Zhu Yunming (1460- 1526), whose real name is Xizhe, was named Shan Zhi because his left hand had six fingers at birth, and was also called "Zhu Zhishan" and "Zhu Jingzhao". Changzhou (now Wuxian, Jiangsu) people. Ming Hongzhi for five years (1492) served as the magistrate of Xingning County, Huizhou Prefecture, Guangdong Province. In the first year of Jiajing (1522), the official arrived in Yingtianfu (now Nanjing). In the second year of Jiajing (1523), Li returned due to illness. Jiajing died in the fifth year (1526) at the age of 67. Zhu Yunming has shown many artistic talents since he was a child. At the age of five, you can write big characters, and at the age of nine, you can write poems. Zhu Yunming specializes in calligraphy and is also good at poetry. His books, Li, Kai, Xing and Cao all worked hard, especially cursive. His poems are rich in materials and the words are quite beautiful; His writing style is even more exotic and unrestrained. Handed down from ancient times, Mo Ben, Cao Shu, Poems of Falling Flowers, Fu to Luoshen and Fu to Front and Back on the Red Wall are his representative works. He is the author of Huai Xing Tang Ji (30 volumes), Su Cai Bian Xiao, Zhu Xi's criminal knowledge, Reading Notes and Qian Wen Ji. And wrote xingning county annals. With Tang Yin, Wen Zhiming and Xu Zhenqing, they are also called "four gifted scholars in Wuzhong". In the mid-Ming Dynasty, Suzhou, China was developed in industry and commerce, and there were many literati. Zhu Yunming, Wen Zhiming and Wang Chong, the "three great masters in Wuzhong", all grew up in Suzhou, and their achievements in calligraphy art are outstanding and far-reaching. They are the representative calligraphers in China in the middle of Ming Dynasty, and occupy an important position in the history of calligraphy in China. The achievements of calligraphy art in the middle of Ming Dynasty, represented by Zhu, Wen and Wang, lie in their bold innovation and unique style on the basis of inheriting the excellent calligraphy art tradition of Wei, Jin, Tang, Song and Yuan Dynasties, which broke through the cover of "pavilion style" in the calligraphy world since the early Ming Dynasty, swept away the "decadent school" and opened up a new road of calligraphy art, and was called "the revival of calligraphy world" in Ming Dynasty. Among the "Three Schools in Wuzhong", Zhu Yunming's achievements in calligraphy art are the most outstanding. In the Ming Dynasty, Wang Shizhen commented in the Book of Changes: "The calligraphy in the world belongs to Wu, and it is willing to be the best, and the text is waiting for the Ming Dynasty, following the love of Wang Gongshi." The book Ming Shan Cang claims that Zhu Yunming's calligraphy is "the first in the country", and Zhu Yunming had excellent conditions to learn calligraphy when he was young. He is the grandson of Xu Youzhen, a famous calligrapher in Ming Dynasty, and the son-in-law of Li Yingzhen. Xu Youzhen was good at cursive writing, and studied under Zhang Xu and Huai Su in the Tang Dynasty. Young-jin Lee's seal, official, mold, thread and grass all work. Zhu Yunming studied under two elders and became the most representative calligrapher in the middle of Ming Dynasty. Wen Zhiming summed it up as: "At an early age, the model method was elegant and honest, practical, bold and unconstrained, and formed its own family out of the beauty of the older father and the beauty of the second father." As an adult, Zhu Yunming attached great importance to the study and reference of traditional calligraphy art, and directly absorbed nutrition from the calligraphy of Wei, Jin, Tang, Song and Yuan Dynasties. Ancient places of interest abound. Wang Shizhen said in "Yi Yan Yuan": "Jing Zhaokai has been in charge of Meishan, Zhang Yu and Xiangyang since Changyuan, Erwang, Yongshi and Secret Supervisor, and it is impossible to write works." "I hope that the philosophy book is exquisite, and when I am in a hurry, I will catch it in (Heather) Zhao (Meng Wei). For thousands of years, I failed to learn its structure and became famous. Zhu Yunming wrote in "Famous Books on Huai and Wen Style and After Gu Sixun's Collection": "All modern schools are based on books. "This is a high summary of Zhu Yunming's correct handling of the relationship between inheritance and innovation in the practice of calligraphy art, and it is also an important reason for his outstanding achievements. On the basis of observing the traces of ancient calligraphy and mastering the brushwork and statutes of all kinds of calligraphy, Zhu Yunming can seriously understand the temperament and momentum of all kinds of calligraphy, tacitly understand its brushwork, font structure and composition, and successfully integrate all kinds of statutes and verve into one furnace, making the best use of everything, and sometimes bringing forth new ideas and writing freely. This method of "taking meaning" and its artistic practice made him the most accomplished calligrapher at that time.