal cutting, like official script, is not only broad and powerful, but also slightly domineering. Of course, this is related to the regional environment. Datong, located outside the Great Wall, was once a place where many nationalities lived together, and was called Pingcheng in ancient times. The Spring and Autumn Period was occupied by the Northern Emperor, the Warring States Period was built by Wuling in Zhao Haoqi, and the Qin and Han Dynasties were under the jurisdiction of Xiongnu. Hanwu conquered the Huns in the desert and was once the first place to take it. Tuoba Xianbei built its capital here and became an important town of Hu culture in the north. Since then, after the Sui and Tang Dynasties, it has been owned by Qidan and Nvzhen, and it goes without saying that the Yuan Dynasty was unified. In the Ming Dynasty, it was an important town of Jiubian, and in the Qing Dynasty, it was the seat of the side hall. Therefore, since ancient times, Hu and Han have lived together, and their customs are different from those of the Central Plains. Folk customs are tough, faith is more important, and culture is vast and magnificent. Having lived here for a long time, Hu Jinlai will be influenced by the atmosphere here. Frank, frank and resolute are not only his character, but also his book style.

The second stage is his book engraving era. In the mid-1990s, although Hu Jinlai participated in many national exhibitions and other activities, his main energy was still on micro-sculpture. His micro-sculpture is different from just carving a long story on a stone, and it needs to be enlarged to be impressive. It is a combination of calligraphy and seal cutting. Taking the famous stones in Shoushan and Bahrain as examples, the brief chapter and the official seal are integrated. Everything that can be carved in stone is good. Or engrave the prose of ancient masters, take the wind of "two kings", Su and Mi are meaningful, vivid and complement each other. It not only matches the famous stone, but also matches the book style. Therefore, it is deeply appreciated by collectors in Hong Kong and Taiwan and treasured by museums.

The third stage is after he is fifty years old. Confucius said, "You know your destiny at fifty." What is fate? It may be innate nature, which is what Buddhists call "true colors." Probably aware of this, he returned to the road of copying ancient posts and returning to nature, thus finding the root of calligraphy art, as Sun's Book Score said: "The distribution of beginners should be fair; Since we know that justice is right, we must pursue danger and find justice. "So, his official script is more peaceful and less domineering. Not only that,

He also dabbled in cursive script. It should be said that in his micro-engraving calligraphy, when his cursive script was chosen as the object, he immediately grasped its style. Dead vines and old branches are intertwined, and the natural picture is vividly on the paper. In recent years, Hu Jinlai has held more and more positions in calligraphy, from the lettering judge of China Book Association to the vice chairman of provincial book association, and then to the chairman of municipal book association, it can be said that all three classes hold the most important positions. This kind of post is actually to serve the society. Especially as the chairman of Datong Book Association, he has done a lot of exhibitions and foreign exchanges, which is indispensable. But this does not affect his pursuit and efforts in calligraphy. His calligraphy style is more and more vigorous and diverse. So, "Poetry? Feng Wei? There is another sentence in "Seven Ao": "There are bandits and gentlemen, such as sharpening." This is a portrayal of his artistic pursuit.

Yao was born on 20 12 1 1 month 1 day.