Tian Meiyun's traditional Chinese paintings have inherited the ancient laws and developed in today's world. In addition, Tian Meiyun has read many poems and books, and the university is a teacher with a strong literati atmosphere. Therefore, his paintings are unique, unique in the field of Chinese painting and attracted by art investors. His works have reached the high point of hammering many times and become the hot spot of art investment. ?
To understand the skills of Tian Meiyun's works, we can appreciate his boneless masterpiece Jade Hall with Wealth. In the painting, peonies, bamboos and birds are introduced into the country, with clear meanings and scenic spots, which are very popular.
From the details, Tian Meiyun's pen is quite delicate, meticulous, meticulous and full of wrist power. Fine pen hook god, high-spirited Musical pen imitation, with thousands of gestures. The peony in the painting, because of its classical brushwork, perfectly outlines the graceful figure of the peony, one branch, one leaf and one bud, which are all proud shapes of the painter's pen and convey the temperament of the court brush Zhuang Su. Because Tian Meiyun, as a female painter, is as soft as water, she writes lines, blends in with the femininity of women, neutralizes Zhuang Su, who is overweight in court brushes, and derives a feminine and agile spirit. Therefore, Tian Meiyun's painting of peony not only embodies the Chinese style, but also melts the beauty. Tian Meiyun's peony is more natural and ecological, rich but not arrogant, expensive but not arrogant, condensed but not stagnant, dragged but not floating, and it is the top grade of boneless peony.
? Tian Meiyun's description of bamboo in Yu Tang Fu Gui is as accurate as painting peony, and his meticulous ink painting style is also vivid on paper. Its bamboo is full of poles and leaves, which is very picturesque and poetic. Seeing that bamboo is pleasing to people, meeting a gentleman and being beautiful will greatly please people. Tian Meiyun brush ink, multilayer, distinct layers, alternating tones, mixed thickness. Even a bamboo knot can be seen that the ink color changes greatly, and a bamboo leaf also has the mystery of ink color blending, showing the management meaning of Moyutang. Because of the originality of ink color, Tian Meiyun's boneless painting is very suitable for hall decoration, which can show the elegance of the owner and please the guests.
? In the process of practicing painting art, Tian Meiyun focused on the painting spectrum of Qiaozi Academy, and his works were deeply influenced by the basic techniques of painting spectrum. Therefore, Tian Meiyun is spineless, his brushwork is obedient, his brushwork is chapter-cutting, his skill is good, and his Chinese paintings are better than China's in composition. For example, the composition of Chun Yan is a masterpiece of composition. There are a lot of flowers and branches in the upper left of the work to express the meaning of spring, which is based on form and meaning. Draw a sudden stone in the lower right corner. Although the space occupied by outburst rocks is small, its quality is hard. It uses a hard and dry pen to create the potential of rocks and inherit the mature shapes on them. It can be said that it is both rigid and flexible, and the layout well interprets the artistic conception of Chinese painting. The birds in the middle are lifelike and come into being at one another, adding a sense of life and charm to the picture. In addition, the picture is blank, showing a sense of space and atmosphere, with far-reaching artistic conception. This composition was not built in a day, and it requires the painter to have a deep foundation and a strong understanding and grasp of the significance of China's painting.
In addition, Tian Meiyun's small freehand brushwork is also profound and beautiful. His little freehand brushwork "Happiness, Luck and All the Best" is full of spirituality, enjoying itself and having both form and spirit. The pen is unique, the ink is exquisite, and the scenery is exquisite. No matter whether it is placed in the shed, it is vivid and vivid. Huang Yongyu, the master of art, was very happy to see Tian Meiyun's works. He commented that flower-and-bird painting is the latest painting in the development of Chinese painting, but its artistic norms and brushwork are not tolerated because of its lateness. Chinese painting can be unique, and using a pen is one of the fundamental reasons, that is, people often say that "the bone method uses a pen, and calligraphy enters the painting." Meiyun's flower-and-bird brushwork is simple but not simple, simple but not thick, simple but not slow, and quite has the spirit of "women don't let men". From her works, we can also see beautiful lines, clever colors, meticulous management, complexity without chaos, simplicity without dispersion, clever and changeable grasp of the rhythm and rhythm of nature, construct a moving picture, and give flower-and-bird painting a brand-new artistic belief. Visible, Tian Meiyun's painting attainments have reached the point of perfection.
Tian Meiyun has held many exhibitions at home and abroad with his superb attainments in traditional Chinese painting, which has caused many sensational effects. Today, this exquisite and agile artist's boneless painting techniques have been awarded the third batch of intangible cultural heritage inheritors by the state. Now she is painting the picture of the world with exuberant creativity, beautifying our lives.
? CCTV painting and calligraphy art critic and special artistic director of Huayi Shu Yun Culture Media Co., Ltd.? Tian Jixue.2065438+April 8, 2007.