People with small and regular handwriting and weak pen pressure are very delicate, if not independent.
When writing, people who are serious and angular are knowledgeable, sensitive and organized.
People who are connected with words and like to write contact notes are all positive and adaptable.
People with long words are distinguished.
People with short glyphs are cheapskates.
At the end of the article, people who like to write pointedly have a bad heart.
People who use more words (such as the word' he', put it in the upper right or lower right) are abandoned houses.
People who write the word "scholar" above the word "Ji" as "earth" are impatient.
Try asking someone to write a "ten". If the strokes of "1" stop, they are still very powerful and determined.
2. How can I write neatly and beautifully? 1. Which font should I practice from? The traditional way to learn calligraphy is to start from Tang Kai, and practice Nanbei Han Liqin seal script on the basis of writing regular script in reverse time.
Another way of thinking is that starting from the immature characteristics of young people's hand muscles, we can start from Qin Zhuan, which has not changed much, from cursive script to regular script. These two concepts have their own reasons.
However, I think the hard pen calligraphy we learn is essentially different from the brush calligraphy mentioned above. We can't follow its practice method, and we can't be confused by the traditional concept of learning brush first and then learning hard pen. Hard pen is widely used now. If you can't write China's calligraphy well, you can still write well. There is no need to take a detour.
What font should I practice in hard pen writing? In my opinion, starting from the characteristics of young people's hand muscle development and the characteristics of uniform strokes and less changes in hard pen calligraphy, we should start with fonts that never require fast strokes and heavy changes. It is best to print in bold. The beauty of this font mainly lies in its structure. We can master the structure of fonts by trying to figure out and analyzing bold.
On this basis, you can choose your favorite font according to your personality and hobbies and practice hard. 2. What should I practice when practicing calligraphy? First of all, practice your eyesight, that is, read the posts carefully.
Huang Tingjian, a calligrapher in the Song Dynasty, said: "The ancients learned to write, not all of them copied. They often hang ancient calligraphy works on the wall, watch them intently, and decide to start writing. " Ou Yangxun in the Tang Dynasty found the inscription written by Suo Jing in the Jin Dynasty, and was reluctant to leave, so he sat down and read it for three days.
The more posts you read, the higher your horizon, and you will know how to write. There is an idiom called "eyes are superior but eyes are inferior". I think: eye height is the premise of hand height.
If you can't find beauty, you don't know what beauty is, let alone create it. Many students think that scribbling is the so-called running script, and the reason why ugliness is beautiful is because "the eyes are superior and the eyes are inferior."
Secondly, we should practice our brains or our hearts. On the basis of careful observation, we should keep well-written model figures firmly in mind and engrave their glyphs deeply in our minds. Whenever the word is mentioned, we can immediately guess the shape of the word on the copybook.
Do it with confidence and words in your heart. Third, we should practice our hands.
Practice your eyes and brain to find out how to write words. You can think of the best effect of words in your mind, but it may not be written in your hand, because your brain may not be able to command your hand, and your hand may not be able to command your pen.
Hand training is to achieve the consistency of heart and hand and handwriting, so hand training is also very important. Hand training mainly refers to strength, wrist strength and hand feeling.
If you write for a long time, you will feel sore fingers, sore wrists, hands that don't work, and exercise more. This phenomenon will disappear. Students who often help teachers copy questions on the blackboard and students who run blackboard newspapers often write quickly and well. This is how their finger strength and wrist strength are trained.
Also pay attention to practice the sense of touch, let the brain command the hand, and feel that the pen has become a part of the hand and an extension of the hand. Hands can easily command the pen, think fast, think slow, think light, think heavy, and write whatever effect you want. Fourth, we should practice structure, because the key to practicing Chinese characters is to master the structure of Chinese characters.
The structure of a word refers to the proportion of stroke length and the relationship between strokes. Xie Xiaodong sang in the song "China People": "The favorite character is the square character taught by Mr. Wang, and the square character should be like him …" The square character summarizes the structural characteristics of Chinese characters.
I have mastered the structure of Chinese characters, and I have written square and beautiful bold characters. With a little change of strokes, I can write Chinese characters in various fonts, such as Song Ti, Wei Ti, Kai Ti, Imitation Song Ti, Pang Ti, Sima Ti and Li Shu. If you can't master the structure of Chinese characters, no matter how the strokes of Chinese characters are decorated and beautified, they are ugly.
Therefore, mastering the structure of characters and writing bold characters is the key and foundation for practicing all fonts. Fifth, we should practice strokes.
Many students have practiced calligraphy. Since they began to practice regular script, they have forgotten many writing rules and only remember pens. As a result, the words written are very cumbersome, like ghost symbols.
I advocate practicing in bold, mastering fonts and canceling pens. Let me introduce some common strokes and the common problems of most students in writing these strokes: ① At a certain point, there is a stroke movement from the upper left to the lower right.
Note that "points" are also long and cannot be rounded into points. (2) Put the pen horizontally and divide it equally from left to right.
The key is to be "horizontal and vertical", not high at one end and low at the other, nor wavy. The length should be controlled according to the font of the square characters, not too short or too long.
(3) vertical pen, vertical pen from top to bottom. The key is "vertical to be straight", and it can't be skewed left and right, let alone written as a vertical hook.
The length should be controlled according to the font of the square characters, not too short or too long. (4) Left, from the upper right to the lower left, no dots or horizontal left.
⑤ Folding: When writing a folding pen, the folding angle should be square, not round. Don't put the pen heavily on the corner and write it as two obtuse angles from the shoulder, but as a right angle.
The words written in this way, if written with a ballpoint pen, are small round artistic words similar to matchsticks; If you write with a pen, it is in standard bold type. Although the strokes are monotonous, they are beautiful as long as the structure is accurate.
Just like squatting is the basic skill of practicing martial arts, horizontal and vertical is the basic skill of writing Chinese characters. Many people can't write well because they are uneven, vertically arranged and inaccurate in structure.
If the structure is wrong, no matter how rich the strokes are, you can't write good words. 3. General steps of practicing Chinese characters On the basis of practicing bold characters, mastering the structure of Chinese characters and practicing basic skills, you can choose your favorite fonts for practice.
The process of choosing fonts is called post selection. On the basis of selecting posts, it goes through five steps: reading posts, describing posts, copying posts, carrying posts and creating posts. The first step is to read the post.
We all know the pronunciation of the posted Chinese characters, so we don't need to read them any more. Read what? Read fonts, read structures, read strokes, and analyze the relationship between stroke characteristics and strokes of Chinese characters.
For example, when we read the word "Zhong" in bold, we should read that a vertical line of the word "Zhong" passes through the middle of the word "Kou", and the horizontal length of the word "Kou" is twice as long. The long vertical line in the middle is divided into two sections with the same length by the lower horizontal line of the word "buckle", and the upper section is covered by the word "buckle".
3. Poor handwriting, how to write beautifully and master the correct posture.
Whether you are sitting or holding a pen, you should be standardized. Don't sit askew, pay attention to methods and skills when holding a pen.
Start with regular script. If you want to write well, you need to write the font neatly first.
There is no distinction between good and bad characters, and neatness is the standard to measure fonts. Therefore, writing should start with regular script, and it is best to write it on the post.
Don't touch the ten cold. You need patience to write well. You can't fish for three days and dry the net for two days, and don't expect to practice writing well at once.
Keep practicing and write a few strokes when you have time. After a long time, you can naturally write well. Don't flatter yourself.
Many people think that their handwriting is good, which is a misunderstanding. Whether the handwriting is good or not is evaluated by others, not by yourself.
Writing neatness is the foundation. Writing zd neatly is the basis of writing well.
The neat font is easy for others to recognize, and you can get a lot of points in the exam, especially in the composition exam. Therefore, mastering the basic frame structure and writing neatly is an introductory course of calligraphy.
Can be self-contained. On the basis of neat handwriting, you can play freely, and that is the realm of art.
There is no fixed method for calligraphy, and formal beauty is the highest realm of calligraphy.